Themes of Love and Revenge in Shakespeare's Hamlet Essay

Hamlet is considered to be Shakespeare's most famous play. The play is about Prince Hamlet and his struggles with the new marriage of his mother, Gertrude, and his uncle and now stepfather, King Claudius about only two months after his father’s death. Hamlet has an encounter with his father, Old King Hamlet, in ghost form. His father accuses Claudius of killing him and tells Hamlet to avenge his death. Hamlet is infuriated by this news and then begins his thoughts on what to do to get revenge. Hamlet and Claudius are contrasting characters. They do share similarities, however, their profound differences are what divides them.Hamlet was portrayed as troubled, inactive, and impulsive at times. Hamlet is troubled by many things, but the main source of his problems come from the the death of his father. “Oh, that this too, too sullied flesh would melt, thaw, and resolve itself into a dew, or that the everlasting had not fixed his canon 'gainst self-slaughter” (Act 1, Scene 2). In this scene, Hamlet is contemplating suicide, which is caused by the death of his father and the new marriage of Gertrude and King Claudius. This scene shows the extent of how troubled Hamlet is. Even though Hamlet’s father asked him to avenge his death, Hamlet is very slow to act on this throughout the play. “Now might I do it pat. Now he is a-praying. And now I’ll do ’t. And so he goes to heaven. And so am I revenged.—That would be scanned. A villain kills my father, and, for that, I, his sole son, do this same villain send to heaven” (Act 3, Scene 3). This scene shows King Claudius praying, while Hamlet is behind him drawing his sword but decides not to kill

Hamlet seems to be the one who lets things dwell in his mind before taking any action or making an attempt at trying to get on with his life. After the death of his father he becomes depressed and gradually becomes enraged with his mother's

In this case, Hamlet is obsessed with yet unable to act out his revenge since he is a man of thought and reflection, not of action and impulsiveness. "Revenge, said Francis Bacon in his essay on the subject, is a kind of wild justice, and something in Hamlet is too civilized for stealthy murder," says Northrop Frye (Frye). While he knows it is his duty to avenge his father's murder, Hamlet's desire to fulfill this obligation constantly wavers. In self-pity he cries, "O cursed spite / That ever I was born to set it right!" (1.5. 188-189), and yet in rage he utters, "Now could I drink hot blood / and do such bitter business as the day / Would quake to loot on," (3.2. 397-399). Hamlet hesitates numerous times to fulfill his duty to avenge his father, and in the end he must actually convince himself to kill Claudius. "... I do not know / Why yet I live to say 'This thing's to do', / Sith I have cause, and will, and strength, and means / To do't... / ... / O, from this time forth, / My thoughts be bloody, or be nothing worth!" (4.4. 43-46, 65-66). This unusual flaw leads to Hamlet's inevitable demise, and is the most convincing evidence that Hamlet is, indeed, a tragedy. The protagonist, however, is not the only character in the play that experiences a want for revenge. Shakespeare uses all three of the sons seeking vengeance to reveal the complexity of the human yearning for

In Hamlet, Shakespeare uses revenge as a major theme present throughout the work. Revenge plays a crucial role in the development of Fortinbras, Prince of Norway, Hamlet, Prince of Denmark, and Laertes, son of Polonius. All three men seek revenge for the murder of their fathers. Revenge can be interpreted as a separate character in Hamlet. Revenge is set to overcome anyone who seeks it. Initially, after each of the murders, every son had a definite course of action to obtain vengeance. Or in Hamlet's case the choice was to seek no vengeance. As the play unfolds, each young man approaches the desire for revenge and chooses a different path towards gaining it based on the guidance of another character in

In the book of Hamlet there were many opportunities to take his revenge but Hamlet found reasons not to. He always found ways to procrastinate until the end of the book. It came to a point where he was a danger to everyone around him. If he would have killed Claudius the first chance he got many lives could have been spared. Hamlet has proved throughout the story he had difficulty taking his revenge by killing King Claudius.

Hamlet doesn’t think it would be just to kill Claudius now because it would be basically sending him “to heaven” which Hamlet does not want. He wants to take what he perceives as the nobler path of catching Claudius in sin and send him to eternal damnation, where Hamlet’s father supposedly roams. To what seems like noble justice to Hamlet leads him to continuously postpone his revenge. Hamlet is not interested in making himself king, rather he is more interested in killing Claudius the, truthfully, unchristian way. Hamlet does not want Claudius to repent and absolve of his sins. Although Hamlet calls Claudius a “villain”, it makes the reader ponder if the executioner of the villain is always the “hero”. So far in the play, Hamlet does not show any characteristics of a traditional hero as he broods and shows temper tantrums. Using his false sense of righteousness, Hamlet waits for the right chance to exact his noble “revenge”.

