The idea of heroism is one often associated with virtue, courage and valour. Within Othello, Shakespeare questions the meaning behind heroism and admirability in the context of a Venetian society, in which the play is set. Through the tragic descent of Othello’s composure and his actions, the audience is left to wonder whether or not his virtue and presentation as an admirable general and hero, actually exists. Act 1 of the play presents Othello's decisions and behaviour as the epitome of virtue and valour, showing him as a high statured character - the definition of a tragic hero in Aristotelian methods, as it demands a character of greatness to suffer the greatest downfall. Although not necessarily presented as high born, he is deemed to …show more content…
However, by the formal introduction of the rumoured moor in Act 1 Scene 2 and his monologue in Scene 3, our previous doubts of Othello’s character diminish. The magnificence of Othello shines through through his behaviour and rhetoric, becoming a juxtaposing image of a ‘Valiant Othello’ both the Duke and senators speak of. “Rude am i in my speech” proves Othello’s confidence and elegance in his language. The use of the rhythmic Iambic Pentameter within his monologue suggests a well thought out and educated response from Othello, Shakespeare decides to gift his character with eloquent and virtuous speech in order to highlight his composure as a hero and admirable character. His measured language is a sign of his confidence, self-discipline and virtue, thus agreeing to his admirability of being the tragic hero.
By Othello’s declaration of his love for Desdemona and undoubtable respect for those who surround him, we are reminded that Othello is a war hero, and a General to be admired. Shakespeare carefully chooses the Senate and Duke, all well reputable and influential figures of venice, to press the name ‘Valiant moor’ into the audience’s mind, this is to deliberately counteract the damage Iago made to Othello’s character and image within the first act. However, when Shakespeare places Othello away from the power of Venetian society, Othello is exposed to his weaknesses, can be viewed as far from virtuous. We are thus able to view Othello as a character easily
Shakespeare's play, “Othello, the Moor of Venice,” is a powerful example of a tragedy and it’s main character, Othello, is an excellent illustration of what Aristotle constitutes as a tragic hero. The play imitates life through basic human emotions such as jealousy and rage. In addition, Othello is far from being a perfect character - another quality that meets Aristotle's requirements. Othello also matches Aristotle's ideas of tragic hero because our Othello realizes the error of his ways, causing us to feel sympathy for him. If we carefully examine the third scene in the third act, we can see how Othello fits into Aristotle's definition of tragic hero. This passage reveals how much Othello has deteriorated as far as his ability to reason
The ability of passion to bring destruction upon the lives of the unsuspecting is illustrated in Shakespeare’s Othello with the use of both manipulation and deceit. The curse of fierce passion fell namely on Othello as he transitioned from a respected general to an unstable murderer. His downfall is demonstrated through his increasing self-doubt, lack of ability to articulate, and violence. In the start of the play, he is an accomplished general and happy newlywed, and has yet to be significantly held back due to his being a Moor and outsider in Venetian society. As passion overtakes him, however, Othello truly ingrains the idea that he is less than, and those around him begin to blame his actions on the nature of his ethnicity. He has completely lost his identity to his desires and is unable to think rationally. Shakespeare juxtaposes this version of Othello with his initial composed self in Venice to demonstrate the damage of ignorance to logic and heighten the sense of tragedy. The effects of an overwhelming passion involving love, jealousy, and revenge are shown through Othello’s degradation and loss of stability.
The relationship of an outsider to society is also explored through Othello himself, as he recognises the differences between him and those around him. While describing his and Desdemona’s love, Othello tells (about himself): “Rude am I in speech/ And little blessed with the soft phrase of peace.” In these words, Othello is able convey that he is a little awkward in speech, and not a smooth talker, with the unspoken understanding that others in the room are. Othello goes on, “For since these arms of mine had seven years pith/ Till now some nine moons wasted/ …in the tented field/ … little of this great world can I speak.” Here the reader learns that Othello, unlike the assortment of senators and the Duke, has spent most of his life in battle, and therefore has not had a lot of life
In Othello, the plot meets the definition of both Aristotle and Shakespeare on a tragedy. Aristotle believed that the plot is the most important element in a play and that plot also clearly points out the problem of any characters to be solved. However, the protagonist of the tragedy play only partially meets the definition of Aristotle’s tragic hero. The play is set in Venice and Cyprus where a Moor, Othello, General of the Venetian army gets secretly married to a Venetian nobleman’s daughter, Desdemona. During the play Iago manipulates Othello because Lieutenant Cassio was promoted ahead of him, and also because he suspects that Othello has had an affair with his wife. “And it is thought abroad that twixt my sheets He’s done my office. I know not if’t be true; But I, for mere suspicion in that kind, Will do as if for surety” (2.1. 364-367).
