Truth In Cormac Mccarthy's The Road

Cormac McCarthy’s The Road, is an enticing, but soul-wrenching novel that perfectly conveys the precise conditions of a cold, desolate world, in which one feels utterly isolated. McCarthy does not hesitate to go into detail about powerful or foul events within the plot. He says exactly what he means, and can effectively incorporate forceful interactions between the characters and each other, as well as characters and their given environment. By using the literary devices of symbolism, imagery, and theme, McCarthy handcrafts a novel with such eloquence and grace that such a bleak and miserable world is perhaps a seemingly beautiful one.

Both The Road by Cormac McCarthy and The Empties by Jess Row are apocalyptic stories that describe the state of human civilization after the annihilation of civil society. Whereas in The Road civil society is destroyed and remains defunct after the apocalypse, The Empties tells of a people who are able to bounce back and reestablish their society. Many people today live their lives aimlessly, squandering their time day by day, partaking in life’s pleasures, and living for their own selfish reasons. McCarthy and Row bring attention to the selfishness and self-absorption that plagues today’s teens by showing two different possible scenarios following an apocalyptic event, resulting from a fundamental difference

The effects of setting on characterization differ depending on where the character is placed, and what time they were there. For example imagine a character living in Europe now, versus them living there in the late 1340’s, around the time of the black plague. Who they are and how they handle things completely changes depending on the situation they are placed into. In The Road by Cormac McCarthy the Father sees the world as “Barren, silent, godless.” but still keeps his calm in front of son as he is his entire reason for living in this lifeless dystopia.

In a world where survival is your only concern, what would you do to stay alive? This is one of many thought-provoking questions that Cormac McCarthy encourages in his book, The Road. McCarthy, a Rhode Island native is a seasoned author, with more than 14 other works in his portfolio. McCarthy is a very private man, and there isn’t a lot known about him. The lack of information on McCarthy does not reflect his writing abilities, which are very strong and not lacking at all.

Cormack McCarthy’s novel, The Road, is set in a post apocalyptic world, where humanity is struggling to survive. Through his simplistic writing style and powerful symbolism, McCarthy tells a story about the human condition as well as what it truly means to be human. Though it is set in a wasteland this novel still manages to project hope through the love of a boy and his father. The following passages are quotes that spoke to me stylistically or symbolically while I was reading.

Passing by Nella Larsen revolves around two light-skinned African American women who deal with the social duality of their skin tones. Passing is defined as when a mixed or light-skinned black person poses as a white person. Larsen deals primarily with the issue of colorism which is a form of discrimination by which individuals with lighter skin tones are treated better than individuals with darker skin. The discussion of passing can be noted in the two main characters, Irene and Clare. Irene Redfield, the main character, is a well-known member of the Harlem community. Clare, unlike Irene chooses to "pass" as white. Throughout the novel, the reader is made aware of the psychological battle of these two women and black women in general, as well as the social benefits and consequences of passing. Larsen details the undesirability of dark skin in 1920s American culture, a stigma that persists even today; both within white America and ironically, the African American community itself.

As one is put through times of strife and struggle, an individual begins to lose their sense of human moral and switch into survival mode. Their main focus is their own survival, not of another's. In the post-apocalyptic novel, The Road by Cormac McCarthy, a father and son travel along the road towards the coast, while battling to survive the harsh weather and scarce food supply, as well as avoid any threats that could do them harm. Throughout their journey along the road, the father and son are exposed to the horrid remnants of humanity. As a result, the father and son constantly refer to themselves as “the good guys” and that they “carry the fire”, meaning they carry the last existing spark of humanity within themselves. By the acts of compassion

In Nella Larsen’s Passing, issues of race, identity, and privilege are explored. Irene Redfield, the African American wife of a doctor, is herself “passing” in the Drayton Hotel’s rooftop garden when she comes across Clare Kendry, a childhood friend. Clare is passing as white in her daily life with her husband believing that she is a white woman. Although Irene does not approve of Clare’s passing, and tension exists among the characters, Irene grows to feel sympathetic for Clare and becomes closer to her. The tension that exists between the two women is suggestive of another form of passing and sublimated desire. Through the novel, Larsen demonstrates that passing manifests.

Every author creates some type of conflict to have the reader sitting on the edge of their seats whether the conflict be man versus man, man versus self, or man versus nature. The novel The Road by Cormac McCarthy wrote a story about both a man and a boy who have particularly conflicting characteristics when it comes to decision making. The boy in the story is very optimistic about everything and the man can be pessimistic when either deciding on what to do or when thinking about life or the future. In addition, both characters have different outlooks and personalities that can sometimes collide.

We often consider the world to be filled with core truths, such as how people should act or what constitutes a good or bad action. In The Road, McCarthy directly challenges those preconceptions by making us question the actions of the characters and injecting a healthy dose of uncertainty into the heroes’ situation. From the very beginning, the characters and their location remain ambiguous. This is done so that the characters are purposely anonymous, amorphously adopting all people. While on the road, the order of the day is unpredictability; whether they find a horde of road-savages or supplies necessary for his son’s survival is impossible to foretell. While traveling, the boy frequently asks “are we the good guy” and the father always replies with “yes” or “of course,” but as the story progresses this comes into question.

For ages, people have been debating the idea of human morality and whether or not at its core humanity is good or bad. This philosophy is explored in Cormac McCarthy’s novel, The Road. The road is the story of a man and boy living in a post-apocalyptic world. Some cataclysmic event has crippled Earth’s natural ecosystem, leaving the skies engulfed in ash and the ground devoid of much life. The duo aim to journey south as a way to escape being frozen to death in the oncoming winter. During their journey, the boy and man come across different people and places that give them a better understand of what humanity has become and where they stand on that spectrum. Throughout The Road, McCarthy revisits the idea of being the “good guy” when there is no longer a need to, “carrying the fire” as it’s detailed in the book. The dichotomy between the boy’s moral conscience and the man’s selfish ideals helps develop McCarthy’s idea of humanity losing its selflessness in the face of danger.

In recent decades, Cormac McCarthy has staked his claim as one of the all-time titans of American literature through publishing masterpieces like Blood Meridian, Suttree, and The Road. In his works his advanced level of technical mastery becomes apparent through his expertly harmonized coordination of literary elements toward certain narrative ends, such as the generation of suspense. In this light, McCarthy’s literary style is a practical one, in that he organizes literary elements in his works toward actualizing particular goals. In The Road, for instance, McCarthy directs his style throughout the text so as to maximize the feeling of suspense that readers experience throughout the book. This kind of stylistic maneuvering is expressed on pages 105-110 and pages 118-123 of the the text. But, it must be noted here that the generation of suspense in these passages does not result from similar stylistic approaches. McCarthy uses style in differently in Passage A and Passage B but ultimately toward the same end, namely generating suspense for readers of The Road. Passage A relies on dialogue to develop its suspense, whereas the style of Passage B relies on narrative action for its suspense.

Cormac McCarthy’s The Road is his post-apocalyptic magnus opus which combines a riveting plot along with an unconventional prose style. Released in 2006, the novel has won awards such as the Pulitzer Prize and the National Book Critics Circle Award (Wilson). Oprah Winfrey also selected the book for her book club ("Cormac McCarthy”). The author, Cormac McCarthy, was born in 1933 in Rhode Island and is said to have wrote the novel because of his son and their relationship. The Road centers around a boy and his father while they try to survive after an unknown disaster occurs. While some people may argue that the unusual style takes away from the novel, it adds to the tone and meaning of the work.

In a desolate world ravaged by fire, a boy and his father trudge across the countryside. They encounter people in their most desperate times where their motives are unpredictable and noone can be trusted. The boy and his father try to maintain their morality while facing starvation and having to deal with unpredictable people they encounter on the road. Cormac McCarthy in his novel The Road, uses the theme of hope to demonstrate the human trait that purpose is essential to survival.

Imagine yourself living in a barren, desolate, cold, dreary world, with a constant fear of the future. The Road, written by Cormac McCarthy and published in 2006, is a vivid and heartwarming novel that takes us through the journey of a father and a son as they travel South in a post-apocalyptic environment facing persistent challenges and struggles. McCarthy proves that love unleashes immense strength to overcome obstacles, even in times of desperation.