Tragedy And The Common Man Vs Death Of A Salesman

Similarly, Willy's downfall continues with the judgment of himself and others, due to his superficial likeability goals. For example, Willy blamed his lack of likeability and success as a salesman on his appearance. “I’m fat. I’m very – foolish to look at…I’m not dressing to advantage…” The tragic hero’s shielded vision stops him from seeing that it is himself, not his appearance that leads him to his failure at being a salesman. Hence, since he cannot accept the facts, his career never improves and he is fired from his job, shattering his perceived chance at the American Dream. In addition, Willy strongly disliked Bernard merely because he was stereotyped as a nerd. The salesman would say to Biff’s tutor’s face, “Don’t be a pest, Bernard! …What an anemic.” Willy barely knew Charley’s son, nevertheless he evaluated him solely on his appearance. Willy seemed to do the same thing with his children. He was glad that they were “…both built like Adonises”, thinking that would lead them to success.

How can two people watch or read the same story and yet, interpret it completely differently? Does it have to do with the author’s intentions, or maybe it has to do with the viewers’ own backgrounds and ideologies? Whatever the case may be, viewing one piece of work can lead to a wide array of opinions and critiques. It is through the diversity of such lenses that Death of a Salesman, by Arthur Miller has become one of the most well-known plays in modern history. There are many different ways in which a play can be criticized, however, criticisms from the approaches of a Marxist and reader-response will be utilized to further dissect Death of a Salesman. Marxist criticism sees pieces of works as a struggle between different socioeconomic classes; what better way to see Miller’s play than for what it is at face value, the struggle of a middle-class man trying to achieve the American dream (1750). On the other hand, a reader-response criticism comes from either an objective or subjective view; in this case Death of a Salesman will be viewed with a subjective lens based on Willy’s deteriorating mental health (1746).

In Death of a Salesman, by Arthur Miller, Willy Loman’s life seems to be slowly deteriorating. It is clear that Willy’s predicament is of his own doing, and that his own foolish pride and ignorance lead to his downfall. Willy’s self-destruction involved the uniting of several aspects of his life and his lack of grasping reality in each, consisting of, his relationship with his wife, his relationship and manner in which he brought up his children, Biff and Happy, and lastly his inability to productively earn a living and in doing so, failure to achieve his “American Dream”.

Throughout his life, Willy Loman thinks of himself as well-liked in the play "Death of a Salesman" by Arthur Miller. It is the most important attribute to him. Willy lived his life thinking he had thousands of friends all over the New England territory and that he would be recognized anywhere he would go. He boasts this to his sons and they think he is the greatest man on Earth. He raises his two sons, Biff and Happy, to be well-liked and Willy does not care about their grades. He believes they will be better prepared for the business world if they are well-liked, and does not think education matters as much as personality, appearance, and physical skill. Although he has set high standards for sons, his morals are being well-liked, he

            The most significant example, however, is also one that takes place in one of Willy’s flashbacks.  Again, he is speaking to his sons about becoming successful.  He tells them, “...the man who makes an appearance in the business world, the man who creates personal interest, is the man who gets ahead.  Be liked and you will never want.  You take me...I never have to wait in line to see a buyer.  ‘Willy Loman is here!’  That’s all they have to know, and I go right through.”

In order to gain a proper perspective on the concept of what a tragic hero is, we must synthesize information from the following play’s, “The Death Of A Salesman”, and “Oedipus The King”. Both plays takes the stance on the idea that validates the ultimate notion,  “tragic hero. From Willy’s hubris personality to his questionable and mysterious death, to Oedipus dynamic and complex choices and kingly personality that determines his fate. A tragic hero is a literary character who makes a judgement that leads to his/her downfall. In other words, even though both characters made incredible contributions and left a very noble legacy, their choices and decisions determined their ultimate fate. In today’s world tragic heroes are commonly present,

Similar to Gatsby, Willy Loman from Arthur Miller's Death of a Salesman, bases his "American Dream" on the idea that public acceptance would bring him wealth.  Willy believes that appearing well liked makes him successful.  Willy has based his life on the idea that if you are "well liked, you will never want" (Miller 33).  Moreover, he believes his sons' appearance will make them successful because they are "both built like Adonises" (33).  Furthermore, Willy's obsession with money leads him to equate the value of an individual with their financial worth.  Willy idealized his older brother Ben because "he is rich" (41).  Willy, reflecting on his own worth, concludes "you end up worth more dead than alive" (98).  Finally, Willy thinks that being a popular and successful businessman will win him the love of his wife and children.  Willy lies to his family, by telling his sons "[if there is] one thing boys: I have friends"(31).  He also exaggerates terribly by telling his wife he sold "five hundred gross in Providence and seven hundred gross in Boston" (35).  In his final imagined discussion with his brother Ben, Willy concludes that by taking his own life he will finance his son's business venture, and "[Biff will] worship me for it" (135).