"Othello is essentially an noble character, flawed by insecurity and a nature that is naive and unsophisticated". Looking at William Shakespeare's Othello The Moor Of Venice, the central character, Othello is revered as the tragic hero. He is a character of high stature that is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single villain, but is rather a consequence of a wide range of feelings, judgments and misjudgments, and attempts for personal justification exhibited by all of the participants. Othello is first shown as a hero of war and a man of
In William Shakespeare’s Othello, Othello is the tragic hero. He is a character of high stature who is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single villain, but is rather a consequence of a wide range of feelings, judgments and misjudgments, and attempts for personal justification exhibited by the characters. Othello is first shown as a hero of war and a man of great pride and courage. As the play continues, his character begins to deteriorate and become less noble. Chronologically through the play, Othello’s character
Although some use it and mean no harm, when said by the likes of Iago and Brabantio, “the Moor,” turns into a racist slur, deliberately used to undermine Othello from society. And ostracize Likewise, depictions such as “thick lips,” and “the devil,”from Iago are further used to play on Othello 's Outwardly different physical appearance, enforcing the notion that Othello is different, and an outsider in their community. Another way Throughout the first act, a host of disparaging and select terms are used to describe Othello by a number of different characters. Referred to as “he” and “him”by Iago, the first mention of Othello leads the reader to believe that Othello does not hold a lot of merit or status with his portrayal, as he is not afforded the decency to be called by name.
Othello is a tragic hero because of his greatnesses and his weaknesses. He is a noble man who possesses all the qualities of a military leader, which he is. He has control over himself and shows courage as well as dignity. Just as Othello is a virtuous man there are some flaws within him, these flaws complete him ff as a tragic hero. Othello is often blinded by trust and can not see a person for who they really are. He trusts the people around him even when they mean to afflict harm upon him. Through this, it can be seen why Othello is one of the most tragic hero out of all the characters from Shakespeare’s many plays.
The extent of which Othello is a tragic hero has been open to much debate; the basis on which he is judged falls to Aristotle’s established view of the crucial elements that distinguish whether a person is truly tragic. According to Aristotle, a tragic protagonist is a nobleman or person from high status, who contributes to his own demise and illustrates a flaw or weakness in judgment. The tragic protagonist must make a fall from a high state of being to a low state or death. The tragic hero’s downfall, said Aristotle, was brought upon by some error of judgement. Aristotle’s theory is not the final word on tragedy, however it can support in pinpointing the pivotal traits in
Who are the true heroes in William Shakespeare’s tragic drama Othello? What is their perspective on making deep sacrifice for what they believe in? Let’s find the heroes and analyze their perspective on suffering voluntarily.
Othello’s speech to Brabantio and the Duke in Act 1, Scene 3 is of major importance in describing Othello’s personality. This long speech, found in lines 149 to 196, shows Othello for the first time as a person with depth and less as a soldier. This speech is important to the book as a whole because it is a testimony to the strength of the love between Othello and Desdemona, which will later play a major role in the plot. It is also one of the first times that we see Othello trying to influence his audience with his words. The speech given by Othello is intended to convince Brabantio that Desdemona is with him willfully, and not by “spells and medicines bought of montebanks” (line 74).
In Shakespeare?s play Othello, Othello himself is the tragic hero. He is an individual of high stature who is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single person, but is rather the consequence of a wide range of feelings, judgments, misjudgments, and attempts for personal justification revealed by the characters.
The first rule that is met in Shakespeare’s play is that Othello is considered tragic hero, which every
William Shakespeare, born in the year 1564, is often considered to be one of the greatest, if not the greatest, writer in the English language. His works range from ingenious poems, such as Fear No More, to plays, such as The Tragedy of Othello. In The Tragedy of Othello, Shakespeare details the story of a celebrated military hero who falls victim to the machinations of a conniving villain who goes by the name of Iago. In his play, he portrays Othello like a tragic hero, a type of literary character. A tragic hero has many characteristics, 3 of them being that they must have an error in judgement, they must have a reversal of fortune, and they must recognize that the reversal of fortune was brought about by their own actions. Furthermore, they must also have a fatal flaw, that eventually leads to their downfall. Othello demonstrates all of these characteristics in the play, proving him to be a tragic hero. Othello makes an error in judgement, which leads to his change in fortune, and later realizes that his actions are what caused said change in fortune.
In ‘The tragedy of Othello: the Moor of Venice’, Shakespeare probes into the human condition by creating characters who present distinguishing qualities of human emotion such as jealousy. It is a tale revolving around