Parental interaction is very important in the growth of a child’s development of the brain, which has an effect on the child’s identity. The way parents act and interact will affect the child’s future decision-making and psychological development. Different types of interactions in an author’s childhood usually have big impacts on how they write throughout their career. It is also the same with any other child, the certain types of behavior from parent to child are directly correlated to the way they act or become in the future as they develop more. In the story “Two Kinds” by Amy Tan, the author writes her personal experience of how her mother’s own personality and beliefs were projected onto her daughter to become a perfect idol such as being …show more content…
Many times these are the things that drive them away from the things that they actually are interested in and things that their good at. Most times the kids are not that interested in those dreams and have their own personal identity that they wish they could present. To connect with this theory, in Two Kinds by Amy Tan, Tan writes how the mother of Jing Mi reiterates Jing to trying her best but also suggesting activities that Jing wasn’t interested in. After seeing many Asians accomplishing big things from being a pianist to a three-year-old child reciting all the capitals in the fifty states, Jing mother’s expectations for her were nothing less than that. Jing knew that her mother wanted nothing but the best for her, but Jing flat out knew that these things wouldn’t make her happy even if she was good at them. In “Two Kinds” Jing explodes all her emotions after holding everything inside. All of her emotions were bottled up until one certain moment. Fail after fail trying to live up to her mom’s expectations, Jing realized that none of the things that her mother was making her do will further herself in being an individual. Moments before the meltdown, Jing sees her mother’s face after failing to come to her expectations and begins to cry and storm to the bathroom. “The girl staring back at me was angry, powerful. This girl and I were the same. I had new thought, willful thought, or rather thoughts filled with lots of won’t. I won’t let her change me, I promised myself. I won’t be what I’m not.”(74) Here is the moment where Jing realizes that trying to live up to her mother’s expectations won’t help her. Jing realizes that by trying to do all these things, she isn’t being herself or trying to do things that she enjoys. After this event, Jing forms her own identity by not trying to
Also, their relationship is shaped by the pressure Suyuan puts on her daughter. When Jing-Mei was growing up, her mother had the need for her daughter to be smart, talented, and a respectful Chinese daughter. This pressure put on Jing-Mei resulted in misunderstanding between mother and daughter. Jing-Mei constantly believed, “that she was disappointing her mother,” because she felt as if she failed at everything her mother wanted her to do. She believed she could never be as perfect as her mother was. Therefore she doesn’t think she is worthy enough to take her mother’s place at the Joy Luck Club “They must wonder now how someone like me can take my mother’s place” (Tan, 27). Jing-Mei does not understand that her mother wanted the best for her; Suyuan wanted Jing-Mei to challenge herself because that is how one builds up character. Suyuan thinks her daughter could do anything she proposed to do but never put enough effort into anything “Lazy to rise to expectations” (Tan 31). Furthermore, Suyuan forced Jing-Mei to learn how to play the piano and then perform at a recital. Jing-Mei rebelled against her mother and refused to learn how to play the piano well. So, at the recital she ends up forgetting the music notes. Jing-Mei blames her embarrassment on her mother and states,
The definition of an underachiever as stated by Webster is “one (such as a student) that fails to attain a predicted level of achievement or does not do as well as expected.” In the short story “Two Kinds” written by Amy Tan, Ni’Kan is the queen of underachievers. She determines at a young age to become defiant to her mom. After experiencing disappointment from letting her mom down, Ni’Kan determined that she would not become a child prodigy and intentionally failed throughout her life.
The mother in the story tries everything in her power to make Jing-mei famous in some way. Yet Jing-mei was content to being herself.
Jing Mei is starting to get the feeling that her mother is putting too much pressure on her. In Friday Night Lights Mike is starting to feel the pressure as he gets closer to the game.In “Two Kinds” Jing Mei is failing at all the test that her mother is putting in front of her and she is trying but she is getting to the point where she is wanting to give up and just not do them anymore. But Jing Mei’s mother is saying that she is only wanting the best for Jing Mei but, Jing Mei is not seeing it this way.
Jing-Mei did not believe in herself as much as her mother did. In the text, it states, “It was not the only disappointment my mother felt in me. In the years that followed, I failed her many times.” This quote shows how the differences between the viewpoints of Jing-Mei and her mother caused them to more and more separate from each other. Because of the viewpoint of Jing-Mei’s mother, Jing-Mei stopped believing in herself and started to fail everything.
The line between being an acceptable and unacceptable parent is often blurry and is seen on different perspectives when it comes to class, culture, and generation differences. Based on the two stories of Amy Tan’s, “Two Kinds” and Tillie Olsen’s, “I Stand here Ironing” we see these two perspectives that derive from different maternal upbringings of the children in the stories. What is found between them is the conflict of being too little or heavily involved in a child’s life has had more negative outcomes during their childhood than positive.
When she looked herself in the mirror (pg 407) she saw just an ordinary face and began to cry. She then saw what seemed to be the prodigy side of her self. She saw an angry powerful girl that only wanted to use that energy to resist her mother hopes for her. Through out the story Jing Mei seems to be a complicated character having many inner and outer conflicts. The mother comes across as being controlling and constant on push her daughter to become famous.
