Things Fall Apart and the Case Against Imperialism

Upon an initial reading of Chinua Achebe’s Things Fall Apart, it is easy to blame the demise of Okonkwo’s life and of the Umofia community on the imperialistic invasions of the white men. After all, Okonkwo seemed to be enjoying relative peace and happiness before then. He did have a few mishaps; one of them resulted in him being exiled for eight years. Nonetheless, he returned to his home town with high spirits and with prospects of increased success. However, everything has changed. The white men have brought with them a new religion and a new government. Okonkwo’s family falls apart. The men in his village lose their courage and valor; they do not offer any resistance to the white men. Consequently, Okonkwo kills

In order to not become like his father, Okonkwo consciously strives to be prosperous, violent, resourceful, unable to show “soft” emotion, and denies music orientation. “And no Okonkwo was ruled by one passion—to hate everything that his

9. “Okonkwo’s first son, Nwoye, was then twelve years old but was already causing his father great anxiety for his incipient laziness. At any rate, that was how it looked to his father, and he sought to correct him by constant nagging and beating. And so Nwoye was developing into a sad-faced youth.”

Okonkwo wrestles with his fear that any sign of weakness will cause him to lose control of his family, position in the village, and even himself. Like many heroes of classical tragedy, Okonkwo’s tragic flaw, fear, also makes him excessively proud. Okonkwo’s downfall is a result of the changes created by the coming of the British Colonisers to Igbo. The introduction of the Colonisers into the novel causes Okonkwo’s tragic flaw to be exacerbated. Okonkwo construes change as weakness, and as a result of his interpretation, Okonkwo only knows how to react to change through anger and strength. He derives great satisfaction, “hubris” or proud arrogance, from the fact that he is a traditional, self made man and thinks that to change would mean submitting to an outside force (Christianity).

Okonkwo continually rejected the ways of his father, who was deeply indebted to other members of Umuofia, holding no titles, to the point where Okonkwo’s “whole life was dominated by fear, the fear of failure and of weakness” (16). He transferred his fears into the context of Umuofia and the traits that society valued, but what was really the driving force in his decisions “was the fear of himself, lest he should be found to resemble his father” (17). The values of Umuofia resembled the polar opposite of what Unoka was and Okonkwo twisted his motivations around in his mind and presented them to himself and the community as derived from Umuofia’s traditions. From this delusion, Okonkwo established his ultimate goal of becoming a revered member of the village, possessing many titles, and achieving anything necessary displaying his prominence in the community.

Through the character of Okonkwo, Achebe illustrates the dangers of being selfish. Although successful, Okonkwo is one of the most aggressively selfish men among the Igbo people based on his self-centered needs and desires. This characteristic is prevalent throughout the entirety of the novel, and there are always consequences to his actions. For example, Okonkwo is fond of calling men “women” to make himself look more masculine. He does this to Osugo in front of a group of men in a meeting. “Okonkwo knew how to kill a man’s spirit. Everybody at the kindred meeting took sides with Osugo when Okonkwo called him a woman” (Achebe 26). Since the other men sided with Osugo, Okonkwo’s punishment for this narcissistic outburst is embarrassment. Continuing,

After Nwoye’s childhood, he discovers the trouble he has with pleasing his father, and Okonkwo always contradicts Nwoye about not having the same or even more status as Okonkwo had when he was his age. Nwoye will never be the “great farmer and great man” Okonkwo wants him to be, during society at this time, opportunity to achieve success and prosperity through hard work, determination, and initiative was very admirable (33). With the type of negative feedback, Nwoye receives from his father saying that he will amount to nothing, shows how Nwoye develops insecurity with his identity as an Ibo citizen. Contradictingly, Okonkwo is very pleased and rather arrogant with his status in matter of the village. He is already one of the “greatest” men of his time starting from his youth when in Ibo culture age was respected. The setting of Nigeria plays a major role in the identity of Nwoye and Okonkwo seeing that prosperity for men at that time is having wealth and potent personality. Okonkwo was obviously successful in terms of riches; he owned a huge barn full with yams, the king of all crops, and has three wives. During this time Okonkwo lives a lush life and could not have been more proud of who he is identified as. Having the drive to accomplish significance in life, Okonkwo’s achievements were admired by most people in the village, showing “if a

-After Nwoye is lured into the Christian religion and abandons his culture and family, Okonkwo is ashamed and states, "you have all see the great abomination of your brother. Now he is no longer my son or your brother. I will only have a son who is a man, who will hold his head up among my people" (172). Nwoye's father disowns him only because he chooses a path untraditional to his culture. The serious, frustrated, and unhappy mood that is created in Okonkwo's statement gives the reader an idea of how much the Ibo culture values tradition, choice, and family.

