What Is Elizabeth Ebsworth Shading Portrait

The artwork being analyzed is called Nameless and Friendless and it was completed in 1857 by Emily Mary Osborn. The artwork was most likely created in England, where she was from. The media is oil paints on canvas, rather than the wood that was usually used. It is currently on display in Tate, Britain.

I chose to write about L’Envouteuse (The Sorceress) by Georges Merle. Merle’s father was also a painter, and since Merle did not sign some of his early work it was often confused to be done by his dad. George himself was known by his talent of painting the body form of women. Merle painted this during the time of 1883. This painting is 57 ½ inches x 45 inches making this a fairly large piece. When painting this he used oil on canvas. I found L’Envouteuse (The Sorceress) while I was browsing through The Birmingham Museum of Art. Above all pieces of art I saw in the museum, this painting seemed to be the most captivating. As soon as I laid eyes on it my attention was immediately taken by this mysterious piece of art. I grabbed a stool and began writing down my observations. Looking at this painting on paper cannot even compare to actually seeing it in person. Pictures I have seen online of L’Envouteuse (The Sorceress) do not justify the great detail and vigorous colors that are more easily seen while actually standing in front of the painting.

This is just one of the paintings by Eugène Delacroix that model the Romantic era. The fire and the still way Rebecca lies offers a

The painting Udney Maria Blakeley (1830), by Thomas Sully, was the first painting that came to mind when assigned the project: the painting has fascinated me both as a child and an adult due to the beauty of both the woman in the painting, but also from my deeper understanding of art now. Thomas Sully used the wet medium of oil on canvas, and included the woman in the foreground of the painting holding a rose in a vase in her right hand. There is a deep contrast between the women dressed in a white gown, and the darker background of the painting. Due to the highlighting along the left side of her face, and the shadowing on the right, it can be assumed that she is facing, or even looking straight at the

The face is over exaggerated in its features and is almost clown like. It tests the ideas of gender, identity, and race. The only reason I would assume that this portrait is a woman because the collection of which it was originally presented was named “Head of a Woman.” However, this easily can be represented as a man due to its angles, and there was not an overly dominant color that is generally associated with a specific gender. This leads into the topic of identity especially in the twenty-first century where people have become freer to express their identity and beliefs. Lastly, I think Thomas was trying to add the topic of race into the piece with the afro inspired pattered and similarities to African

The painting depicts a young woman in a pink dress sitting down. The background is very dark but three things can be made out by the viewer. Starting with the ground plane of the painting, an orange carpet can be seen covering the entire floor. It is patterned and contains yellows, greens and blues. The cool toned colours are darker in hue than the warm toned. Secondly, there appears to be a cabinet or a desk lining the wall behind her. The wood of the cabinetry is carved with detailed designs and is made of a dark stained wood. Despite the dark background a single red rose can be seen on top of the cabinetry. The rose looks freshly picked and shows no signs of withering in its petals. It is painted in a muted red colour that allows it to stand out on

There is also a mirror placed on the table allowing the viewers to link with space beyond the frame. Also in the far back right of the painting you can see a young man talking to an elderly. The artist created an very old or old-fashioned look by using opposing colors, red and green. “The second half of the fifteenth century in northern Europe saw an expansion of genre

Sherman’s Untitled #211 (Oval Profile of Woman) is also a color photograph created in 1989. The portrait shows the profile of a middle-aged woman facing the right with a stacked, beaded necklace draped around her neck. She is a well dressed aristocratic in a black sequence blouse with white chiffon sleeves. Her brown hair is held up with colorful scarfs. She holds her nose high in the air as to look sophisticated or arrogant. The uneven texture of the skin

The woman portrayed in the painting is the famous movie star Marilyn Monroe. The photograph that Warhol used for this piece is a publicity still from the 1953 movie Niagra.(Museum of Modern Art) Marilyn Monroe has always been known, and always will be known as our nations most famous sex symbol. Her personal life was even more interesting and exciting to the public than her films. She was married several times, and the mysterious events surrounding her death were rumored to be the result of an affair with President John F. Kennedy. Warhol chose the year of Monroe's death, declared a suicide, to create this piece. Her troubled personal life and untimely death only made Warhol's painting more powerful. He displays Monroe at her best. She is young and beautiful with styled hair and a made up face-yet inside she was empty. By glorifying her, Warhol shows her vulnerability. She was an icon to millions, yet the constant demands from fans and the media drove her into the downward spiral which ultimately ended her life.

The artwork is a realistic portrait of a women. It is abstracted with asymmetrical balance with exotic and vibrant colors. As if the women is sitting in the corner with two

It was determined that the women in the portrait was most likely a freeborn, upper-middle class citizen of Rome. The portrait seems to have been a part of a funerary monument, a conclusion which was drawn due to the pattern of cleavage observed at the back of her head and the sides of her face. It was also observed that there was a

This is a 39 ½ x 26” oil on canvas painting of a woman sitting on the floor, with a child in her lap, gently holding tiny little toes in a wash basin. The work is approximately 124 years old, having been completed in 1893 by the American Impressionist, Cassatt. (DeWitte et al.) She was roughly 49 years old at the time and most likely living in France. (DeWitt et al.)

The background has areas of dark and light that may be representing a dark part of this woman's life and the light area showing awakening in this woman's soul. To me the woman in the painting is staring out into the world and realizing that there is so much out there for her. That she can walk out of there and not be lost any more. Mrs. Mallard felt the same way. In the room she realized that she can now live her life on her own the way she wants to. She walked out of the room with a sense of

The picture also shows Lady Macbeth with her eyes shut and speaking. The picture is made by colored pencils and lightly sketched drawing. Lady Macbeth is on the picture shows he slipping and washing her hands.

The Face of May Sartoris Currently on display at the Kimbell Art Museum there resides a painting of the title, Portrait of May Sartoris that was produced by artist Frederic Leighton. Leighton created the artwork by employing oil on canvas, and did so on a canvas that would mimic her in true to life proportions. By doing this he framed a distinct and immediate focal point in the painting that can be quickly observed upon arriving at the painting.