In “Death of a Salesman” by Arthur Miller, Willy Loman is the well-developed protagonist of the story. Willy struggles throughout the story with daydreams and delusions that he confuses with reality. These delusions have a huge effect on the story and greatly impact Willy’s life. Willy has a difficult time keeping his bills paid with his job as a traveling salesman. He works long hours and drives long distances for very little success. His delusions cause him to believe that his work is successful when it is far from it. “Willy is self-deluded, believing wholeheartedly in the American Dream of success and wealth. When he fails to achieve this, he commits suicide—yet until the end he never stopped believing in this American Dream” (Sickels).

In the play, Death of a Salesman, Arthur Miller establishes Charley, a humble and successful salesman as the foil to Willy Loman, a prideful and arrogant man. Charley is the perfect character to help depict Willy’s flaws. Although the two contrast with each other, their characteristics help maintain a balance between them. Willy Loman lives in his own world, where he believes that in order to be successful, one must be well liked with a great appearance. “The man who makes an appearance…is the man who gets ahead” (Miller 1568). These are obvious words from Willy which proves that he does not believe in hard work. He instills within both of his children that looks and personality are all that matters. The characteristics of Willy allow us to grasp the idea that he lives within a false reality. He is a man living within a child’s fantasy based off of the life of Dave Singleman. The very words he spoke against his neighbor Charley and his son, Bernard, are the very words that prove him wrong.

The idea of heroism is one often associated with virtue, courage and valour. Within Othello, Shakespeare questions the meaning behind heroism and admirability in the context of a Venetian society, in which the play is set. Through the tragic descent of Othello’s composure and his actions, the audience is left to wonder whether or not his virtue and presentation as an admirable general and hero, actually exists. Act 1 of the play presents Othello's decisions and behaviour as the epitome of virtue and valour, showing him as a high statured character - the definition of a tragic hero in Aristotelian methods, as it demands a character of greatness to suffer the greatest downfall. Although not necessarily presented as high born, he is deemed to

One thing that continues to come up in "A Death of a Salesman" is the fact that Willy has this huge desire to be "well liked." This is more important to him than being accomplished or having a good job. He constantly tells Linda and his kids that it is more important to be "well liked" than to be successful at work or in school. He lies to his kids about the fact that he is "well liked" which eventually leads to his two kids growing up as failures. Seeing how his lies have hurt, not only himself, but his children too, Willy decides to do what in his mind, is the only thing he can do to save help his family. He decides to kill himself and then maybe he will have a lot of people show up to his funeral which would mean that he is well liked. Of course no one shows up to the funeral but Willy 's

Glengarry Glen Ross and Death of a Sales man were two extraordinary plays that were released decades ago and are still the basis of many conversations and debates today. The main protagonists in these plays are Shelley Levene; a middle aged sales man who was once very successful in his line of work, and Willy Lowman; a 62-year-old salesman who has been chasing after the American Dream his whole life. These two shared a lot of similarities, the main one being that they are not tragic heroes. Many writers have debated over the past decades whether or not Shelley and Willy are meant to be tragic heroes. From the views of Aristotle and Miller, they are not tragic heroes.

Willy tried to instill in his sons, that the main success in life is to reputable. Willy strongly believes that success is strictly aligned with the impression a man makes and whether he is adored, and reputable; Willy’s numerous discussions with his sons, particularly with Biff, clarifies the value of self-image is important. Willy believed that if you became popular and were liked by many people, you would have prominent achievements. His perception of success is equated to dumb luck; He thinks men just randomly achieve

  Willy Loman, the title character of the play, Death of Salesman, exhibits all the characteristics of a modern tragic hero. This essay will support this thesis by drawing on examples from Medea by Euripedes, Poetics by Aristotle, Oedipus Rex by Sophocles, and Shakespeare's Julius Caesar, while comments by Moss, Gordon, and Nourse reinforce the thesis.

The elevated emotional state of the Byronic Hero leads him to be or appear egocentric and introverted “hating the world he had almost forgot”, characteristics which deter from the standardized hero who “fights for the good of man-kind.” Guilt from the past also plagues the Byronic Hero, “for he through Sin’s labyrinth had run, nor made atonement when he did amiss…” (Byron,C.H.181). The haunting illusion to past wrongs or sins taints the Hero and casts a shadow over his overall character and deeds. Due to his past the Hero often carries some form of defect (physical or physiological), a “ heart and harp have lost a string…” (Byron,C.H. 210) that further isolates him from society.