Okonkwo treated his son and daughter very differently. The child-father relationship between Okonkwo and Nwoye was a distant and strained one while Okonkwo exhibited another type of feeling towards Ezinma which is filled with care and concern. This was due to the fact that Nwoye “was already causing his father great anxiety for his incipient laziness” whereas Ezinma was thought to have the “right spirit” and “alone understood [Okonkwo’s] every mood”.

One quotation that expresses Okonkwo’s view of manliness states Okonkwo “was always happy when he heard [Nwoye] grumbling about women. That showed that in time he would be able to control his womenfolk” (53). This quotation shows that Oknonkwo feels pleasure when his son displays signs of power, such as the control of the perceived weaker gender. Ergo, Okonkwo views the subordination of others by his son as an example of “masculinity.” This idea is further supported by the quotation: “No matter how prosperous a man was, if he was unable to rule his women and his children… he was not really a man” (53). Oknonkwo clearly considers utter authority of one’s nuclear family as a prerequisite to meet “manhood.” He literally states that a man without patriarchy in his family is not a man. Therefore, when Nwoye displays the early signs of this dominance, like the grumbling about his subordinate women’s issues, Okonkwo is finally considering his son “masculine” as shown by his happiness.

Okonkwo is initially introduced as a proud, hardworking, successful warrior. He is described as "clearly cut out for great things" (6). But he is the son of a ne'er-do-well father; though genial and inoffensive, Unoka must certainly have been considered a failure. He is lazy and does not provide for his family. Not only is this disgraceful, but life-threatening as well. He is dependent on other members of the clan and must have been considered unsuccessful. Okonkwo chafes under such disgrace and his success is a consequence of his desire to be everything his father is not; society's vision of an exemplar citizen. The fact that Okonkwo is able to rise above his poverty and disgraceful paternity illustrates the Igbo's acceptance of individual free will. But Okonkwo's fate and his disharmony with his chi, family and clan are shown to cause his ultimate disgrace and death.

The breakdown of Okonkwo’s relationship with his son is evident throughout this novel. The reason for this tumultuous relationship is, Okonkwo is too engrossed in maintaining his status quo, and his relationship was governed by his own beliefs, principles and his own “right way to do right things”. He treated his family very strictly as he believed that showing affection revealed a sign of social weakness; thus the disheartening lack of respect and love was a mal nourishing factor with in the family.

Throughout the book Chinua Achebe illustrates Okonkwo’s relationship with his father, Unoka, to be a negative, tenuous, and non-existent. At the beginning of the novel the reader can already start to tell the opposition of the two characters when Achebe introduces them. Unoka is portrayed to be, “tall but very thin and [have] a slight stoop. He [wears] a haggard and mournful look except when he was drinking or playing on his flute” (3). Unlike his drunken and lazy father, Okonkwo, “was tall and huge, and his bushy eyebrows and nose gave him a very severe look” (1). Okonkwo was fierce and strong while on the other hand is father was lazy, weak, and feminine. The reader can tell that Unoka and Okonkwo were extremely different which plays a

    A sense of foreboding envelops us from the first. We sense all will not end well for Umuofia. The chill of fear grips us as the world of Okonkwo and his clan truly falls apart. Okonkwo will need all of his power to fight the forces against his world, but tragically he is crippled by the most destructive malady of all, fear of himself. Achebe employs the form of classical Greek tragedy to tell his African tale of the rise and fall of Okonkwo.

In Of Woman Born (1977), Adrienne Rich unwittingly captures all the nuances of the African traditional social milieu when she describes patriarchy as: