Tragedy in Extremely Loud and Incredibly Close by Jonathan Safran Foer

When a child experiences trauma, it stays with them for the rest of their life. When a child experiences abuse, one of the highest forms of trauma, they can do little to stop it from affecting everything they do. Tobias Wolff’s memoir, This Boy’s Life, Illustrates this. While it can be said that Rosemary, the mother of Jack, was in many ways responsible for his life, she herself can not solely be blamed. The trauma and abuse she experienced as a child contributed greatly to her choices, and her son’s life. This shows that adversity in Rosemary’s life lead to her not being able to act normally, and this caused the life of her son.

The death of a loved one can result in a trauma where the painful experience causes a psychological scar. Alice Sebold’s The Lovely Bones explores the different ways in which people process grief when they lose a loved one. When young Susie Salmon is killed on her way home from school, the remaining four members of her family all deal differently with their grief. After Susie’s death, her mother, Abigail Salmon, endures the adversity of losing her daughter, her family collapsing, and accepting the loss of the life she never had the opportunity to live. Abigail uses Freud’s defence mechanisms to repress wounds, fears, her guilty desires, and to resolve conflicts, which results in her alienation and

The characters in Alice Sebold’s The Lovely Bones are faced with the difficult task of overcoming the loss of Susie, their daughter and sister. Jack, Abigail, Buckley, and Lindsey each deal with the loss differently. However, it is Susie who has the most difficulty accepting the loss of her own life. Several psychologists separate the grieving process into two main categories: intuitive and instrumental grievers. Intuitive grievers communicate their emotional distress and “experience, express, and adapt to grief on a very affective level” (Doka, par. 27). Instrumental grievers focus their attention towards an activity, whether it is into work or into a hobby, usually relating to the loss (Doka par. 28). Although each character deals with

Abstractly, it almost seems as though the other characters in the book look down on his for this not because he is not mourning, but rather because he is not mourning in the way they are. This sheds light on the overall theme of the novel, that of people being cast out of society because their views and methods do not line up with the accepted ways of society.

Laurie Halse Anderosn has written a book which is considered as a trauma novel “speak”. Usually anger is a phase that begins with madness and ends with regret, but in this book anger will be tackled in different way, Melinda’s anger starts with silence and ends with speaking. In other words it’s starts with fear and ends with triumph over self. Over the course of the novel silence struggling with anger is leading to speak. Anderson incorporated all themes in anger direction with different techniques such as flashback, allusion, symbolism, and fragmentation.

As she grows she discovers more of what she is capable of. Now she realizes that even though she is going crazy, she is still alive. Above all, she does not want to hide anymore and is not afraid to come out of her shell of guilt. “I don’t want to hang out in my hidey-hole anymore…. I don’t feel like hiding anymore” (p.191-192). She comments about not wanting to go back to her closet because she is not afraid of what might happen to her. In the same way she says that she, in no matter what condition, is still alive and breathing. “I have survived… Confused, screwed up but still here” (p.188). She is happy that she survived and that it does not matter if she is frustrated, she still has to stay for the ones who love her. In order which she has to take care of the old Melinda she was and let go of the Melinda she was after the party. After this realization she understood that she is not perfect but she can grow to love those

The character grandmother in O’Connor’s story has grounds the reality of the events and drives the family into tragedy. She is a central character in O’Connor’s story and is depicted to be a dynamic character stuck in the old ways. Through her actions and the idea of being stuck in the old ways of thinking, she leads her family into tragedy. Being the main character in the story, Grandmother significantly adds to the development of the plot. The author manages to win the attention of the reader from this character owing to the manner in which she shapes the storyline. Grandmother’s reminiscing of the old ways claims a distinctive curiosity from the reader and helps in

In Laurie Halse Anderson’s Speak, the protagonist, a freshman named Melinda must learn the key to recovery after enduring extreme trauma. She struggled to find someone to speak to, due to the school shunning her for calling the police at the party. Throughout Speak, Melinda seeks to recover from the trauma she experienced, especially the cruel actions from her ex-friends. Through symbolism, Laurie Halse Anderson displays the theme in Melinda's perspective.

In Alice Sebold’s novel, The Lovely Bones, the Salmon family learns that their fourteen year old daughter, Susie Salmon, has been raped and murdered. Because of this her father, Jack, sister, Lindsey, and mother, Abigail, all go through their own respective journeys in order to accept this ordeal. During this time of grievance for Susie’s family, her father, Jack, believes that the person responsible for the murder of his daughter is his neighbour, a man named George Harvey, and reports this to detective Len Fenerman. However, Len Fenerman becomes too preoccupied with his affair with Abigail to aid Jack with his suspicions. Meanwhile, Susie’s younger siblings Lindsey and Buckley, try to learn how to cope with the loss of one of their very own, without their parent’s attention to aid them. In The Lovely Bones, Susie’s father, mother, and sister, all explore the theme of grief by going on their own pathways through the five stages of grief; denial, anger, bargaining, depression, and acceptance, in order to come to terms with the brutal murder of their beloved Susie.

Though her family was her main source of strength, Klein had to find someone else to rely on when she lost them. Her childhood acquaintance, a girl called Ilse, filled that void in Klein life, and Klein did the same for her. Together they pushed each other through illness, back-breaking labor, and a 350 mile death march through freezing rain and snow. Klein and Ilse became more like sisters than best friends. Ilse last gift to Klein was a single, bruised raspberry for her birthday. Klein held Ilse as she lay dying on the freezing ground. Before she drew her last breath, Ilse begged Klein to o on for one more week romise me. (p 205) Exactly one week later, the war ended and Gerda Klein found herself a free woman.

mind and severed him from the reality of the real life he was living with his family in the small

Into Thin Air tells the story of the tragedy where in 1996, several climbers died on the slopes of Mt. Everest. This was all witnessed by Jon Krakauer, a journalist and one of the climbers who reached the summit that year. Krakauer and the team he climbs with becomes separated through a series of accidents and a change in weather resulting in five teammates dead. Scott Fischer leads an expedition as well, and in that expedition he also loses climbers on the storm, including himself. Krakauer narrates the affairs of the expeditions and attempts to explain how the climbers could have been caught on the mountain when they could have turned and remained safe. He also communicates how he played a role in the events.

Out of everybody presented in the novel, Susie’s family thought about the past shared with Susie the most by showing depressed feelings and actions towards Susie’s

The characters in Alice Sebold’s The Lovely Bones are faced with the difficult task of overcoming the loss of Susie, their daughter and sister. Jack, Abigail, Buckley, and Lindsey each deal with the loss differently. However, it is Susie who has the most difficulty accepting the loss of her own life. Several psychologists separate the grieving process into two main categories: intuitive and instrumental grievers. Intuitive grievers communicate their emotional distress and “experience, express, and adapt to grief on a very affective level” (Doka, par. 27). Instrumental grievers focus their attention towards an activity, whether it is into work or into a hobby, usually relating to the loss (Doka par. 28). Although each character deals with

Death in any person’s life is tragic, whether sudden or unexpected. Everyone experiences it at least once throughout a lifetime. In the novel Extremely Loud and Incredibly Close by Jonathan Safran Foer, the reader meets several characters that lose people very close to them. Each person has a certain way of dealing with the death, but overall his or her grief is out of love. These two emotions are triggered by one another. Extremely Loud and Incredibly Close displays few characters that show any sign of moving on with their lives. Grief takes over and seems to stay forever. Characters such as Oskar, Grandfather, Mr. Black on the floor above, and Ms. Black in the Empire State Building experience grief