Walls Placed on Relationships in Mending Wall by Robert Frost
In the poem "Mending Wall," Robert Frost utilizes the literary devices of imagery, meter, and symbolism to demonstrate the rational and irrational boundaries or metaphoric "walls" humans place on their relationships with others. The precise images, such as the depiction of the mending-time ritual and the dynamic description of his "old-stone savage armed" neighbor, serve to enhance our enjoyment as well as our understanding of the poem (40). The poem is written in blank verse (iambic pentameter); the form that most closely resembles everyday English. Frost deliberately employs this direct, conversational, and easy to understand style of meter which appears
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It is a ritual which contains its own paradox; the two neighbors are cooperating together to sustain this barrier which divides them. As they mend, Frost begins to question the reasoning behind the walls existence. His neighbor's only response is "Good fences make good neighbors" (27). The neighbor's uninterested attitude and indifferent response forces Frost to inquire further. He attempts to justify the wall by using a logical argument. There would be a need for walls if they had cows or similar pasture animals, but he and his neighbor have no such animals. Frost not only wants his neighbor to consider what he is walling in but also ponder what he is walling out and why. Deaf to any arguments, the farmer "will not go behind his father's saying" and question his strong conviction of good fences making good neighbors (43).
The stubborn neighbor's blind acceptance and "in the dark" way of living is paralleled by the image Frost paints of him. In line 40, a simile is used describing him as "like an old-stone savage armed" as he works toward restoring the wall. This man who is so insistent on maintaining this wall is a product of a long-gone age of thinking. He is like a savage from the time when it was essential to wall yourself off from other savages for safety and protection. Lines 41 and 42 continue: "He moves in the darkness as it seems to me, not of woods only and the shade of trees." He is not only in the dimness provided by the
This creates a boundary that, that person never wants crossed again. Every now and again one finds openings within the bricks or holes in their “wall”. These holes in the wall represent the breakdown of one’s blockade as they are trying to let someone in or someone forcing their way in. On the other hand, there are people who love to have an open mindset towards everyone with no boundaries or guards up that they feel necessary. This is similar to the feelings of the speaker, as in lines 1-2 and lines 23 -26 in which the speaker tries to convince his neighbor that they do not need these walls, yet he continues to stick to his traditional saying of “good fences make good neighbors”. This brings the reader to an assumption that the neighbor has created these emotional barriers or “walls” that he is choosing to stick by. This term of “mending” that is used in the title means restored, altered, or adjusted which stands for a symbol in this poem of how as the relationship of the two neighbors changed, so did their fences as they might find these loose pieces. Within the poem the speaker talks of how the season of spring is coming about and he begins to get a little mischievous. This is one way the speaker uses the new season as a way to loosen these bricks within this wall that they have built and tear it down, but the neighbor refuses to give in. There are people like this in the world that try
Consequently, she cannot imagine life without the physical and emotional support that are inherent to her perception of walls. The walls that she creates (as well as the pre-existing walls that she utilizes) and are symbols of her agency, whereas the walls restrict her are designed to rob people of their agency. The walls, both institutional and interpersonal, that are prevalent throughout Parable of the Sower function as a commentary on the dissonant nature of boundaries.
In his poem 'Mending Wall', Robert Frost presents to us the thoughts of barriers linking people, communication, friendship and the sense of security people gain from barriers. His messages are conveyed using poetic techniques such as imagery, structure and humor, revealing a complex side of the poem as well as achieving an overall light-hearted effect. Robert Frost has cleverly intertwined both a literal and metaphoric meaning into the poem, using the mending of a tangible wall as a symbolic representation of the barriers that separate the neighbors in their friendship.
Bono: Some people build fences to keep people out… and other people build fences to keep people in. Rose wants to hold on to you all. She loves you.” (1&2.i.)
With that, a regional spirit of racism and bigotry is felt from the neighbor. The speaker scorns his neighbor’s wall building antics, but has no choice but to settle with them. Ironically though, the speaker is way more involved and indulged with the annual repairing of the wall more so than the neighbor. The speaker tends to “bug” the neighbor about the wall in a way and comes off very clingy. He seems very excited about repairing a wall that he despises. The speaker sets the day they will repair on the wall together and also informs. Regardless of the, dubious attitude that the speaker gives off, it seems that he is more tied to the mending-wall tradition, more than the neighbor. The speaker comes off more of a modern man, while the neighbor is stuck in ancient, with building a “wall”. However, the speaker is no different from the neighbor; he likes his privacy and his sense of ownership.
In “Mending Wall”, two neighbors are ironically united by the traditional rebuilding of the wall between them. A wall symbolizes boundaries, orders, and separation. Or does it? One of the two neighbors doesn’t seem to think so. “Good fences make good neighbors” is his motto. (Line 26) The neighbor doesn’t see how ironic it is that the wall is a meeting spot. He uses the wall as an excuse to talk with his neighbor, because he is not very open or conversational. The situational irony ostended by Robert Frost is that the wall between the two clashing neighbors is supposed to separate them. However, each year, when they meet to “walk the line”, the wall serves as a meeting spot for the two to catch up. (Line 12) Dividing, but unifying, Frost uses the wall to symbolize unity amongst clashing people. Without the situational irony of repairing the wall, the two incompatible neighbors would unlikely be able to unite.
