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Julian E. Wright Dr. Sharon Fulton Literature Humanities/Essay 1 27 February 2014 Violence in Dante’s Inferno and Ovid’s Metamorphoses Scenes of great violence, as the prompt says, are often written into dynamic narratives of great literary merit. From Dante Alighieri’s Inferno to Ovid’s Metamorphoses, the inclusion of violence as a literary technique is used to propel the narrative forward, all while adding action, intrigue, and engaging the reader. Despite it’s validity as a literary technique, the inclusion of violent scenes in literature serve much more than the simple purpose of pushing a plot along a set of structured points. Scenes of violence provoke thought in areas ranging from human nature to the nature of
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(XXIII, 6165)” As this is a subtle form of a violent attack on their bodies, Dante creates this
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consequence as a method to show the sinners what it feels like to be deceived as they did to the world in their lives. There is one sinner, however, that suffers more than the others. Caiaphas, who was a high priest in his life on Earth, is violently crucified to the ground as a symbol for betraying the church in hypocrisy. The way he is crucified forces him to lay on the ground directly in the path of the other robed sinners, in a manner so that they are forced to walk on him whilst donning their heavy robes. The subtle violence of the consequences contrived to see the effects of hypocrisy that the sinners caused to their friends, family and strangers was ultimately done unto themselves. Seeing the pain they caused other people causes great pain to the sinners physically as well as emotionally. Throughout the Inferno there are numerous examples of violence and brutality, presenting Dante’s purpose with clarity and precision. The violence is placed in the poem specifically for reason, to show that the souls that are in Hell are there for a good reason. It also shows that the worse the sin was, the worse the sinner’s punishment would be, causing them the pain that they caused the world through different ways of violence. Some of these are physical and others mental violence. However, most of the
In verse 25, Dante describes the choir of anguish to be "like a wound" with a simile. Next, by using a metaphor, he describes the fate of the adulterous sinners and their punishment as being battered eternally by the winds and storms of hell, as they were figuratively battered by the winds of passion in their lives on earth. He describes with a simile how "as cranes go over sounding their harsh cry, / leaving the long streak of their flight in air, / so come spirits, wailing as they fly" (v 46-48). Finally, he makes use of another simile to iterate how after Francesca tells of her tale of love, Dante faints and falls, "as a corpse might fall, to the dead floor of hell" (v 140).
Imagine a place where tyrants stand up to their ears in boiling blood, the gluttonous experience monsoons of human filth, and those who commit sins of the flesh are blown about like pieces of paper in a never-ending wind storm. Welcome to Dante 's Inferno, his perspective on the appropriate punishments for those who are destined to hell for all eternity. Dante attempts to make the punishments fit the crimes, but because it is Dante dealing out the tortures and not God, the punishments will never be perfect because by nature, man is an imperfect creature. Only God is capable of being above reproach and of metering out a just punishment. While Dante 's treatment towards the tyrants is fitting, his views on the
with that "somebody" being the author (Foster 95). This reveals an important element of violence in literature, because it shows how violence, unlike other elements of a story, connects the internal events of the story to the story itself and ultimately the reader and author. When reading literature one of the goals is to understand the story beyond its literal meaning, and this
In Dante 's divine comedy, there are countless references to all forms of sins and the punishments of those who committed them. Dante goes into great detail when describing these sins and their consequences. Each punishment is perfectly fitting to the crime itself, so that the sinner desereves exactly what he is facing. Dante 's work teaches the reader that sin is to be despised, and yet simultaneously weaves his own symbolism and meaning into his book.
(A Discussion on Scenes of Violence in the Iliad and Their Effect on the Text as a Whole)
In Dante’s Inferno, Dante is on a journey through hell in which he sees the different versions of sins and what consequences come after the immoralities. The person who commits a sin usually has to suffer in some way that would show revenge for the law of God. Dante threatens the people and tells them that they basically have nothing to look forward to except for having to suffer being separated from the will of God. Since these works were written by Dante, he had the power to judge others and decide how they will be punished for their sins. These visions that he had could very well be all false prophecies and may not be believed by every person. One thing that Dante did was to give enlightenment to sins that people did not know and made people
In great literature, no scene of violence exists for its own sake. Explain how a violent scene or scenes contribute to the meaning of the play.
