Truth And Illusion In Who's Afraid Of Virginia Woolf?

Americans carry the freedom of opportunity and social mobility, allowing any individual to prosper, depending on their tenacity to succeed. Explicitly, Gatsby’s character differentiates between the four types of people present in this world, “the pursued, the pursuing, the busy and the tired” (79). An instrumental facet of Gatsby’s character is his aspirations to pursue his goals, with a tenacious attitude to overcome any challenges that he may face. The passion that Gatsby contains is indefinable, his constant motivation to achieve his perfect utopian world allows him to reach out for a single “green light, minute and far away, that might have been the end of a dock” (21). Peculiarly, the green light at the end of Daisy’s East Egg dock is barely visible from Gatsby’s West Egg lawn. Daisy resides along the East Egg depicting the moral decay and social cynicism of the old aristocracy, whereas Gatsby is settled along the West Egg, illustrating the newly rich of New York. The City of New York is a place for hope, a location often present in the quest to gain excessive wealth and a place full of pleasure. Moreover, the green light symbolizes Gatsby’s hope and misfortunate end with “his dream [seeming] so close that he could hardly fail to grasp it. He did not know that it was already behind him…” (180).

In a time and place where people had no worry of locking their doors, or leaving their possessions unattended, the citizens of Grover’s Corners always possessed a sense of safety and protection. This small town life is set in the play Our Town, by Thornton Wilder. The modest New Hampshire town rarely procured any disturbances or quarrels, resulting in a quiet and tidy place to live. In many ways, the town of Grover’s Corner may be comparable to the petite city of Colby, Kansas. However, the twin towns contain only a few contrasting traits. Considering daily living, love and marriage, and the fragility of life itself, these communities share an abundance of similar characteristics, while only containing a few differences.

A social issue that Steinbeck desired to reveal in Of Mice and Men was the reality women were facing as they were regarded as property or objects and not as individual people in the 1930s. Women would often times not even have the chance to defend and explain themselves against this cynical perspective on them, “Well, I think Curley's married a tart... ‘Listen to me, you crazy bastard,’ he said fiercely ‘Don’t you even take a look at at that bitch’...You mean Curly's girl?” (Steinbeck 28, 32, 55). The first thing we hear George say about Curley’s wife is that she’s a tart and the second thing we hear about her that

As the phenomenal politician Bernie Sanders once said, “For many, the American dream has become a nightmare.” In the novel The Great Gatsby, written by Scott Fitzgerald, the “American Dream” plays a crucial role in the plot. Gatsby devotes his life to accomplish his American Dream which consists of wealth and Daisy’s love. But is the American Dream actually what it seems to be? Throughout the novel, Fitzgerald utilizes the symbolic value of the Valley of Ashes, East Egg, and the significance of the color yellow to constantly establish that opulence and the American Dream is deceiving as it leads to moral and societal corruption.

People are considered to be social beings, yet, again and again, they seek to falsify the claims of civility, and show themselves as the detached individuals they tend to be. In his novella, “Of Mice and Men,” John Steinbeck designed several faulty pairings that display the true disparity and detachment that are proven to be a part of every relationship in the story. Through the associations of the main characters, Lennie and George, along with several other characters within the narrative, Steinbeck exposes the root of 1930’s relationships in promises, loneliness, and a basic need for companionship, rather than any true fondness- a junction that can easily be nullified.

Solidifying the theme of John Steinbeck’s Of Mice and Men, the protagonist George expresses his significant loneliness despite a strong kinship with his friend Lennie, “’I ain’t got no people… I seen the guys that go around the ranches alone. That ain’t no good’” (41). Published in 1937, amidst the horrific turmoil of the Great Depression, Steinbeck’s novella struck a sensitive chord with readers. Set in the heart of California’s Central Valley, this story follows two men, George and Lennie, as they run from old shadows to a new farm for work. Clinging to the distant dream of owning their own piece of land, the men imagine life outside their present difficulties. Illustrating that life is varied by emotional complexities beyond black and white, George’s longing for companionship and family seep through in conversations with his new co-worker Slim. Despite Lennie’s sheer physical strength, his mental abilities are limited to that of a naïve, innocent, and very young boy; the result is a relationship akin to an uncle and nephew. Lennie, with primal-like behaviors and a gold-fish memory, struggles to adhere to George’s words of wisdom. In the end, tragedy strikes them both as George is forced to kill Lennie due to an accident with the son of the landowner’s wife – a woman who looks for trouble at the onset. Consequently, George’s state of loneliness is bequeathed to a new level as he begins to imagine life without Lennie in tow.

