We Are Exposed American Culture And Society

Allen Ginsberg’s revolutionary poem, Howl, is a powerful portrayal of life degraded. It represents the harsh life of the beat generation and chronicles the struggles of the repressed. Howl is a poem of destruction. Destruction of mind, body, and soul through the oppression of the individual. Using powerful diction, Allen Ginsberg describes this abolition of life and its implications through our human understanding of abstractions like Time, Eternity, and self. The poem’s jumbled phrasing and drastic emotion seems to correspond with the minds of the people it describes. Ginsberg uses surprisingly precise and purposeful writing to weave the complex

It is a cry for the people to understand government interference, injustice, and acceptance. The poem Howl is a reflection of Allen and the beat poet’s life and adventures, but the bigger picture is the fight with the government and the idea of capitalism. Government issues will always be present in the world no matter how far the human race has come. The poem strongly argues that different is bad, and instead of the government accepting people for who they are, they contain them and try to isolate them from the world. “And who were given instead the concrete void of insulin Metrazol, electricity, hydrotherapy, psychotherapy, occupational therapy ping pong & amnesia,” (Line 67). If people were thought to be extremely different or showed signs of mental disturbance they were sent to a mental institution. In these institutions doctors gave numerous therapies to cure their patients or even lobotomize them. But Allen argued that when one was released from the institution, it is as if the people in the regular world were just as crazy or even crazier, “returning years later… to the visible madman doom of the wards of the madtowns…” (Line 69). Not only was capitalism shown in mental institutions but academic institutions as well. In the paragraph before there is quote about Allen’s trouble at school. School; a place to learn and teach would have thought to be accepting of new ideas, or loudly expressed ideas. But it wasn’t the case even

Ginsberg’s use of anaphora forces us to question the historical origins of both social afflictions and collective resistance in Howl, this blurring of the poet’s central objects of identification implies that his lamentation for the madness of his own generation is also a lamentation for the blighted hopes and wasted intellects of their precursors (384).

Ginsberg asserted that the best minds were the underrepresented outcast. For example, Ginsberg states beginning of the poem, “I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the Negro streets at dawn looking for an angry fix” (1-2). From the beginning of the poem, the reader would expect Ginsberg talking about intellectual people such as scientists, philosophers, inventors, etc. The best minds were regular people who had dreams and lived their life to the fullest. They would go to bars, look down on NY, talk about philosophy, do drugs, and be sexually active. It prevalent to our society

It was a 1951 TIME cover story, which dubbed the Beats a ‘Silent Generation, ’ that led to Allen Ginsberg’s retort in his poem ‘America,’ in which he vocalises a frustration at this loss of self- importance. The fifties Beat Generation, notably through Jack Kerouac’s On the Road and Allen Ginsberg’s Howl as will here be discussed, fought to revitalise individuality and revolutionise their censored society which seemed to produce everything for the masses at the expense of the individual’s creative and intellectual potential. Indeed, as John Clellon Holmes once noted: “TIME magazine called them the Silent Generation, but this may have been because TIME was not

The 1950s was a decade of extremes and abrupt change where the inhabitants of one of the most robust nations were led to their most vulnerable states, shuddering in fear of Communist tactics as a result of the immense Cold War tensions, lingering in the atmosphere from mainstream media and technological advances. Eliot Katz, author of Poetry and Politics of Allen Ginsberg, highlights Ginsberg’s political impact “[i]n an era filled with too much military conflict, regressive economic policies, and the backsliding of civil liberties, the legacy of Allen Ginsberg [will remain] as important as ever,” (12). Rebellious revolutionary, avid activist, and insightful poet, Allen Ginsberg, wrote and published radical works of poetry during his lifetime,

Similar to Marx, Ginsberg is against the idea of a small fraction of the people having significant control and power. Even though the poem is harsh on America, the goal of the author is not to shun or shame the country but try to better it. He is an extremely critical patriot trying to correct America’s flaws.

In the poem Howl, Allen Ginsberg challenges the modernity of American culture, which enforces the “best minds” (1) to give up their freedom to conform to the desired sense of normality. Ginsberg states “I saw the best minds of my generation destroyed by madness, starving hysterical naked/ dragging themselves through the negro streets at dawn looking for an angry fix” (9). His expression of Moloch The angry fix is what all of these “best minds” look for after being stripped of their freedom to conform to the new American culture after World War II.

