Wainwright Building

These impossible lengths of the building gives the reader insight on how powerful Burnham is with architecture. Burnham’s mind “pioneered the erection of tall structures” (13). that gives the visual image that Burnham made the first tall buildings of his generation, a huge accomplishment for an architect. Larson uses Burnham as the “leading architect”

In A Home Is Not a House, Reyner Banham starts by arguing that the main function of the typic American house is to cover its mechanical structure. In fact, he states that the use of mechanical services in architectural practice varies constantly because mechanical services are considered to be new in the profession, as well as, a cultural threat to the architect’s position in the world. To show his argument, Banham states that American houses are basically large single spaces divided by partitions inside that give a relative importance to the use of internal mechanical services, causing a threat to the need of architectural design. Similarly, American cultural characteristics, like cleanliness and hygiene, also foster the use and need of mechanical

This essay will focus on how those works are informed by both regional and international course. In this context, Sydney Ancher and his strong Miesian simplicity as well as Peter Muller’s affinity with Frank Lloyd Wright’s organic architecture principle.

A deep understanding of architectural heritage and aesthetics allows Tom to maintain a balance between existing traditional architecture and the new contemporary additions. He has some prestigious and

The human body is the ultimate tool for discovering the environment. Human anatomy is considered to be nature’s peak of perfection and certain features serve as inspiration for many architects. To study the relationship between the human body and architecture, one must not be limited to human body parts resemblance to architectural works but to a larger extent consider human emotions, sensory nerves, the mind and general human psychology. In essence everything that makes us human. In its simplest definition Architecture can be described as an art or practice of designing buildings. It is practiced in a way that accomplishes both practical and communicative or expressive requirements. To relate it to human body then Architecture can widely define the place, the site, the energy, the systems, the building, the flora and fauna. These components that bring aesthetic property to humanity apart from the utilitarian purpose it serves. The perfect balance of a normal human body and the proportions are incorporated into architecture from a point of view of imitation, idealized allusion and the actual human use. Evidence of such human incorporation into architecture is seen from the Ancient Greek Architectures where it was common for tower columns to take shape of a human being like in the colossus of the Ancient

We can notice clearly in this house how Sullivan’s teaching and Japanese prints influenced Wright’s design. In general for the Prairie houses, Frank Lloyd Wright used all of those influences to had a radically different idea of the function and appearance of residences. The use of horizontal lines is crucial in this design because they define how the volumes and other elements of the house are displayed, making it look longer and lower than other type of dwellings. Sullivan’s idea about the importance of a building’s interior can be seen in this house design because Wright actually took that and extended the interior outside the house. Moreover, Wright started experimenting with materials that allowed him to materialize his

On his book on Modern Architecture, Curtis writes that modern architecture was faulted for it’s “supposed lack of ‘recognizable imagery’” towards the end of the 1970s. This statement supports the idea of Jencks’ double coding where architects must now make

His goal was to create a building that was timeless, that could last without any imposing function. Stripping back the building to its essentials of structure, craftsmanship and style, he created not just objects, but symbols of everything Meis stood for in design “If buildings may be judged as embodiments of a viable system of ideas, the buildings of

The tower is made of up about 90 percent glass from the bottom to the top. The building goes up vertically and everything symmetry to each other it actually hurts your eyes to look all the way up.The tower is rectangular shape it has layers to it, the lobby part is rectangular and on top the tower kind of square all the way up to the top. On top it ends with a big point just as we seen on the Empire State Building which glows up beautiful at night.

In Wright and An alto's houses, a powerful sense of insides is generate by opacity. Which, in Falling water is express in roughly dressed stone masonry walls and, in Villa Mairea. By white-painted, solid walls. The transparency of glass windows in both houses thereby connect the two. In both houses, the architects created a strong sense of insideness yet, at the same time, devised ways to connect inside and outside and thereby create a robust continuity between the two. This inside-outside relationship can be translate into environmental and architectural experience in four different ways: (1) in-betweeness; (2) interpenetration generated by inside; (3) interpenetration generated by outside; and (4)

Architecture is often mistaken as purely an art form, when in actually it is where art and engineering or art and practicality meet. For example, painting is an art, when preformed well it yields a beautiful picture that evokes a deep human reaction and brings pleasure to its viewer, however this painting provides no function, it cannot shield us from the rain or protect us from the wind or snow, it is purely form. An insulated aluminum shed provides shelter and protection from Mother Nature; however, it is a purely functional building, it was drawn by an engineer, not conceived by an artist to have form. The culmination of form and function is Architecture, the Greeks and Romans fathered this idea and Palladio’s study of roman architecture taught him his valuable truth.

James Stirling, who is famous for untraditional design and rejecting functionalism, designed Florey Building of Oxford University in 1966. The building presented the idea of Brutalism, focused on the form beauty of itself. Alvar Aalto, an architect sparkplugged the theory of humanism and functionalism, designed Baker House of MIT in 1947. For him, functionality is an important way to provide harmonious life for human being. These two buildings with different styles were both designed as the student dormitory for university, however, some similarities still can be found. This essay will compare the differences and similarities about relationship between form and surroundings, function and circulation, and material expressing of them.

So, in these two examples we see very different approaches to architecture. One has an impressive inside and the other one has an appealing outside. Also, both seem to be departures for the architects from their normal modes-- Wright's building doesn't blend in with nature, and Geary's doesn't look deconstructed into small parts. Now if only they could has worked together on one project, then we would have a museum that would be perfect inside and out.

The book consists of twelve chapters that propose this idea that designers should explore the nature of our senses’ response to the spatial built forms that people invest their time in. It tries to cover a specific topic in each chapter that in order to deconstruct the book, it is necessary to cover each chapter individually.

“ Architecture organizes and structures space for us, and its interiors and the objects enclosing and inhabiting its rooms can facilitate or inhibit our activities by the way they use this language”(Lawson pg.6).