What makes a producer’s style unique? How does a producer’s style distinguish itself from others’ styles? In Tim Burton’s imaginative productions, Alice in Wonderland, Edward Scissorhands, and Charlie and the Chocolate Factory, one is able to identify Burton’s distinct style when peeling back the layers of his films. Summarizing these films, in Alice in Wonderland, a young woman is transported to the mystical wonderland, where she must defeat the forces of evil along with a journey of self-discovery. Next, in Edward Scissorhands, an unfinished project is discovered and integrated into the everyday lives of people in a nearby suburban town. The film shows how Edward, an unfinished man, tries to live an ordinary life and make deal with his …show more content…
Altogether, Burton uses these unique lighting techniques in his films to show his vision of good, innocent, protagonists. In comparison, antagonists in literary works are often associated with threat because they are seen as more powerful and strong, which Burton helps the viewer interpret though his use of low angles. In contrast to the White Queen in Alice in Wonderland, the Red Queen is regarded as evil and cruel, impressing upon the viewer in the scene where she ordered the execution of one of her frog servants because he ate her tarts that she is dominant over her subjects through oppression. This cinematic element transfers the perception that the Red Queen is stronger and more potent than she is, and makes her appear larger than normal. Similarly, low angles are used in Edward Scissorhands when Jim, an antagonist, is shown approaching Edward in a menacing manner. As Jim is being shown through a low angle, one infers that Jim is a threat because of the power and strength the low angle gives him. Burton uses these unique camera angles in his films particularly to show his darker, more threatening characters. The effect of the low angles that Burton portrays potential antagonists contrasts with the effect of the front and back lighting that he uses to characterize his protagonists. The cinematic elements’ effects often used in Burton’s films are always clearly transferred to the viewer and are impressionable, and the style in which Burton
Burton’s use of techniques results in an amplified outlook on gloomy or brightened scenes. His use of lighting and color in each individual film shows the effect of the two techniques. In Edward Scissorhands, Tim’s use of lighting behind Edward during the police scene made Edward
Indisputably, Tim Burton has one of the world’s most distinct styles when regarding film directing. His tone, mood, diction, imagery, organization, syntax, and point of view within his films sets him apart from other renowned directors. Burton’s style can be easily depicted in two of his most highly esteemed and critically acclaimed films, Edward Scissorhands and Charlie and the Chocolate Factory. Burton ingeniously incorporates effective cinematic techniques to convey a poignant underlying message to the audience. Such cinematic techniques are in the lighting and editing technique categories. High key and low key relationships plus editing variations evinces the director’s elaborate style. He utilizes these cinematic techniques to
Tim Burton is one of the most unusual and unique directors of our time. He brings characters to life by putting them in a habitat they don’t belong. His movies “Alice in Wonderland”, “The Corpse Bride”, “Charlie and the chocolate factory”, and “Edward Scissorhands” all demonstrate how one of a kind his movies are. Using cinematic techniques, Tim Burton points out the misfit character and shows how different they are then everyone else. His use of camera angles, lighting, and sound give the viewers a different perspective on the movies, and help pick out the individual character.
The best technique he used throughout the films was zoom. Burton used zoom to show characters emotions and to focus on something specific throughout the film. In Edward Scissorhands Burton zooms in on Edward as he is cutting the bushes in the town it showed that Edward is talented and used it to his advantage by helping out the community and that Edward is very artistic with his scissors.In Charlie and the chocolate factory He used zoom when Willy wonka opens the door to the edible room and increses excitment and anticipation.While this occurs they switch the camera over to the boom/crane and shows the whole room alowing the audience to see the whole room including the chocolate waterfall and the river. In Edward Scissorhands, High angles are used to make Characters seem lonely and small. When Edward gets trapped in jims house showing how small and helpless
From films such as Charlie and the Chocolate Factory to The Corpse Bride, director Tim Burton has charmed millions with his unique style and techniques. Tim Burton uses low-key lighting and non-diegetic sound in order to fluctuate the emotions, perspectives of the character, situations, and mood in order to show his audience that everyone is different in their own special way. To begin, Tim Burton uses low key lighting to manipulate different emotions within the audience and create suspense. In Burton’s film The Corpse Bride, when Victor is walking through the forest, repeating his vows over and over again, the lowkey lighting in the background creates creepy shadows making the forest look more threatening and intimidating.
