In Shakespeare's play, Hamlet, the principal character, Hamlet, the Prince of Denmark, uses a charade of madness in order to further his plot of revenge. However, his mind is not able to justify murder for any reason; therefore, he truly goes insane before he is able to fulfill his scheme. In contrast, Ophelia is openly mad and is used by Shakespeare to show the various forms of insanity.
According to Carney Landis and James D. Page, there are "three levels of social adjustment:" there is the "normal individual," the "neurotic," and the "psychotic"(Landis and Page 9). The normal individual is just what the title says. He is accepted into society as a logical and stable person. Most people are classified as normal. The second
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Therefore, the complex can be seen as a form of obsession within a person's mind and is labeled as causing neurotic behavior. These complexes are not always active, but when they are, the emotional and physical reaction to them can be very strong. Hart then explains that if a person's complex is "out of harmony with the mind as a whole...because it prompts to actions which are incompatible with the individual's general views and principles," then "a state of 'conflict' arises" (Hart 77-8). This incites a struggle between the person's complex and their personality or moral beliefs, and causes the mind to become divided and the person's actions to be paralyzed. This conflict causes "unpleasant emotional tension" until a crisis is reached and the person is forced to decide whether to follow their complex or their personal beliefs (Hart 78-9). Many times this conflict leads to the disintegration of the mind, as is true in Hamlet's case.
Hamlet develops a revenge complex which eventually leads to his downfall. When his father's ghost tells him to "Revenge this foul and most unnatural murder" (1.5.25), Hamlet replies that the ghost's demand of revenge, "...alone shall live/ Within the book and volume of [his] brain" (1.5.102-103). From this point on, Hamlet lives and breaths thoughts of revenge. However, the idea of murdering someone, even a killer, is repugnant to the quiet, studious Hamlet. It is also important to keep in mind that Hamlet has never been a man of
Several emotions engulf Shakespeare’s Hamlet throughout the play, the most famous being Hamlet’s own emotional state. His madness, triggered by his incestuous uncle, has led several scholars to explore the psychological causes of his madness. This research into Hamlet’s madness will explore his madness in comparison to other characters, the psychoanalytical studies behind his madness, and defining whether his madness is genuine or another play within the play.
“Mood disorder: although Hamlet worries a lot, he doesn’t avoid situations that cause him to worry. He confronts the ghost of his father as it appears before him. Also, he presents two symptoms namely restlessness or feeling on the edge and irability.” (Character Analysis of Hamlet, Psychological Disorders, Sept. 22, 2012).
His feigned madness permitted Hamlet to express these emotions freely towards Ophelia: “...Get thee to a nunnery, / farewell. Or if thou wilt needs marry, marry a / fool; for wise men know well enough what monsters / you make of them...” (3.1.138-41). It was also important for Hamlet to be so vulgar towards Ophelia because it would not have been possible for him to continue being a caring loving boyfriend while attempting to avenge his father’s death. Lastly, by pretending to be mentally disturbed, it provided Hamlet with an excuse for any sinful deeds he would commit on his pursuit of revenge. Hamlet exemplifies this conception as he seeks for Laertes forgiveness for murdering his father Polonius: “If Hamlet from himself be ta’en away, / And when he’s not himself does wrong Laertes, / Then Hamlet does it not, Hamlet denies it. / Who does it then? His madness...” (5.2.230-33). Hamlet’s pursuit of the truth and revenge was much better accompanied by madness rather than sanity which gave Hamlet a clear motive to fabricate insanity in the play. In the midst of Hamlet’s supposed madness, the prince continues to speak rationally with certain individuals as well as maintain sensible and logical thoughts. This idea is depicted through his conversations with his good friend Horatio who is assisting Hamlet in his search for the truth behind Old Hamlet’s death. For example, before the
2001. One definition of madness is “mental delusion or the eccentric behavior arising from it.” But Emily Dickinson wrote “Much madness is divinest sense to a discerning eye.” Novelists and playwrights have often seen madness with a “discerning eye”. Select a novel or play in which as character’s apparent madness or irrational behavior plays an important role. Then write a well-organized essay in which you explain what this delusion or eccentric behavior consists of and how it might be judged reasonable. Explain the significance of the “madness” to the work as a whole. Do not merely summarize the plot.
When one refers to madness in Hamlet, most would think of Hamlet's madness, or at least that that he was pretending to possess. Although Ophelia does go insane and ultimately commits suicide, the central lunacy of the play revolves around Hamlet himself. Hamlet's plan to act mad is completely unexplained. It is safe to
Why does insanity affect some people in different ways and why? Hamlet is a play by William Shakespeare which tells us when we read it about how some people react differently to insanity then others. Hamlet is the some of the late King Hamlet who was murdered. Gertrude, King Hamlet's wife, was remarried to her brother-in-law Claudius, two months after her husband died. Insanity takes hold of three people in particular in the play: Hamlet, Ophelia and Claudius.
In William Shakespeare’s Hamlet, one of the most evident and important themes is the theme of madness. The theme is apparent throughout the play, mainly through the actions and thoughts of Hamlet, Ophelia, and Laertes. Madness is defined as the quality or condition of mental illness or derangement (being insane). Madness is at the center of the conflicts and problems of the play and is conveyed through Shakespeare’s elaborate use of manipulation and parallels between Hamlet, Ophelia, and Laertes to contribute to Hamlet’s tragic character.
