To Live Is to Believe in Franz Katha´s The Metamorphosis Essay

His boss tells him that he is causing his parents unnecessary worry, but his parents are not worried at all or they would have busted into his room to see if he was okay. Whilst in the middle of all of this Gregor is starting to get scared of what the change is bringing into his life and causing unnecessary worry. In chapter 2, Grete brings in food for Gregor and for a change he is being treated somewhat correct and they notice he has became a full time crawler. This causes the family to question what he is doing is not human and they are starting to fear his new abilities as a “bug”. As an example, his mother and Grete take out the furniture to give him more room to crawl. Losing all faith in Gregor they take the furniture out because the fear is too great they may never get their son back and they have to accept the fact Gregor is a nasty vermin.

Gregor’s major transformation occurred not when he turned into a bug, but through the changes in his life. Gregor’s life before the changed into some sort of bug was like a bumble bee. He would go through life doing as others told him. In

     I have chosen The Metamorphosis as my subject for this paper; I will take a close look at how the death of Gregor Samsa opens the doors to understanding the story. I will give examples of irony through Gregor’s metamorphosis and how this irony brings together the conclusion of the story. Through his death we see the truth behind his parents, which in it’s self is ironic. It is difficult to pinpoint one specific thing to write about in the story; there are just so many things that can be brought to light. If I happen to lose sight of my topic bear with me, there is just so much to be discussed in the novella.

Gregor maintains submissive personality and does not defend himself. Gregor’s physical change into a bug is the only aspect of him that changes. Gregor continuously allows himself to be abused. Upon Gregor’s transformation, he is unable to go to work. Therefore, the chief clerk visits Gregor to force him to come to work. Gregor remained locked in his room and would not leave for work. So, the clerk became extremely impatient. The frustrated clerk divulges into a cruel and demoralizing speech. He maliciously accuses Gregor of hiding because of unethical involvement in cash receipts. Later, Gregor’s family and the clerk become restless and want to see Gregor. The door to Gregor’s room is unlocked to open and reveal Gregor in his insect form. Gregor’s family and the clerk react with horror. The clerk and Gregor’s mother run away from him in fear. Gregor’s father grabs a stick and a newspaper and dashes toward Gregor, herding Gregor back into his bedroom with prods and fierce language. Gregor injures himself badly while trying to fit back through the doorway. Gregor’s door is slammed shut behind him and he his left alone, frightened and injured, in his room. The events subsequent to Gregor’s transformation exhibit his passive nature. Clearly such passivity was not useful to Gregor.

Gregor Samsa's metamorphosis occurs one morning when he wakes up from unsettling dreams and finds himself changed into a monstrous vermin.  This change makes Gregor dependent on his family members and reverses his previous situation in which his family was dependent on him.  As a bug, Gregor is useless to his family and can no longer perform simple human tasks, let alone support his father, mother, and sister.

Gregor had a crappy, thankless job, and even though it was difficult, he was despised and scrutinized by his co workers, making the job that much more unpleasant. Gregor was such an isolated and poor person that he cut the picture of the lady with the fur or a magazine to hang on the wall, to remind him of better things. Gregor's metamorphosis into a nasty little bug is strange but at the same time is reasonable, because insects as beetle, but or cockroaches are associated with old dirty houses, and trash. If Gregor would have been a cat or a dog or really any other animal, his parents would not consider him so disgusting and they would not have rejected him. But in this case, Gregor is a bug and his parents really thought that a giant cockroach is something that must be hidden. “This kind of things happens everyday” (Franz Kafka). Not the strange thing as transformation into a bug, but the fact

In the beginning of the novella, Gregor undergoes a transformation. Many readers view his transformation as he turns into a bug because of the way Kafka describes Gregor. Kafka may have been undergoing a transformation of his own. Kafka dealt with many issues growing up such as self doubt, issues with his father, and eventually, health issues. Like Kafka, Gregor deals with issues with his father and within himself and begins to feel less and less like himself as the novella continues. He awakes from his sleep to ask himself, “What’s happened to me (Kafka, 3)?” With the conflicts Gregor has with his family, especially his father, he begins to feel unwanted and unappreciated. Gregor also feels that he is becoming less sensitive when that used to be one of his main traits as a human (Kafka, 24). Seeing that Gregor is losing his sensitivity, that shows that he is truly losing himself since he is losing one of his main traits. Feeling less like himself, Gregor becomes more distant with his close

The deterioration of Gregor's life was in part due to the ostracism associated with his being turned into a bug. Once his family found out what happened, they banished him to his room, and his parents could not even bear to look at him. Prior to his metamorphosis, Gregor was an integral part of the family. He provided the money by which the family survived. Yet as soon as he changed, he was labeled an outcast, who was useless to the family, and therefore not paid any attention. He felt this ostracism, and it made him not want to continue on in life, he gave up because he felt unloved.

