Tidings Of Comfort And Joy

White Australians state “shame when [their] kids they die from colds or from sheer neglect. Shame when [they] live on the river banks. While collectin' [they’re] welfare cheques. Shame when [they’re] blind from trachoma. Shame when [they’re] crippled from blights.” The rhyming scheme in the stanza makes poem flow seamlessly constructing a conversational tone as if the narrator is speaking directly to the audience. This feature purposefully lulls the reader into agreeing with the white Australia’s arguments as it constructs an image that the Indigenous people are refusing to integrate themselves with modern society and suffering the consequences of those decisions. The mention of welfare cheques also contribute to the perspective that white Australians are attempting to mend the lives of Indigenous individuals, however this could not be further from the truth and message of this

Our knowledge of the generic conventions used in poetry influences our understanding of the text. “The Firstborn”, a poem by Aboriginal author Jack Davis, enables the reader to determine the poem as a graphic protest about the extinction of and discrimination against the Australian Indigenous people, and the loss of their ethnicity, as their world collides with the Western culture. By focussing on my understanding of both generic conventions and author’s context, I am able to conclude that the poem concerns a tragedy within the Aboriginal community.

Oodgeroo Noonuccal was an Australian poet, activist, artist and a campaigner for Aboriginal rights. Her poems ‘We are going’ and ‘Let us not be bitter’ conveys the loss of the Indigenous culture and how much they suffered because of this. Oodgeroo Noonuccal’s perspective on Aboriginal rights is impassioned, concern and worry for the loss of her family and home. She expresses these emotions using imagery, poetic structures and poetic techniques, such as inclusive language and symbolism, to strongly represent what she is feeling and how much the Indigenous people have suffered through.

Charlie articulates how he “never understood why you would ever feel the need to shoot the fish in the barrel… (if) they’re in a barrel, you’ve already caught them… they can’t escape... why bring guns into it?” Silvey’s use of characterisation and first person point of view portrays Charlie’s realisation of the community’s racial prejudice towards ‘the other’. The “fish” is symbolic of Charlie and how he is different to the people of Corrigan; who are like vultures – constantly seeking the chance to attack those that are considered the ‘minority’. Charlie’s close friend, Jeffrey Lu, is a gifted and committed cricket player who persistently tries to get himself in the local team, however, due to his Vietnamese background, “he’s ruthlessly bullied and belted about by the boys at school.” The emotive imagery and alliteration of “bullied” and “belted” further depict Charlie’s internal conflict in addition to his realisation of the community’s racial prejudice towards the peripheral of society. The use of emotive imagery positions readers to realise the extent to which powerful words can have; causing readers to recognise how crude and harrowing humankind can be towards the marginalised. Thus, Silvey effectively conveys to the reader how the indigenous race were isolated from ‘white Australian’ society; how intelligent individuals were ostracised; and, how groups of people with racially different backgrounds were isolated from mainstream Australian society.

Totem by Thomas King is a satirical short story about the issues in our country regarding aboriginals and their rights. He uses humour and allegory to open canadian's eyes to the more serious issues that we are faced with. The story is set in a Southwest Alberta Art Gallery and Prairie Museum. A place built by white men and representing in a sense, white man's canada. King uses the perspective of the museum staff, in order to see how they view and try to deal with the totem problem. from the perspective of the staff, this is an issue of tolerance. obviously, the aboriginals don't want to be tolerated, they want to be respected and treated as equals. King uses a strong sense of humour to emphasize the ridiculousness of that ideology. Using satirical humour in my opinion, is more appropriate than taking the issue of tolerance seriously.

Through the use of poetic devices, the author has successfully encouraged the audience to explore their thoughts on Australian identity and to reflect on our nation’s history.

Gilbert’s poem portrays many Aboriginals plight’s within Australia and conveys notions of despair, anguish and anger for his fellow Aboriginal comrades. Again, Gilbert uses strong visual imagery in “the anguished death you spread” which helps convey the persona’s feeling of horror and anger at the Europeans. This is further emphasised through the poet’s vehement and repetitive use of second person pronouns in “you” which conveys a sense of blame and accumulates into an accusatory tone and generates a strong sense of detachment between the author and the European settlers. Furthermore enjambment enhances the accusatory tone in “you pollute all the rivers and litter every road” because the lack of punctuation and pauses makes the lines sharp and quick, creating a sense of anger in the author. In addition the author’s use of metaphors in “humanity locked in chains” creates a sense of struggle and inability to escape the oppression the Aboriginals are in, whereby the word “chain” is symbolic for trapped and lack of freedom. Kevin Gilbert’s emotional poem brings light to the pain and suffering Aboriginals are going through, which is a stark contrast to the image of Australia, being a free and accepting

The notion of the contemporary indigenous identity and the impact of these notions are both explored in texts that have been studied. Ivan Sen’s 2002 film ‘Beneath Clouds’ focuses on the stereotypical behaviours of Indigenous Australians highlighting Lina and Vaughn’s journey. This also signifies the status and place of the Australian identity today. Through the use of visual techniques and stereotypes the ideas that the Indigenous are uneducated, involved in crime and the stereotypical portrayal of white people are all explored. Similarly the notion of urban and rural life is represented in Kennith Slessor’s ‘William Street’ and ‘Country Towns’.