The Inferno is a tale of cautionary advice. In each circle, Dante the pilgrim speaks to one of the shades that reside there and the readers learn how and why the damned have become the damned. As Dante learns from the mistakes of the damned, so do the readers. And as Dante feels the impacts of human suffering, so do the readers. Virgil constantly encourages Dante the pilgrim to learn why the shades are in Hell and what were their transgressions while on Earth. This work’s purpose is to educate the reader. The work’s assertions on the nature of human suffering are mostly admonition, with each shade teaching Dante the pilgrim and by extension the reader not to make the same mistakes. Dante views his journey through hell as a learning experience and that is why he made it out alive.
What goes around comes around. When sinners reach hell they are forced to experience the counter-suffering of contrapasso. For each sin, Dante gives a specific punishment relating to that sin. Some of these sins include violence towards self, violence towards God, sorcery, and hypocrisy. For the despicable lives they lived on earth, they are doomed to suffer relating consequences for all of eternity.
Dante’s purpose for writing Inferno is to warn humanity about all of the sins they commit and the effect that they will eventually have. Contrapasso contributes to Dante’s purpose because it helps portray Dante’s view on the ethics of various sins. This helps the reader to reflect on the cultural and political state of Italy at the time. God renders justice through imagery and power in Dante’s Inferno. Dante’s major theme in Inferno is the perfection of God’s justice. God’s justice moved Him to create Hell, “The inscription above this gate--ending with the famous warning to "abandon all hope"-- establishes Dante's hell as a creation not of evil and the devil but rather of his Christian God, here expressed in terms of the Trinity: Father (Divine Power), Son (Highest Wisdom), and Holy Spirit (Primal Love).” (Dante’s World), In Dante’s world, Hell is the holding pen for all sinners. However, all sins are not equal in the eyes of God. Early in Inferno, the relationship between God’s justice
After passing through the City of Dis, Virgil and Dante enter Nether Hell, where violent and heretical sinners are punished. Dante portrays these sins of corrupt will as more evil and deserving of worse punishment than the weak-willed sins of upper hell. Souls who, during life, were violent against their neighbors boiled in a river of blood. Suicide cases are trapped in the form of trees, unable to scream unless gauged by horrible birds. The violent against God are sprawled face-up on burning sand, eternally confronting the proclaimed enemy. Even within an individual circle, some sinners are punished more than others. Among the violent against God, Capaneus is more severely punished than his peers because of his pride. He continues to be blasphemous, even in death, declaring, "That which in life I was, in death I am." His stubbornness and pride in death causes
Joseph Miller English 231 4-27-15 Justice and Pity in Dante’s Inferno Dante was obviously very interested in the underworld, and afterlife. His work regarding hell included references to many historical figures, political leaders, and Greek gods. I found the most interesting aspect of this story to be the relationship between crime and punishment, or simply put, justice. In Inferno, Dante tells us that god had created Hell for justice.
Allegories are meant to be make us think and question everything that we have. They are symbols for different characters or events and they help symbolize trials in a way that less intelligent people can understand. The Inferno, by Dante, uses allegorical characters and punishments to describe the insanity and terror of Hell. Just as Susan E. Blow explains all of the punishments for the sinners in Hell are allegories for the sins that were committed, “Throughout the Inferno the varying punishments are simply the external symbols of varying phases of sinful consciousness” (Blow). While there are some extremely drastic punishments in the Hell that Dante describes. The three most significant punishments in Hell as described in Virgils, Inferno, are being in Limbo, walking with their head backwards, and the attacking of other souls on the river Stynx.
These examples of punishment that are physically painful are only some of the punishments that Dante borrows from forms of torture. Dante also creates more original punishments for other sinners. It is possible for some of the creative punishments to inflict both a physical and psychological suffering.
As Dante explores the Second Circle of Hell, he is horrified by the punishments that the sinners must suffer through. When he hears the story of Francesca and Paolo’s lustful actions, Dante relates deeply to their stuggles because he reflects on his own sins and believes he may be cast to a similar fate in the afterlife. Dante reacts to the story when he says, “I fainted, as if I had met my death. / And then I fell as a dead body falls” (5.142-143). Dante faints from compassion for the two sinners’ pitiful story. Dante struggles to grasp the wrongdoing these people have participated in to be placed in Hell because he continues to search for the noble qualities in everyone. On the one hand, Dante believes God’s punishment for the lustful sinners, relentless winds and storms, is unethical. On the other hand, this belief is naive because it is known that all of God’s punishments are just. The lustful are condemned to an eternity in Hell because they did not care about their actions on Earth, so the raging storm that torments them is not concerned with what is in its path. Dante is not only attempting to discover the possible consequences of his own actions, but also learning to trust in God’s judgement.