Venus Of Willendorf: Modern Feminist

The Woman of Willendorf figure, which was revealed in Austria and it is so small that it measures about 4.5 inches in height (Haarmann 62). This piece is between 25,000 and 30,000 years old which makes it amongst one of the initial pieces of art revealed and an image of fertility. The work was imprinted from limestone with indication that some method of paint pigment was then added

The Venus of Willendorf is a sculpture that was sculpted out of limestone and stands to be 4 ½’’ tall. The figurine was most likely carved out of limestone because early pre-historic artists generally had to create art out of whatever materials they had available. The figurine is only 4 ½” tall is because it was common for pre-historic artists to carve small, hand held, portable figurines. The sculpture was found on the banks of the Danube River, an area where pre-historic hunter-gatherers were thought to have lived and traded goods with other civilians. The use of this piece of artwork is to portray the importance of women and fertility in pre-historic times because these features are ones that ensured the survival and future of mankind.

In the Time of the Butterflies by Julia Alvarez is a novel about breaking the chains – not just from Trujillo, but from the societal idea that men should rule in a patriarchal fashion. The idea of female subordinates rising up in a fiery fashion is an age-old notion, and I believe that the true voice in Alvarez’ novel comes in this form. The subplot screams through like a banshee, especially when The Butterflies are brutally murdered without ever laying a finger on Trujillo as one may expect. So then what was the purpose of experiencing the live of The Butterflies day in and out? The answer is clear: to support a case for women everywhere to have the courage to stand up to their oppressors and gain equal footing in society. To gain insight in to this philosophy it’s critical to examine crucial plot details such as the relationship of each woman and her husband, the evolution of The Butterflies’ mentality through the course of the story, and a brief look at the history of the Dominican Republic to learn their societal norms and how Alvarez chooses to integrate these facts in to her fictional work.

This article writes at length about the discovery of the statue/sculpture of Venus de Milo of Aphrodite from Melos. Three perspectives are presented in the article firstly on how the statue was discovered and the speculations made by the experts and other artists about the sculpture and the other structures unearthed with or near the sculpture. Another perspective presented by Kousser is how the sculpture does not necessarily epitomize female beauty, but it represents Hellenistic classical art. The author highlights how the sculpture was actually setup at the

In the past, women had less power than men for thousands of years. In other words, men played an essential gender role and controlled people all around the world. Obviously, most leaders were males, and there were more male bosses than female`s in companies. This unequal social injustice has existed all around the world, especially in the Dominican Republic. In this country, men always thought the only responsibility of women was staying at home and taking care of the whole family. In addition, men did not care what women really wanted, and the only way was to force women to do what men asked. In the movie In the Time of the Butterflies, which happened in the Dominican Republic, people struggle under the brutal dictatorship of Trujillo between the 1930`s and 1960`s. In this movie, men play the important gender role that women have no right to apply for university, and they have to be obedient to men. However, women work hard to defeat their oppressed unequal fate and seek feminism, especially for the three Mirabal sisters. The Mirabal sisters are normal women who live in a farm with their parents. Unfortunately, their father is killed by Trujillo, so they become revolutionaries. They lead people to dare to start the revolution against feminist resistance. Although the Mirabal sisters understand they will sacrifice their lives, they never abandon due to their respectable ambition to gain equal rights as men.

The Venus of Willendorf was found in 1908 by a workman named “Johann Veran” (Selen). It was found by archeologists at a Paleolithic site. Here at the Naturhistorisches Museum in Vienna, Austria, we have the only authentic Venus Figurine (Naturhistorisches Museum Wien). The artifact’s purpose is still being speculated by many. But from what I can infer, the figurine was used a a maternal figure, and it shows the richness of female fertility.

The love of marriage is shown in the small myrtle flower lying beside Venus, the flower petals and shell above her head are both said to be in connection to marriage. What's also very important to the painting is the way the bodies are positioned and what they are doing. Venus lying down placing her hand amongst her chest, this further resembles the institution of marriage in partnership and brings forth desire. Cupid on the other hand, which I was curious about, is peeing in Venus’s direction, through an ivy plant which is mentioned to represent fertility. On the Museums website this act along with the veil, crown, and pearl earrings, represent fertility referenced by “Italian Venetians”. What I found most interesting about this painting is the tiny snake near Venus. Why is it there? Especially in a painting that resembles marriage. The museum website mentions that this snake reveals the “darker aspect” of marriage. That is, “illicit”, not approved of. I also wondered about the rod that lies near Venus, and the website does say that it is most likely used to discipline Cupid. Nevertheless, the meaning of the painting is marriage as a happy institution, the museum also mentions that the message of “epithalamia” is conveyed as necessary, and that marriage is something everyone must do, and experience, and that this is in our nature to do so. Which explains the very natural

The statue is a Roman reproduction of a Greek work. It shows Venus, the goddess of love, standing bare-breasted and clutching a piece of cloth draped around her hips. At her feet, there is a dolphin that, practically, adds support to the piece and artistically makes an allusion to Venus's birth from the sea. As the notes from the Getty Museum explain, the statue is derived from a very popular Greek statue created by the sculptor Praxiteles around 350 B.C. The statue was so popular that it was copied by many artists.

During the Romantic Era, gender roles were already set in stone. Women were expected to do certain things, as were men, and they only did such. These clear standards were held very highly in society, however, as many people felt obligated to society to continue with these standards, there were always people who had a different opinion. Women such as Mary Wollstonecraft identified men as the root cause for the need of a change in society. In contrast there were women like Anna Letitia Barbauld who felt that if women truly loved their husban,d, being an equal gender should not matter. These two approaches, although very different, made up the beginning of the feminist movement during this era.

Venus is a term that has long been associated with artwork, most specifically the classical forms of beautiful women. The term Venus has also come to represent female sculptures of the Paleolithic era. The most notable of these female sculptures is the Venus of Willendorf, 24,000-22,000 BCE. The age of the figurine has been changed several times. Originally when found the date was estimated to be 15,000 to 10,000 BCE. During the 1970's the time period was adjusted to 25,000 to 20,000 BCE; the date was again recalculated in the 1980's to 30,000 to 25,000 BCE;

Now that we've compare these two works of art we can idetifiy that the Venus of Willendorf is not a qualifying candiate for the exhibition. This is because the figurine is less clear about what it protrays. The lack of contextual information, in fact, leaves it open to a variety of different interpartions of what it represents. Nevertheless the Apollo Belvedere sculpture fits our caterogy perfectly. The large, symmetrical, nude, and heroic figure separates our subject from humanity and isloates Apollo's image as one of a divine being.

During the Upper Paleolithic era artists created a wide range of small sculptures. These sculptures were made from various materials, including ivory, bone, clay, and even stone. They represented humans, as well as animals; they even combined them at times. Most of the sculptures from this time show a high level of skill. From this time, there were two very influential sculptures, The Venus of Willendorf and the Venus of Laussel. This paper will discuss both sculptures, in detail, as well as, compare and contrast them.

The Birth of Venus is a beautiful Renaissance canvas masterpiece created by Sandro Botticello. The picture illustrates the birth of Venus in a very mystical way. Venus has emerged from sea on a shell which is being driven to shore by flying wind-gods. She is surrounded by beautiful roses which are painted in a truly remarkable color. As she is about to step to land, one of the Hours hands her a purple cloak. The back drop includes the sea and a forest. The overall effect of this painting are almost overwhelming, color and beauty meet the eye in every angle.

In Hosseini’s A Thousand Splendid Suns, Mariam and Laila were brought together due to circumstances they could not control. Although they were both oppressed wives of a cruel and violent husband, Rasheed, they were eventually able to regain power over their own lives. The two women supported and learned from each other, finding strength in their relationship. Their relationship was an alliance of sorts and was essential to their ability to regain power over their lives. Once Mariam and Laila befriended each other, they each started to gain courage and hope and began to take more control over their lives in separate, small acts of courage and rebellion that eventually led to significant events which cemented their newly regained power. The developing of power did not come without obstacles, but Mariam and Laila were able to persevere and continue to stand up for themselves against both Rasheed and their societal constraints. Finding strength and motivation from each other and from other loved ones essential to their efforts, Mariam and Laila were able to take power over their own lives by standing up to and retaliating against oppressors in a series of events which led to the pivotal moment when Mariam kills Rasheed, finally setting both women free and giving them both complete power over

First wave European feminism sought to fight for women's suffrage and the liberal women's rights movements, while the second wave fought for the empowerment of women and differential rights in society, and third wave currently challenges both second wave feminism and patriarchy through a desire to embrace diversity and an idea of universal womanhood. The principal goals in emerging Ukrainian feminist movements was to reveal the conditions that women in Ukrainian society endured. The Ukrainian society held, and still holds, an emphasis on the political view of national solidarity, this was also prevalent through the feminist movements, and dominated over the solidarity of women . In the Ukraine, an exhibitionist feminist protest group