Now Hamlet uses a rational “now he is praying; And now I'll do't./ And so he goes to heaven;/ And so am I revenged. That would be scann'd:/ A villain kills my father; and for that,/ I, his sole son, do this same villain send/ To heaven”(p.79). Hamlet uses this “logic” to further justify his inconsistency between his actions and his motive. Finally, during the last scene, Hamlet encounters yet another chance to avenge his father’s, and now also his mother’s murders after his fencing match against Laertes. Claudius tries to kill Hamlet by poisoning him, and poisons Gertrude instead; this is the final breaking point of Hamlet. After the death of his mother Hamlet, can no longer hold back and strikes his foil through Claudius’s heart. Then, he forces the poisoned wine down his throat. This occurrence yet again shows Hamlet’s indecisive character. He plans out the vengeance of his father’s death so many times perfectly, but kills Claudius without a plan and everyone witnesses the murder.

Hamlet does not only value his own morality, but also the morality of others. Besides worrying about his own morality, his mother's morality has much significance to him. As Robert Luyster states, "Hamlet would have Gertrude, like himself, become purified, but this can only be done through the acceding to consciousness' claim to be hard"(Luyster 77). Hamlet contemplates his every action. This problem eventually overwhelms him while also causing his madness. The depth of his thought concerning the murder of Claudius following Hamlet's play reveals his madness. "Reason and action are not opposed in Hamlet, but for most of the play, they fail to coalesce as either we or the characters would like them to" (Kastan 48).

In his play Hamlet, William Shakespeare frequently utilizes the word “revenge” and images associated with this word in order to illustrate the idea that the pursuit of revenge has caused the downfall of many people. He builds up the idea that revenge causes people to act recklessly through anger rather than reason. In Hamlet, Fortinbras, Laertes and Hamlet all seek to avenge the deaths of their fathers. Hamlet and Laertes manage to avenge their father’s deaths and in doing so, both rely more on their emotions rather than their reasoning, which eventually leads to their downfalls at the end of Hamlet.

“While seeking revenge, dig two graves - one for yourself”, as is what happens to those who take revenge, buried in their own unforgiveness. Francis Bacon’s idea of revenge attempts to bypass this problem of unforgiveness, with the forgiveness of the perpetrator. But not all revenge can be simply forgiven, which is the case in Hamlet; Francis Bacon also knows about this problem, but describes it in his own words with “The most tolerable sort of revenge is for those wrongs which there is no law to remedy; but then let a man take heed the revenge be such as there is no law to punish”(Francis Bacon 15). Sir Francis Bacon’s idea of revenge relates to Hamlet in how revenge is handled, the repercussions of acting in revenge, and its ability to change a person's thought process.

Hamlet really wanted the revenge on Claudius but was really on the fence of what to actually do to follow through with then plan. Claudius was brave to feel so free, as Hamlet had opportunities to take advantage of him and had plenty of hate towards him for more than one reason. The action Hamlet may want and outcome of it, may be completely different as to what his father would do or like him to do.

This all sets the stage for Hamlet’s mental state prior to learning that he was killed by somebody in his family. These themes of death and betrayal lead into the end of the first act when Hamlet is tasked by the ghost of his father to seek revenge against Claudius for what he did. Hamlet believes that he was “born to set it right” (1.5.190). The extremes of this line reveal that Hamlet believes that the whole reason for his existence is to avenge his father. This need for revenge drives Hamlet for the rest of the play. He wants justice for his father, but he also wants to punish Claudius for his murder and marrying his mother. He gives in to human nature when he starts striving to avenge his father’s death.

“If you seek revenge, dig two graves.” This ancient Chinese proverb explains the mood in Hamlet, a play, written by Shakespeare. The theme of revenge is seen throughout the play as each character extracts one form or another of revenge from a person who has wronged them. In the play the characters Hamlet, Laertes, and Fortinbras all desire revenge for a lost father; however, their motivations for murder differ.

According to Kastan, “Hamlet is prevented from enacting his revenge by the discomforting ratios that his literary imitations generate” (4). He is also stopped from executing his revenge because of his inability to separate himself from his father, to be different from what generated him (Kastan 4). By this point, Hamlet is no longer caught between whether to avenge his father or not, it is that he no longer realizes whether he is doing this for his father or for himself. When Hamlet finally does kill Claudius, he does it to avenge not his father, but himself (Kastan 4). “Hamlet dies with no word of the father he has sworn to remember” writes David Scott Kastan, “The act he finally

Hamlet is one of Shakespeare’s most well-known tragedies. At first glance, it holds all of the common occurrences in a revenge tragedy which include plotting, ghosts, and madness, but its complexity as a story far transcends its functionality as a revenge tragedy. Revenge tragedies are often closely tied to the real or feigned madness in the play. Hamlet is such a complex revenge tragedy because there truly is a question about the sanity of the main character Prince Hamlet. Interestingly enough, this deepens the psychology of his character and affects the way that the revenge tragedy takes place. An evaluation of Hamlet’s actions and words over the course of the play can be determined to see that his ‘outsider’ outlook on society,