Michael Ray Underwood 111
Vallier
ELA 4
3-14-16
Tim Burton's Style Tim Burton has taken many opportunities as a director to show mood and tone through the way his movies are and different editing techniques. The films viewed included 'Charlie and Chocolate Factory', 'Edward Scissorhands', and 'Big Fish'. Through out the uses of lighting, sound, and editing, Tim Burton creates dark and delightful characters to convey his distinct style.
Firstly, Lighting is a huge and crucial part of the mood and tone of any movie. Low-key lighting which is dark and sinister like mood and always seems to be Burton first choice in lighting most of the time. Tim Burtons lighting techniques are completely original and unlike any others. In 'Charlie and the Chocolate Factory' there is a lot of low key lighting in and around the house. Very gloomy yet all the family members are up beat and happy. In 'Edward Sissorhands' there is a town in which Peg's town it is bright and cheerful. In fact, the world outside her house seems to be a perfect society. Unfortunately, in reality the town is hateful and doesn't except people who are different very well. Edwards house is very dark and dreary, but Edward himself is frightening
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The non-diegetic sound creates the mood of each scene. Haunting sounds set the pathway for fear of the characters and maybe even the viewer. During the opening credits of Burtons of 'Edward Scissorhands' creepy sinister music plays. The music and images shown puts the though that something is wrong in the viewers mind. The music basically states that a problem has occurred and during this film at some point it will be solved. Burton also uses sound to create mood. In 'Charlie and the Chocolate Factory' the Oompa Lumpas sing a song every time a bad kid is taken away. This is a unique way to tell the viewer that something is wrong with the the kid. 'Big Fish' ....3/17 After
Burton’s use of techniques results in an amplified outlook on gloomy or brightened scenes. His use of lighting and color in each individual film shows the effect of the two techniques. In Edward Scissorhands, Tim’s use of lighting behind Edward during the police scene made Edward
Indisputably, Tim Burton has one of the world’s most distinct styles when regarding film directing. His tone, mood, diction, imagery, organization, syntax, and point of view within his films sets him apart from other renowned directors. Burton’s style can be easily depicted in two of his most highly esteemed and critically acclaimed films, Edward Scissorhands and Charlie and the Chocolate Factory. Burton ingeniously incorporates effective cinematic techniques to convey a poignant underlying message to the audience. Such cinematic techniques are in the lighting and editing technique categories. High key and low key relationships plus editing variations evinces the director’s elaborate style. He utilizes these cinematic techniques to
Tim Burton is one of the most unusual and unique directors of our time. He brings characters to life by putting them in a habitat they don’t belong. His movies “Alice in Wonderland”, “The Corpse Bride”, “Charlie and the chocolate factory”, and “Edward Scissorhands” all demonstrate how one of a kind his movies are. Using cinematic techniques, Tim Burton points out the misfit character and shows how different they are then everyone else. His use of camera angles, lighting, and sound give the viewers a different perspective on the movies, and help pick out the individual character.
Another film that buron uses non-diegetic sounds in is Charlie and The Chocolate Factory. In the scene as Victor rehearses his vows, the music is proud and triumphant, but when Victor places the ring, unknowingly, on the bride’s figure the music changes to a dark and frantic soundtrack, which changes the mood of the crowd from being happy for Victor to being scared for him as he runs away from the bride. By changing the music as the scenes change, Burton is able to fluctuate the mood of the setting for the audience. Burton also is able to portray that Victor's mood is also changing. In addition to allowing the audience to gain a better understanding of the characters, Burton uses non-diegetic sounds to foreshadow the events that are about to happen, such as when the music changes suddenly to frantic music the viewers can predict that something bad is
Burton also uses sound such as diegetic and non-diegetic music and sound in order to advance the mood, feelings, and emotions of the audience. One particularly exceptional example of Burton’s use of sound is in the film Edward Scissorhands. Burton uses non-diegetic music in order to signify the relationship between Edward and Kim. He uses music that sounds almost like an angel singing in heaven while Edward is carving an ice angel. While Edward is at work, Kim spots the beautiful, white snow created by the beautiful sculpting of the angel and starts spinning and twirling in it, as if she’s never seen snow as dazzling as Edwards before. This symbolizes the relationship between Edward and Kim and the forbidden romance that will take place later on in the film as their feelings for each other grow deeper and deeper. This persuades the audience to root and cheer on Edward and Kim’s forbidden romance even though they know the love they both have for each other is pointless and will never work out because of their differences. Burton also uses diegetic sound in the film Charlie and the Chocolate Factory. He uses diegetic sound in order to urge the audience to feel mournful and enhance their mood to feel sorrow toward the former Wonka factory workers. In the film, he uses diegetic sound as the massive gates close to Wonka’s incredible factory. He does this to show the
For example, in the nut sorting room, when Veruca’s shoes are clicking on the floor, which is a diegetic sound. This creates the effect that everything has suddenly gone very quiet and anticipation is growing. But, in Big Fish, Tim Burton uses sound to make people feel many different things. For example, in the town of Spectre, when the townspeople were dancing, the diegetic sounds were all of the happy dancing music. This creates the effect of happiness.