Gregor's physical transformation also sparks a streak of cruelty on the part of his family. It is understandable that they be frightened when he first appears, but they continue to lock him in his room without ever trying to communicate with him. The only person who ever goes in his room on a regular basis is his sister and she can barely even tolerate his presence. At one point when Gregor successfully escapes from his prison cell, his father ends up throwing apples at him with the intention of causing injury. "Gregor came to a stop in alarm, there was no point in running on, for his father was determined to bombard him." As Gregor merely sat there on the wall, his own father sunk an apple into his shell. After this event they leave him to whither away and die alone in his room. Gregor did not bring this horrid behavior upon himself by his actions, but instead they result because his different appearance and behavior led his family to think of

Gregor's existence before the metamorphosis was much like after it; limited to work and family, he went unnoticed by both. After changing into a cockroach one night, Gregor is forced to live a life of isolation with a family who is appalled by him. He is placed in a "dark bedroom, in the jumble of discarded furniture and filth" a " monstrous vermin, a grotesque, hidden part of the family" (Eggenschwiler 211). Shock and terror, resulting in Gregor being locked away, marked his family's reaction to his metamorphosis. His sister is the only one that, while frightened, would tend to Gregor's room and meals. She even took the responsibility so far as to get angry with anyone who

Gregor Samsa is a travelling salesman that lives with his sister, father and mother in what we could assume to be a small apartment. Gregor is the main source of income for the family and is considered the main provider for all four of them. “When Gregor Samsa awoke in the morning from troubled dreams he found himself transformed in his bed into a monstrous cockroach” (Kafka 1205). In one night he underwent a metamorphosis from man to bug. Throughout the ordeal he still focused on getting back to work even though he was barely able to move from his bed and certainly unable to leave the apartment. He took his role as provider seriously and did not complain about his predicament throughout the story. In society, citizens conform to what they know as being societally accepted.

When Gregor inexplicably becomes an insect his family is primarily worried about how this will affect them, and their financial security. The morning Gregor awakes as a ‘monstrous vermin' is the first day he has missed work in five years; his family's immediate concern is for Gregor's job. His father begins to admonish him before he can even drag himself out of bed. When Gregor hears his sister crying at his door he thinks, "Why was she crying?? Because he was in danger of losing his job and then his boss would dun their parents for his old claims?" This is very significant to their relationship; he considers himself close to his sister, but feels her emotion spent on him is related to money. Gregor has been the sole breadwinner for years; working at a job he abhors only to pay his fathers debts. The family leads an extremely comfortable life of leisure; the father sits at the kitchen table and reads all day, the sister wears the best clothes and amuses herself by playing the violin, and all even take a mid-day nap. Gregor is extremely pleased and proud to provide them with this lifestyle; however, his generosity is met with resentment by his father and indifference by his sister and mother. Once the family grew accustomed to this lifestyle they no longer felt the need to be grateful, "they had grown used to it, they accepted the money, but no particularly warm feelings were generated any longer." At one point Gregor is deeply

In The Metamorphosis, Kafka establishes, through his religious imagery and gospel-esque episodic narration, the character of Gregor Samsa simultaneously as a kind of inverse Messianic figure and a god-like artist, relating the two and thus turning the conventional concept of the literary hero on its ear. The structure of the novel reflects that of the Gospel of Mark in that it is narrated in individual events, and in this it is something of a Künstlerroman - that is, the real metamorphosis is over the course of the novel, rather than just at the beginning, and that change is a heightened sensitivity to the world in an artistic sense. The motif of change is a rather theological one as well: we see it in a religious sense, in the form of

To begin with, Gregor already isn’t too happy with his dad because he is out of work and leaves Gregor as the only one supporting the family. After Gregor’s transformation, Mr. Samsa takes charge of the family. He gets a job and the family takes in a group of boarders for extra money. Mr. Samsa orders Gregor to stay in his room so that the boarders don’t discover that Gregor is now an insect, and he constantly throws insults at Gregor which emotionally hurts him.

However, as the story progresses this compassion seems to become, or may have always been, obligation. His mother had a waning rather reminiscent sympathy for her son, but she never seemed to reconcile that the creature in the bedroom was the son she had loved. She certainly could not deal with his appearance having fainted at the sight of him (p. 876). As for Gregor’s father, he had begun to re-assume responsibility for the family’s welfare, which as it turned out, had never been as poor as Gregor had been lead to believe. For Gregor himself, the adjustment was a mix of discovery and disquiet. Adjusting to his body, “He especially enjoyed hanging suspended from the ceiling” (p. 873). However, the reader also learns that Gregor’s health is on the decline as “he was fast losing any interest he had ever taken in food” (p. 873). It seemed for a while that the family had established a bit of a détente, but it was not to would last. The end of the second chapter saw Gregor’s father gravely wound the insect with an apple thrown into and embedded into the creature’s back. It was this wound that eventually became infected and was likely the death of the creature.