Throughout the Shakespearian play, Hamlet, the main character is given the overwhelming responsibility of avenging his father’s "foul and most unnatural murder" (I.iv.36). Such a burden can slowly drive a man off the deep end psychologically. Because of this, Hamlet’s disposition is extremely inconsistent and erratic throughout the play. At times he shows signs of uncontrollable insanity. Whenever he interacts with the characters he is wild, crazy, and plays a fool. At other times, he exemplifies intelligence and method in his madness. In instances when he is alone or with Horatio, he is civilized and sane. Hamlet goes through different stages of insanity throughout the story, but his neurotic and skeptical personality amplifies his
Throughout the play, Hamlet, Shakespeare applied a myriad of motifs to enhance the meaning and complexity of his work. One of the numerous motifs utilized in the play is madness. The question of Hamlet’s actual madness is profusely raised among readers in the Elizabethan era and is still brought up numerous times today. Some may assert that Hamlet was literally mad and others may argue that Hamlet’s madness was feigned. In the beginning of the play, Hamlet spotted his father’s ghost and discerned that his father’s death was caused by his uncle, Claudius. This situation initiated a whirlwind of events that took Hamlet on a downward spiral. These events are comprised of Hamlet’s actions to try to avenge his father’s death. They support and convey the impression that Hamlet’s madness was real. Although, Hamlet specifically claimed that he was not mad in the text. Hamlet’s madness was feigned since he confessed his reasoning for his antic disposition in order to avenge his father’s death and get revenge for Claudius’ actions.
Shakespeare's Hamlet is a master of deception. Hamlet decides to make Claudius believe that he is insane, but the scheme backfires when everyone, except Claudius, falls for it. Ophelia is one of those who believes Hamlet lost his mind, and when he does not return her love, she is so brokenhearted that she commits suicide. Near the end of the tragedy, Hamlet plays the part so well, that he convinces himself he is insane. Clearly, Hamlet's plan to put on an antic disposition is a tragic error.
Hamlet begins to react upon his feelings and does away with his reason as he says to the ghost that he will do away with all knowledge and memory and keep within his mind the want to revenge his fathers’ murder. “Yea, from the table of my memory I’ll wipe away all trivial fond records, All saws of books, all forms, all pressures past That youth and observation copied there, And thy commandment all alone shall live”, (1.5.96-103). Hamlet begins to exhibit the argued theme that revenge causes people to act recklessly
In Shakespeare's play Hamlet, there are several questions that come to the reader's mind regarding the emotional state of Hamlet. Was Hamlet really suffering from madness, as many of his friends and family thought? Was he mad or just pretending to be mad? Did Hamlet start out pretending to be mad, and his obsession drove him to madness? The reader gets insight into Hamlet's mental status through other characters and through Hamlet himself. If the characters had the information that Hamlet had about the murder of his father, would they have thought differently of his actions and his sanity?
In Hamlet, Shakespeare writes about another character who had really gone mad. After her father’s death Ophelia was robbed of her sanity. When comparing Hamlet to Ophelia one can see that Ophelia acts as an insane person would. All she is able to do is dance around and sing about death whilst Hamlet speaks eloquently even if others don’t understand what he is trying to say. Other characters pick up on each of their state of minds. After speaking to Hamlet in Act 2 Scene 2, Polonius says to himself “Though this be madness, yet there is method in’t.” (204), which means that while Hamlet may have been speaking nonsense there was a reason for it. In contrast when Ophelia speaks her brother says “Hadst thou thy wits, and didst persuade revenge, / It could not move thus.” (IV.V.169), calling her insane and proving that she had completely lost her mind.
Hamlet is one of Shakespeare’s most famous plays. In it, a young, Danish prince struggles with the death of his father and the betrayal of his mother. This struggle is so profound; it shakes its main character Hamlet to the core and brings him to the brink of sanity. Shakespeare uses madness to convey important information throughout the play especially through Hamlet and his love interest, Ophelia. Hamlet does not always appear to be mad, in fact throughout the play his sanity is questioned by the reader and other characters. Whether real or faked, Hamlet and Ophelia’s madness reveal to us more about their characters, opinions and secrets than their regular discourse.
“Hamlet’s madness is less than madness and more than feigned”. What is madness? Mad is a word with such uncertainty that it can be stretched to mean an abundance of things more than just pure psychological instability: a weariness of life; a suicidal impulse; a plotting charisma. In the play Hamlet by William Shakespeare, a wild disagreement has been consequent for a series of years in the case of the madness of Hamlet, the play 's central narrative, was justifiable or feigned. As in any decision, one must be given both sides of the controversy before making an impartial conclusion. The case of Hamlet 's madness is no exclusion. It is appropriate to say that Hamlet may have remained sensible throughout the performance, especially in consideration of his rag flashes of what seems to be psychological discipline and stability. However, Hamlet is perceived as disoriented by overwhelming burst of hysteria after acquiring knowledge of his father’s death, news of Gertrude’s quick remarriage, and Claudius becoming the new King. In the butt end it is up to the scholar to determine for him or herself the psychological nature of Hamlet’s madness, as it may have been the motive of William Shakespeare, taking into review how open-ended this subject continued throughout the play.