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Transcendentalism Of Thoreau And Walden

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The 19th century was a time of social change and enlightenment that sent ripples of influence into many aspects of the American culture, including art and literature. Prominent figures such as Thoreau and Cole emerged. Thoreau was a philosopher and writer whose works such as Walden lead the literary evolution of Transcendentalism. Similarly, Cole, a, was a founding figure in the fledgling art movement called the Hudson River School. Both men were shaped by the same influence of a rapidly transforming society, and from this environment they expressed similar beliefs in areas such as anti-industrialization. This antagonism towards industrialization was balance by their reverence towards nature; mankind was viewed as infinitesimal in comparison. The animosity for industrialization combined with respect for nature also lead to Cole and Thoreau’s support towards the preservation of …show more content…

In the Housewarming chapter of Walden, Thoreau portrayed nature as an all-powerful force that “could easily cut [our] threads any time with a sharper blast from the North.” Thoreau is alluding to the Three Fates of Greek mythology. The Three Fates were omnipotent figures who has complete power over mankind: they weave and create the “threads” of men’s lives, but also had complete jurisdiction to cut, and end, the life threads. By comparing nature to the Three Fates, Thoreau credited nature with power akin to that of a god. Cole expressed similar views in his painting The Oxbow. In the painting, Cole depicted himself sitting atop the hill of wilderness. However, his figure was painted as a mere speck in comparison to the awe-inspiring grandness of the nature around him. This juxtaposition of scale comments upon man’s place in the universe, that we are all subordinate to the whims of nature. This is matched and enhanced by te storm clouds which serves as an reminder of nature’s high power at

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