Century apart, Allen Ginsberg and Walt Whitman share similar cultural, political and moral values, which they express in their literary work. Whitman’s writing is considered controversial for the eighteen hundreds. He sets the stage for generations to come breaking way from the strict Victorian poetic tradition by writing in free verse. Ginsberg follows his footsteps when composing his poem “Howl” by writing in long lines almost resembling prose and subdividing the poem into several parts. Likewise, he uses numerous repetitions to achieve rhythmicity of his verse. Ginsberg’s poem is heavily influenced by Whitman’s philosophy. The works “Song of myself” and “Howl” are similar in ideas, structure and underling themes. The two authors protest against old traditions imposed on the individual by corrupt society, stand against conformity and put emphasis on the need for change. They identify with their generation and dwell on themes such as sexuality, religion and the state of American society.

The first theme I want to analyze and discuss is the depiction of madness. The overall idea of madness in this poem is not the usual idea that we have in our heads about it. What most people in Ginsberg’s time period of society think of as a “normal” person, he considers insane. And then vice versa, people who would see another as mentally ill, Ginsberg would call a “misunderstood genius.” Most of the first section of this poem is Ginsberg describing how he “saw

He writes “ I saw the best minds of my generation destroyed by madness, starving hysterical naked, / dragging themselves through the negro streets at dawn looking for an angry fix” ( lines 1-2). Frank Casale discusses these lines in his article “Literary Contexts in Poetry: Allen Ginsberg’s ‘Howl.’” He writes “The poem’s opening line has become one of the most famous in American poetry. It serves as an opening into the experience of madness, drugs, prophecy, and a new vision that compose the field of the first part of the poem” (Casale 1). This line introduces the theme of the poem and introduces Ginsberg’s view on insanity and the Beat lifestyle. He supports those “who drove crosscountry seventytwo hours to find out if I had a vision or you had a vision or he had a vision to find out Eternity, / [...] who fell on their knees in hopeless cathedrals praying for each other’s salvation” (60, 62). Casale continues by saying “In ‘Howl’ the Beats are repeatedly referred to as ‘angels,’ to connect those in search of the new consciousness or new vision [...] with the prophetic tradition. The quest for ‘kicks’ was not just an epicurean activity, but a serious search for freedom and new meaning in an America growing more conformist and authoritarian” (Casale 2). As a member of the Beat Generation, Ginsberg understands the Beat lifestyle and the way society views them, and he provides this generation with a

Ginsberg’s work often represents a struggle for spiritual survival in a dehumanized, repressive society. This can be seen in his writing of “Howl”:

Therefore, in the very beginning, Ginsberg presents to the reader the subject and tone of the poem in the context of this question. Ginsberg’s questions make the audience realize the seriousness of the issues that this poem discusess, such as America, politics, war, humanity, and ethics.

Poet Allen Ginsberg composed "Howl" in 1955 and it was published by City Lights Books of San Francisco, CA the following year. He composed the poem in the middle of the 1950s, one of the greatest decades in history for mainstream America. It had been a decade since the American and Allied victory in the second world war. Numerous American men returned home to a country in much better shape than expected, with many women having entered the workforce to keep the economy and industry alive in their absence. The spoils of war were great and America saw a great era of prosperity and domestic, suburban bliss. More interstate highways were constructed. Many more cars were produced and bought. It was a classic era for mainstream American culture in the 1950s. Yet in the haze of the suburbs, expansion of television, growth of Hollywood, and cars, present here were the seeds of rebellion and counterculture that was more indicative of the following decade, 1960s. One such seed is the poem

What Allen Ginsberg did in 1955 was unthinkable. In the midst of McCarthyism and severe anticommunist sentiment, he wrote a poem in which he admitted having belonged to the Communist party. Yet, even more surprising was that he didn't stop there. In his poem "America," Allen Ginsberg challenges the beliefs and values that the United States has always cherished, leaving no stone unturned, and no feather unruffled. Always the cynic and revolutionary, Ginsberg slaughters the sacred cows.