“It was not the only disappointment my mother felt in me” (Tan 327). Growing up with a mother like mine, disappointment came very easily. In Amy Tan’s “Two Kinds” the mother and daughter were always on edge because the mother expected too much and the daughter could never meet up to the standards that she had set. After thirty years went by after their big falling out the mother gives the daughter a piano as a sign of forgiveness, but the daughter has a remaining feeling of guilt for a long time. In my story, my mother expected a lot from me, and and my big mistake that changed our lives forever was forgiven, but I will carry that shame forever.
The story Two Kinds By Amy Tan was about a young Chinese girl and her mother who had just moved to the United States. The mother had moved to America because she had lost everything her husband, mom,dad, and children. Even in spite of all this loss she never looked back and never regretted her decision. One day Ni kan’s mother had the idea of Ni kan becoming a child prodigy because to Ni kan's mother you could do anything in America.
In the story Two Kinds by Amy Tan it tells the tale of conflict between a mother Suyuan and her daughter Jing-mei over piano lessons. Two Kinds deals with a clash between a mother’s belief of hard work and persistance and a daughter's belief that being a prodigy is unachievable. Amy Tan shows generational differences among immigrant families negotiating the mythology of the American Dream.
In the short story Two Kinds by Amy Tan, she writes about a child named Jing-mei and her experiences with her mother pushing her to become a prodigy, all while her mother deals with being a Chinese immigrant that just moved to the United States. The two countries obviously share very different cultures and this plays a part in the story as she pushes Jing-mei to live ‘The American Dream’. Her mother strongly believes that in America you can be whatever you want to be. This, to some, may not be true, however this idea is strongly pushed in the Chinese culture. This is shown when Jing-mei fails to do any prodigious task that her mother puts in front of her which leads to her mother being ultimately disappointed in Jing-mei. Her failures ends up causing a huge argument between Jing-mei and her mother. The argument could be called the climax of the story. This confrontation wouldn’t have happened if Jing-mei’s mother didn’t have the huge idea that The American Dream is a legitimate thing, and Jing-mei’s mother wouldn’t have that perception of America if the Chinese culture didn’t present the United States as such a place. Based on Chinese culture and perspectives, there are numerous fallacies concerning the American Dream, and these are displayed in Amy Tan’s short story “Two Kinds”.
Jing-Mei feels differently though, “Unlike my mother, I did not believe I could be anything I wanted to. I could only be me,” (359/80) and she was correct for she had no natural musical talent. Jing-Mei has a desire to please her mother, but an even stronger one to choose her own life. She pacifies her mother by going to piano lessons but puts in no effort. Jing-Mei is “…determined to put a stop to her blind foolishness,” (356/48) but her mother’s desire to create a prodigy to compete with Aunt Lindo’s daughter, keeps her focused on the impossible. That is, until Jing-Mei escalates this conflict to its breaking point in rebellion. Stunning her mother, she shouts “Then I wish I’d never been born! I wish I were dead! Like them,” (359/77) referring to the twin daughters her mother lost in China. Sadly, the mother’s desire to have Jing-Mei conform to her expectations creates a constant battle between mother and daughter, and, in rejecting those expectations, seeing disappointment in her mother’s face all too often causes Jing-Mei to feel, “something inside me began to die” (353/18).
Furthermore, Jing-mei discovers, “Old Chong’s eyes were too slow to keep up with wrong notes [she] was playing,”(472). As a result, Jing-mei performs “Pleading Child” miserably at the talent show her parents and all of the members of the Joy Luck Club attended. Jing-mei saw the disapproval and shame on her mother’s face, and decided to stop practicing piano. If Jing-mei’s mother wouldn’t have looked so disappointed and been proud of her daughter Jing-mei wouldn’t have been so discouraged. Jing-mei would’ve still had faith in herself like she did before her performance. “When my turn came, I was very confident. I remember my childish excitement. It was as if I knew, without a doubt, that the prodigy side of me really did exist. I had no fear whatsoever, no nervousness. This is it!” (474). After seeing the dismay in her parents eyes Jing-mei changed her whole outlook on the situation, which weakened Jing-mei’s pride, causing her to fully rebel from being a prodigy. Furthermore, encouraging her to be who she wanted to be.
Unlike Chinese culture, Jing-Mei starts to revolt against her mother. As a result of her mother
It is hard to let our children to choose their own dreams. When parents show constant disappointment in their children, children can eventually become disappointed in themselves. Seeing her mothers disappointment over and over again starts killing something inside of her. Jing Mei breaks down, “I looked at my reflection, blinking so I could see more clearly. The girls staring back at me was angry, powerful. This girl and I were the same. I had thoughts, willful thoughts, or rather thoughts filled with wont’s. I won’t let her change me, I promised myself. I won’t be what I’m not“ (19). Hopes for making your parents proud can shatter after so much pressure as did Jing Mei’s.