The American Dream has always been the unattainable idea of a perfect life, often causing disorder when it is not realized. In response to society’s unrealistically high standards, and the human desire to be accepted, people shape their existences to fit within the quixotic ideals of society. The ubiquity of this conformity is demonstrated by its omnipresence as a theme in American literature. The Great Gatsby and Tender is the Night by F. Scott Fitzgerald, along with Gone Girl by Gillian Flynn, demonstrate how these perspectives of social mores are centered on the prevalence of the unrealistic views of normality. The Great Gatsby, Tender is the Night, and

Exploring the tension between truth and illusion is a frequent preoccupation of twentieth century American literature. Compare and contrast the treatment of this theme in `Tender is the Night' and at least one other relevant text you have encountered.

In the poem ‘ Ordinary Life ’ and the adapted excerpt from ‘Lives of Girls and Women’, Barbara Crooker and Alice Munroboth respectively display an ordinary family life of two families living in different life styles. Both families live in harmony. However in terms of reality, Garnet’s family living style in the excerpt is more likely to take place in the real life than the family in ‘Ordinary Life’ .

According to Elizabeth Lowell, “Some of us aren't meant to belong. Some of us have to turn the world upside down and shake the hell out of it until we make our own place in it.” Sometimes what every situation needs is an outsider to flip the script and create a new outlook on everything. In Shirley Jackson’s novel, “We Have Always Lived in the Castle,” the speaker, Merricat, is an outsider of society on many levels, such as mental health, gender, and that she is an upper class citizen in a poor area. Although Merricat is mentally unstable, her outsider’s perspective criticizes the social standard for women in the 1960s, indicating that social roles, marriage, and the patriarchy are not necessary aspects in life such as it is not necessary to have the same outlook on life as others.

     The plays, The Glass Menagerie and A Raisin in the Sun, deal with the love, honor, and respect of family. In The Glass Menagerie, Amanda, the caring but overbearing and over protective mother, wants to be taken care of, but in A Raisin in the Sun, Mama, as she is known, is the overseer of the family. The prospective of the plays identify that we have family members, like Amanda, as overprotective, or like Mama, as overseers. I am going to give a contrast of the mothers in the plays.

This is evident when Tom says ‘I'll be damned if I see how you got within a mile of her unless you brought the groceries to the back door. But all the rest of that's a God damned lie. Daisy loved me when she married me and she loves me now’. Tom’s view on marriage is much different from Gatsby’s. Tom sees love as a possession and marriage as a way of owning another person. Gatsby sees marriage as an expression of love. This is evident when Gatsby responds ‘You loved me too?’ after Daisy had confessed her love to him. West Egg, East Egg and The Valley of Ashes have been used to represent the three different types of classes in society during the 1920s. The construction of the setting has been used to show us the conflict between the people who had old money with the people who had new money and how people with no money were isolated from the high class and overlooked. The conflicts between the classes show us that the pursuing the American Dream may lead to wealth and prosperity, but it certainly does not provide happiness among people.

John Steinbeck’s novella, Of Mice and Men, takes place during the Great Depression in the 1930’s, in the Salinas Valley, California. It establishes the prospect of the American Dream, discrimination,loneliness, and disenfranchisement through its characters. George and Lennie provided the value of the American Dream, to which the leading female role, Curley’s wife, represents how women are exempt from the American Dream, and appeared as less than equal to men. She developed a form of loneliness throughout the course of the novel. The novella seeks to demonstrate the way of which life was like for the characters of all different statuses and backgrounds. Through Curley’s wife’s character, we are able to see how life was like for a women during

When we try to chase our dreams, we end up in our own diminutive lonely world. Of Mice and Men, by John Steinbeck, has taught readers that the American dream can only ever be accomplished through hard work and determination. More times than others, we are distracted by the dream itself, and don’t chase the reality, which can then lead to high expectations, and without hard determination, that can then failure. In the end, we have been lonely for so long, chasing a dream, that when reality hits us, we become isolated and lonely. For George and Lennie, they have each other, until the American dream seemed too hard to chase.

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time