Exit west, with its plush, magical cover and fairy-tale style beginning, its inventive diction and familiar setting is a story sharp and seeped in reality. It is a hard covered, hard bound story of life in hard times. It showcases the writer’s development not just in the art of story-telling but in the creation of new metaphors and new uses of words. It is lyrical, historical
The mist in opening scene and overall color tone of grey suggests that Wang is paddling into a world of dullness. With his houseboat- his only sanctuary- Wang travels around to make a living by performing Bianlian in return of donation from people who appreciate his art on the street. Desperation and poverty are not only accompanying people in the slave market but also Wang: his wife left him after the death of his son; his only companion is not a human but a monkey. Master Liang’s confession that “ we all have our own sorrows” reflects the folk artists fate of twists and turns and bitterness. During one performance, Wang is intimidated and oppressed by soldiers, but he can only chant woefully “The dragon in the shallows is toyed with by the shrimp”. Many proverbs like this in the film convey to audiences his hardship and helplessness. Government corruption is also disclosed in the movie when Wang is falsely charged of all kidnap cases and imprisoned. In his quest for an heir, Wang visits Buddhist temple to pray and buys a Buddha to worship in the hope that it may gift him a son. All Wang’s spiritual sustenance is on the Buddha body. This showed Wang’s inner weakness and helplessness towards his own destiny.
forest-path". This image alludes to that of Adam and Eve being led out of the
These Grandfathers presented Black Elk with gifts to help him on his journey. A wooden cup, a bow and arrows, a white wing of cleansing, an herb to heal, a sacred pipe a flowering stick and the power to make live and to destroy were the tools that were given to him. Then, the Grandfathers showed Black Elk what was to become of his people. He was shown a holy tree which once had been flowering and was now gone. The people he was supposed to lead were thin and starving, and Black Elk cried as he saw the fate of his people.
How much deer could a woodchuck chuck, if a woodchuck were driving down the road and came across a dead, pregnant doe? Well, the woodchuck chucking the dear is a bit irrelevant. Rather, the two poems Traveling through the Dark by William Stafford and Woodchucks by Maxine Kumin respectively focus on the relationship between humans and nature. Woodchucks takes an allegorical approach, with a heavy handed political message. Traveling simply examines the significance of human life in the context of nature. If the poems were literary characters, Traveling would be Jane Eyre, Woodchucks would be Brutus. Traveling is personal, with the narrator having a strong sense of humanity, but ultimately basing his actions on logic.
The poem “The Wanderer” speaks of a man who has been exiled from his clan, and is now forced to roam the land alone. Separation from his fellow kinsmen and lord seems to be the worst fate imaginable. The man speaks of his great loss, remembering the time when he was happy with his liege,
“You will have to go back, and keep to the other road” ... With painful steps we toiled on to reach the right road. This object once attained, soon led up to the dwellings of men. Neat, comfortable log houses, surrounded by well-fenced patches of clearing, arose on either side of the forest
People are sent on journeys that completely derail their lives, this happens in Isabel Allende’s “And Of Clay Are We Created” as news hound, Rolf Carlé, is sent to report on a natural disaster in South America. Rolf will discover how broken he really is, as Azucena helps him come to terms with his past. Throughout this daunting journey, Rolf Carlé’s mind is freed as he reminisces about his past.
In the poems “The Wanderer” and “The Dream of the Rood,” anonymous authors give way to the idea that an Almighty God will solve every problem a person has by doing two things: 1) drawing upon the memories of a warrior who has lost everything near and dear to him due to war, and 2) entering the dream of a man who has been exiled and isolated. Each piece takes its reader through the trials and tribulations that one may not relate to in this era, yet the reader is still there alongside the character wanting them to find peace with their world and themselves. Initially, it is believed that the characters will overcome their hardships and achieve the happiness they seek. However, as the reader delves deeper into the character’s story, there is an overwhelming sense of incompleteness. What actually happens at the end of each piece is not written in stone - telling us the story is not whole - nor has a conclusion been reached. The intrapersonal thoughts being shared with the reader reveal the obstacles that keep an overall wholeness from occurring.
After two thousand days of quest, which takes a hundred chapters to tell, and twenty-four acts, seven days to perform, Monkey and his friends, Tripitaka on the white horse, Piggy, and Mr. Sandman arrive in the West. The Indians give them scrolls, which they load on the white horse. Partway home, Monkey, a suspicious fellow, unrolls the scrolls, and finds that they are blank scrolls. "What's this? We've been cheated. Those pig-catchers gave us nothing. Let's demand an exchange." So, he and his companions go back, and they get words,
Before the story begins, there is some background information concerning “The Story of the Stone“. The story is written by a Cao Xueqin. Today it is considered one of the best novels ever written. The story has a total of 120 chapters. Eighty of the chapters are written by Cao Xueqin and the other 40 are written by a close friend.
Chopping wood, it seems like a task that is unnecessary in the modern world. Have you ever chopped wood? Have you ever held an axe in your hands and then with all your might, hammer down on a piece of wood with the hopes it will split right in half? Imagine a three-foot axe in hand and your only task is to split the maple log in front of you. All around you are trees and the other logs and pieces of wood you have gathered to either process or store for later use as fuel, but how much is enough fuel? Reginald Gibbons uses graphic imagery, and imaginative metaphors in his poem, “Wood”, to illustrate the difficult task of chopping wood through a – not very obvious – first-person perspective, but upon further inspection, the poem uses imagery to establish the setting and also explores the different thoughts the unnamed character has.