Typical New Zealand Male And Its Effect On Young Men Essay

Identity is often constructed based on affiliations with particular groups. When one identifies with a group, one mimics the perceived qualities of that group (Swann, Jetten, Gomez, Whitehouse & Bastian, 2012). For Indigenous Australians, they may conform to the above negative stereotypes partly because of how they are represented in the dominant culture. Forrest notes that dominant cultural perspectives bombard Indigenous Australians (Forrest, n.d.). Therefore, prevailing negative stereotypes and conformity with those stereotypes can be attributed to the dominant culture.

What is it that drives commercials towards their target audience? Commercials can be aimed toward certain age, race, along with certain gender groups. Pop culture has influenced minority groups and shed light on women 's rights or so it may seem. Lisa Shaffer a fellow student feels otherwise and believes that Pop culture has only defended traditional values and does little to challenge those who already have power . Commercials bring in gender norms and in Steve Craig’s article, “Men’s Men and Women’s Women” he speaks on four particular TV ads directed towards male and female audiences. Interestingly enough these tv ads deliver a false image of the opposite sex to the audience catering to their preferences. It is the image of what the audience wants to see that appeals to them. This is all in an attempt to sell products and take advantage of our desires and anxieties. Craig shows how commercials bring gender norms that produce the stigmas of a man’s man and a woman’s woman, which makes it apparent that he would agree with Shaffer because it promotes an old way of thinking.

As discussed in a recent essay by Saul Kaplan “The Plight of Young Males”, there is a serious academic gender achievement gap in the United States and as I will discuss, around the world. Young women are doing significantly better than young men, and the results are shocking. In the latest census, males make up 51 percent of the total U.S. population between the ages of 18-24. Yet only 40 percent of today’s college students are men. Since 1982, more American women than men have received bachelor’s degrees. In the last ten years, two million more women graduated from college than men. As Kaplan reveals, the average eleventh-grade boy writes at the level of the average eighth-grade girl. He also states that women dominate high school honor rolls and now make up more than 70 percent of class valedictorians. Kaplan says, “I am happy to see women succeeding. But can we really afford for our country’s young men to fall so far behind,” (733)?

I identify as a New Zealand European; I prefer not to be called Pākehā as from personal experience this term is often used with negative connotations. My father is British and my mother is a first generation New Zealander so my family still has strong connections with Europe. I recognise that I am a part of the dominant ethnic group in New Zealand, and that this has sheltered me from the marginalisation experienced by those regarded as “other”, those who lie outside the bounds of the dominant group.

Kenny (2006) is an Australian mock documentary about a blue collar Aussie bloke, attempting to belong in social situations outside of Australia. But Kenny has taught me, that you can take an individual out of Australia, but you can’t take Australia out of an individual. The mock documentary had greater success in America than Australia. The depiction of work-class Australian men, in the film, showed the amount of pride Kenny takes in completing his dirty job well. Kenny’s character struggles to belong in his immediate setting, and seeks for his identity in the work that he undertakes. His Australian identity is obvious in the mass use of colloquial language that displayed Kenny’s stereotypical Aussie communication methods.

The article “How Boys Become Men” written by Jon Katz, gives a positive statement on how boys still haven’t change and are still growing up the same. Jon Katz, shares with us while walking his dog one day, he saw a boy get beaten by a group of older boys. While walking towards him, Katz asked if he was okay; the boy said yes and begun to swing like nothing happened. I believe that what Jon Katz states is true, because the fact is; boys are always going to think they’re the Alpha Male in every situation. For example: who can climb the highest Rock, who can make a bigger splash in the pool or who can maybe get a girlfriend first.