Robert Frost is describing a process in "Mending Wall", which is repairing a wall that separates his territory and his neighbor's. The wall was deteriorated during the winter, when the cold frost created cracks and gaps in the wall. He uses a nearly infantile imagination to unravel the mystery of the damage that appeared suddenly in spring. While they are tediously laboring to reconstruct the fence, Frost is imploring his neighbor about the use of the wall; his apple trees can be clearly distinguished from his neighbor's pine trees. Yet underneath this quotidian routine, Frost goes beyond the surface to reveal its figurative meaning.
While the narrator seems more willing to reach out to his neighbor, in the end, he does not. He does wonder why fences supposedly make good neighbors. For him, the question is what is he "walling in or walling out"? He seems to realize that he is "walling out" other people. As long as the symbolic wall stands between the neighbors, they will always be separated. Earlier in the poem, Frost uses the symbolism of a rabbit to seemingly reinforce this point. The hunters must destroy the wall in order to "have the rabbit out of hiding". The men, in turn must break down the walls between them if they are to come out of "hiding". The narrator seems to have a desire to point this out to his neighbor. However, he does not, simply dismissing his idea as "the mischief" that spring has instilled in him. He realizes that he is unable to communicate with his neighbor in any meaningful fashion and, thus, remains in isolation from him.
Robert Frost had a fascination towards loneliness and isolation and thus expressed these ideas in his poems through metaphors. The majority of the characters in Frost’s poems are isolated in one way or another. In some poems, such as “Acquainted with the Night” and “Mending Wall,” the speakers are lonely and isolated from their societies. On other occasions, Frost suggests that isolation can be avoided by interaction with other members of society, for example in “The Tuft of Flowers,” where the poem changes from a speaker all alone, to realizing that people are all connected in some way or another. In Robert Frost’s poems “Acquainted with the Night,” “Mending Wall,” and “The Tuft of Flowers,” the themes insinuate the idea of loneliness
However, when the responders’ delves deeper into the poem, it is clear that at a allegorical level the wall is a metaphor representing the barrier that exists in the neighbours’ friendship. The first eleven lines of the poem if rife with imagery that describes the dilapidation of the wall. The first line of the poem emphasises that “something” exists that “doesn’t love a wall”. This personification makes the “something” seem human-like. The use of words such as “spills” and “makes gaps” convey an image of animate actions and create a vivid impression of the degradation of the wall. Nature, presented in the form of cold weather, frost and the activities of creatures, also seeks to destroy the wall. The idea that walls are unnatural and therefore nature abhors walls is portrayed in the phrase “makes gaps even two can pass abreast”, which metaphorically indicates that nature desires for man to walk side by side with no barrier between them. When the two meet to fix the wall, it is a metaphor that could be interpreted as the two repairing their friendship as “To each the boulders have fallen to each” which shows that faults in their relationship lie on behalf of them both. While they are mending the wall, a light-hearted tone is established. This is shown through the inclusion of the metaphor “spring is mischief in me” which shows the neighbours having fun together in repairing the wall,
Frost used a distinct way of writing throughout his poem that not only hooked the reader into the story, but also made them question their own views of walls, both physical and psychological. In the poem it is displayed that walls can be both good and bad. The wall that the narrator sees as the embodiment of what separates them, it is actually the one thing that brings them together every spring. Near the end, the narrator brings back the original question, what is the something? With this poem, maybe Frost wanted the reader to examine themselves and their surroundings and try to answer the question of tradition, and how they unite us and separates us at the same time. The narrator’s neighbor is the personification of the old ways and custom in the poem, it is evident as he is constantly repeating “good fences make good neighbors” (Frost 245) and the fact that “he will not go behind his father’s saying” (Frost 246). Even though, good fences make good neighbors is a well-known proverb, people will eventually ask themselves: Why is it necessary to have fences to build good
In the poem, “The Mending Wall” Frost creates a lot of ambiguity in order to leave the poem open for interpretation. Frost’s description of every detail in this poem is very interesting, it leaves the reader to decide for themselves what deductions they are to be making of the poem. To begin with, Frost makes literal implications about what the two men are doing. For instance, they are physically putting the stones back, one by one. Their commitment and constant drive shows how persistent these men seem about keeping the wall intact. On the other hand, there are inferences that something deeper is occurring.
In Roberts, Mending Wall, he expresses the alienation within our society. This story was and is very controversial throughout history. Written in 1914, it became widely known for its connection with racism and segregation. In 1960, Frost was asked to read it for President John F. Kennedy’s inauguration. In JFK’s inauguration speech, he declared, “We observe today not a victory of party, but a celebration of freedom”(Kennedy), which shows how he felt about segregation. This created a skirmish throughout the U.S., because this poem was so controversial. The poem, which was a memory when Frost was a young boy, consists of him walking the line. Walking the line means picking up rocks that had falling from the ice melting, recreating the fence between you and your neighbor. Frost suggests alienation in this story by using symbolism of the lines between African Americans and white folk. In the poem he asks the question, “Why do they make good neighbors”(line 30)? An interpretation of this line is that he is asking the question, ‘why do we have these lines between our people? There is no reasons to have these lines separating us?’. The poem suggests that we get into routines and then never break them because we have done them for generations. Frost challenges this, asking questions that are very hard to answer.