Lighting is important to tell the mood of a film. Burton depicts sinister and scary images with low-key lighting. Tim Burton’s lighting techniques are completely unique. In “Edward Scissorhands“he contrasts lighting. Peg lives in a town that is bright and cheerful looking. Edward’s castle is depressing and gloomy. Tim Burton again shows off his
Director Tim Burton is brashly thought of as having a dark, macabre, and humorous style in his films. This being true, there is a multitude of ways that the style is created for the audience. Furthermore, Burton’s cinematic technique usage is a direct mark of creative exposure of this dark style throughout the duration of a film’s story. Director Tim Burton uses diverse cinematic techniques to create a variety of effects that represent his style of grim childlike misfortune, tampered by opulent optimism.
To begin, Tim Burton uses diegetic and non-diegetic sounds throughout many of his films to twist emotions throughout the film using music. One way he does this is in Big Fish when Ed Bloom shows up to his future wife's house with daffodils covering her front lawn. The tempo of the music picks up and the music sounds almost like everyone in the world could see how much he was in
Tim Burton uses lighting and color as one of his biggest assets. In Charlie and the Chocolate Factory, the look over the town has a dark and dull color appeal. This lack of color makes the small town feel poor and sad. In the movie Edward
Altogether, Burton uses these unique lighting techniques in his films to show his vision of good, innocent, protagonists.
Director Tim Burton once stated, “It’s good as an artist to always remember to see things in a new, weird way.” Burton is well known for his weird use of odd and creepy characters as seen in most of his movies. Burton allows his audience to see his thinking and world through his use of the same known actors, and how he is able to create a creepy and unusual mood. Furthermore, Burton creates his unique style of making movies through his use of Cinematic Techniques in order to create specific, intended effects. Movie director Burton creates his unique style of making movies through his use of Cinematic Techniques, such as Camera Angles, Lighting, and Editing, in order to create specific, intended effects in Charlie and the Chocolate Factory.
A style of lighting where a scene is flooded with shadows and darkness, creating suspense or suspicion is called low key lighting. For example, in his movie Edward Scissorhands, the scenery of the mansion where Peg explores and then later discovers Edward is dark and creepy. This shows that the low key lighting gave the audience a sense that Edward is scary when he really is friendly. Another example from his movie Edward Scissorhands is when Edward and Jim argue and fight in Edward’s dark and creepy mansion. This illustrates the dim and sad lighting that Tim Burton loves to use is displayed when they are fighting.
For example, in the film Charlie and the Chocolate Factory, Tim Burton uses non-diegetic music to point out emotions of the children when they are loose in the eatable room. By using music, Burton shows the children’s thoughts and emotion. Burton lets the viewer absorb a deeper understanding of each character. This also lets the viewer experience the candy room through each of the children perspective which creates a connection between the character and the viewers. Tim Burton also uses music and sound in the film Edward Scissorhands. When Peg makes her way into the garden of the mansion, Peg sees green and well design bushes of objects in the garden. This scene is companied by sounds of bells and strong presence of strings incorporated. These elements gives the viewer a childlike and romantic feeling. The music and sound playing the background can make the viewer feel warm in the inside and see Peg isn’t in danger. It can also make the reader why the garden is so nice and bright and the mansion looks dark and
Tim Burton uses cinematic techniques like low-key lighting, shot reverse shots, and non-diegetic sounds to make his character look more intense and seem more lively to the audience. Tim Burtons movies have so many thrillful events and characters. Like in the movie "Big Fish” by Tim Burton. The giant, Karl (Matthew McGrory) went around eating peoples farm animals because he was too big and too hungry. Well it turns out Edward bloom made his stories more extra then what had truly happened.