When people hear the word stereotype, they usually think of black people, Mexicans, Native Americans, women, and other races. Most people do not think there could be a stereotype against white males. People usually think that it would be the white male that would stereotype other races and not be stereotyped themselves. The truth is that white males get stereotyped just as much, if not more, as other races. White males have been categorized as hateful, major racists, skinheads, and over-privileged. In today’s society, a white male can’t criticize any other race without fear of being called a “hater” or a “racist”. One of the biggest forms of racism towards the white male is what the government calls “Affirmative Action”. Affirmative

Masculinity, the attributes applied to the male gender, has continuously manifested itself within the matrices of literature, with many writers using narrative fiction as a vehicle to explore ideas of the historical underpinnings of manhood, and more generally, alternative constructions of the male ontology and modality. Transcendental notions of masculinity have inevitably constrained the contemporary man within set ideologies and values — those which often enforce unrealistic and toxic expectations. This conundrum is especially relevant in Australian society given the stereotypical and diffused archetype of the ‘Aussie Man’; which characteristics such as apathy, nobility and strength forming the bedrock of the national identity. Tim Winton, a prominent Australian author, has recognised and highlighted this issue in his collection of short stories The Turning, effectively challenging timeless stereotypes and portraying distinctive

“Almost one in two (48%) Australian males, face an issue that they don’t want to talk about, the issues of manhood, masculinity and respectful love” – Australian Institute of Health and Welfare.

The representation of Indigenous Australians in fiction and nonfiction texts are influenced by a range of factors. In the contemporary world of multicultural Australia, there has been a variety of ways groups of people are represented in texts. The Indigenous population is often portrayed in ways that strengthen harmful stereotypes. However, there are also a variety of positive outlooks and portrayals expressing their strength and achievements. In texts studied in year 8 English, the representation of Indigenous Australians in Crow country are characterized as outcasts and reflect cultural distinction. Newspaper articles regarding “Adam Goodes” demonstrates how preconceived thoughts from many Australians destroys sporting stars outlook upon

The typical Australian: lazy, beer guzzling, faded blue singlets, thongs, slang words. This is the dominant reading formed by the media, commonly in advertisements and novels. The image constructed by such media is one of an unfit ‘couch potato’ who sits around all day drinking and watching television. This stereotype is not only downgrading, but constructs Australian males as underachievers in society. Some Australians may be like this, as for many the pursuit of leisure is a serious business. Indeed texts such as Chris Franklin’s – Bloke (2000) and The Wind and the Monkey (1999) support this theory of the common Australian man. However texts such as Crocodile Dundee (1986) and The Castle (1999)

How dinkum is the Aussie bloke? The average Australian male is not like the historical stereotype, to be honest they’re far from it. Instead of being scruffy, sunburnt and having little or no personal hygiene; most Australian men are well groomed and practically bathe themselves in expensive cologne’s and other personal care products. All in all, it is obvious that the past stereotypes of Australian men are no longer an accurate component of Modern Australia.

The perception of masculinity within Australian films is a reflection of our society’s views and opinions of what it is to be considered masculine. It is continually reinforced in our society by the constructions of the male character in movies, just like Archie and Frank, in Gallipoli and particular male figures within our nation’s history, such as Ned Kelly. Peter Weir’s reflection of masculinity through the use of his two main characters Archie and Frank, in his 1981 film Gallipoli, helped to perpetuate this construction of the Aussie male stereotype

“Friend stopped, stood still, and braed himself.. see I’m no chicken” (Katz 221). Male maturation is a very complex sophisticated process. In “How Boys Become Men” Jon Katz takes on the challenge and head ache of analyzing this process. He explains how learning one of the central ethics of the gender is experiencing pain rather than showing fear and emotion. We do so by taken on challenges because we feel obligated to in front of our friends in order to not look cowardly. How we demonstrate machismo and lack commitment, how we do whatever we can to fit into the society around us and are willing to do anything just to resemble coolness and absolutely no tolerability of getting pushed around. It called Guy Code, a set of

After a brief shimmering moment in history where women stood strong in political jobs, data shows they have yet again been moved to the backbenches of Australian politics.