Australia’s identity has always been a complicated one. Starting with Aboriginal genocide, 1800’s cowboys and villains, two world wars and a bunch of poems describing them, it makes it difficult to conclude on what being an ‘Aussie’ really is. Thankfully, the two thought-provoking poems Nobody Calls Me a Wog Anymore by Komninos Zervos, and My Country by Dorothea Mackellar both use their discerning selection of themes to reflect modern attitudes in some extent. Along with their themes, Nobody Calls Me a Wog Anymore and My Country both use their story to capture the attributes modern Australians possess to some degree.

Aboriginal women is sexualized, assaulted, and mistreated in today’s society, and the novel portrays this inequity. Lisa’s friend, Erica, was in Terrace, when Lisa witnesses her being harassed by a group of white men. The men were teaching Erica how to “fuck a white man,” when Lisa intervenes. The men call the girls “a squaw, “cunt”, and “bitch” (Robinson 250). The

The representation of Indigenous Australians in fiction and nonfiction texts are influenced by a range of factors. In the contemporary world of multicultural Australia, there has been a variety of ways groups of people are represented in texts. The Indigenous population is often portrayed in ways that strengthen harmful stereotypes. However, there are also a variety of positive outlooks and portrayals expressing their strength and achievements. In texts studied in year 8 English, the representation of Indigenous Australians in Crow country are characterized as outcasts and reflect cultural distinction. Newspaper articles regarding “Adam Goodes” demonstrates how preconceived thoughts from many Australians destroys sporting stars outlook upon

In “A Drug Called Tradition,” Alexie’s humor efficaciously shows the bitter reality on the reservation. For example, at the beginning of the story, Alexie uses humor to reflect poverty on the reservation. After Junior shouts at Thomas, questioning “[h]ow come your fridge is always fucking empty,” Thomas goes inside the refrigerator and sits down, replying Junior “[t]here…It ain’t empty no more” (Alexie 12). As seen in this example, having Thomas sit inside the refrigerator and reply in a humorous tone, Alexie is successful in mirroring the issue of poverty, or the bitter reality, on the reservation. This point can also be supported by Stephen F. Evans’s essay, "'Open containers': Sherman Alexie's Drunken Indians,” in which Evans discusses Alexie’s use of satire and irony in his stories and poems. As Evans claims that “[c]onsidered as a whole, the best artistic moments in Alexie's poems, stories, and novels lie in his construction of a satiric mirror that reflects the painful reality of lives,” this further verifies the argument that humor in Alexie’s stories helps reflect the bitter actuality on the reservation (49).

Babakieueria is a Satire film which focuses on how people are treated based on the skin colour, this film shows the relationship between Aboriginal people and White people. The type of Satire which is used is Junvenalian which is a rough, abrasive, rude type of Satire. The film was made in 1986 and directed by Don Featherstone who is an Australian filmmaker, his work includes documentaries about significant figures in Australian culture and arts. The purpose of the film is to show racism in society, how Aboriginal people are treated and the stereotypes about them as people and of their culture.

The episode “Story of a Brother” raises key issues regarding Aboriginal people in our modern society through the constant assumptions and judgement through stereotypical views that are associated with Aboriginals. This message is communicated through the use of a narrative structure in a casual and colloquial way but also the use of slang such as “his Bungies”, meaning his mates. The importance of the modern slang is to show the audience the relevance of it today as that it is occurring to this day. While the language form shows the relevance of this issue, language features such as the use of dashes and truncated sentence focuses on the issue and the stereotypical views that we see today. The use of dashes in the text is expressing the narrator’s thoughts and perspective of the situation, and it is also used to further explain a situation

Also, the personification of the trees “running up high” and “hugging the bank” (106) embodies how rooted and vast nature is. Inversely, when rivalled to the environment, the insignificance of humans is symbolized when the “little steamboat” (106) seems to be enveloped by the “massive, immense” (106) wilderness. The desperateness and dirtiness associated with the images of “a sluggish beetle crawling” (106) towards its destination and the “begrimed steamboat” (106) creeping upriver also seem to epitomize the powerlessness of