Director Tim Burton uses lighting throughout his films in order to create a feeling of sorrow toward his characters. One example
In a lot of Tim Burton’s films, he uses sound, camera angles, and lighting to give off many different effects from menacing to feeling safe, and sympathy to
Burton manipulates shots/framing, editing, and music/sound to enhance the perspective of the audience and give them a meaningful and relevant story.
When a person watches a movie, and a scene with dim lighting shows up on the screen, that usually makes them feel tense and scared about what is going to happen next. Directors use cinematic techniques to convey feelings or connect with the viewer. In the movies Charlie and the Chocolate Factory, Alice in Wonderland, and Edward Scissorhands, Tim Burton uses flashbacks, diegetic and non-diegetic sounds, and high key and low key lighting to show a characters’ thoughts or past, create the mood of a scene, create suspense, and let the viewers know about the characters’ as if they personally knew each other.
In the film an atmosphere of suspense is created using various film techniques such as lighting, music and through the plot itself. The film also takes on a Gothic tone using different characteristics and techniques such as the settings, symbolism, emotions such as fear and the different atmospheres in the film. The director explores the theme of good vs evil through different elements and characters in the film generally following normal good vs evil stereotypes with some exceptions.
Tim Burton’s fictional worlds are ones of clear compartmentalization, quite often between literal shades of black and white. Through visual contrasts the audience is not only drawn into the plot, but also given explicit messages about how to interpret the actions and motives of the characters. His macabre art style and purposeful storytelling both hint at his rejection of the status quo; throughout his stories he reinforces the idea that normality is not synonymous with morality through the use of stark lighting contrast, yin and yang style settings, and costumes that are polarly different.
Director Tim Burton is brashly thought of as having a dark, macabre, and humorous style in his films. This being true, there is a multitude of ways that the style is created for the audience. Furthermore, Burton’s cinematic technique usage is a direct mark of creative exposure of this dark style throughout the duration of a film’s story. Director Tim Burton uses diverse cinematic techniques to create a variety of effects that represent his style of grim childlike misfortune, tampered by opulent optimism.
Tim Burton is a famed director known for his notorious, dark and adventurous movies. His films reflect the nature of unfortunate people and their stories, revealing their experiences— creating complex yet commonly known morals. Some of Tim Burton’s movies include, Charlie and the Chocolate Factory, Edward Scissorhands, and Big Fish. These fast pace movies have similar types of styles in which Burton manipulates and incorporates multiple times. His techniques of storytelling in these 3 films are developed with editing, lighting, and camera angles, to captivate the audience, and to express his own distinctive style of deep and eerie.
Throughout Burton’s films, one simple thought is true in all of them. From Miss Peregrine’s Home for Peculiar Children to Alice in Wonderland, Burton emphasizes that “Visions are worth fighting for. Why (should you ) spend your life making someone else's dreams?” Deviating from the predestined path created for the main characters emulates Frida Kahlo’s “Along the Border Line Between Mexico and the United States ” The majority of Burton’s characters find themselves on a line between the path and visions that society and their family has carved out for them, and the path and visons that are worth fighting for . Burton incorporates contrasting settings and strained family relationships in his films to promote the idea that young people truly find themselves only when they deviate from the path that society has carved for them.
In the words of Tim Burton, “One person’s craziness is another person’s reality.” This is the truth for the magical movies he has put together. Burton grew up different from others; he was an outcast from the people around him. Enjoying B movies, he would watch them a great deal. Out of all the characters, Burton preferred the monsters or strange creatures. Some inspirations to him are Edgar Allen Poe, Roald Dahl, and Vincent Price. He frowns upon conformity, for he prefers individuality. What is normal to Burton could be completely wild to another. In Tim Burton’s distinctive films, he uses symbolism and the comparison of individuality and conformity to emphasize the purity of an outsider.