What Is The Connection Between Linda And Ted Lavender's Death

O’Brien casts doubt on the veracity of the story to let you experience what the war felt like for him. When him and his fellow soldiers would sit around the campfire telling stories some where obviously made up for entertainment while others actually were authentic. This is how you have to view the book as like you are there with the troops listening to these war stories and deciding for yourself whether or not you believe them. The underlying theme isn’t really the vietnam war in itself, its the act of storytelling.

Tim O’Brien has his friend, Norman Bowker, tell the story of his friend Kiowa dying because he was so astonished at what he just watched happen that words couldn’t come out of his mouth. One of Tim O’Brien and Norman Bowker’s friends’, Kiowa, was hit by a mortar and begin to sink in the quicksand-like mud of the battlefield. Tim O’Brien tried to hold on to his friends boot and pull him out of the muddy waters, but there was mud in his nose and eyes, the sounds of flares and explosions filled his head, and he couldn’t take it any longer so he let go. This man watched his friend sink into the battlefield, helpless. Tim feels guilty for letting his friend slip right through his hands and slowly sink beneath the mud. He knew that if the things going on around him weren’t there that he could’ve saved his friend, but he couldn’t. “In Vietnam, too, we had ways of making the dead seem not quite so dead, by acting, we pretended it was not the terrible thing it was, we kept the dead alive with stories” (O’Brien 225-226). Even though he felt guilt for letting his friend slip right through his hands and sink into the mud, he can still live on through stories. The memories that were kept and the stories told about Kiowa’s character and personality are what will keep his memory

The Vietnam War had a life changing effect on the soldiers, including O 'Brien. They came into the war as boys as young as seventeen and left either in body bags made of their own poncho or they came out alive. But were they ever really alive? No, they had their innocence ripped out. They weren 't young boys anymore. Their young selves were killed out in that jungle and all that was left was a carcass of gruesome memories of the tragedy of war, the deaths of their fellow soldiers. They changed as people. O 'Brien came into the war as a young man against war. A young soul believing that the Vietnam War was wrong and there was no need for fighting or killing. However, toward the end of the book he tells us the story of how he got revenge on a fellow soldier. This soldier, while in the middle of war, took too long in treating O 'Brien for a bullet wound and also should have treated him for shock. O 'Brien almost dies on the field but fortunately

Tim O’Brien wrote a memoir, in which he wrote about his life as a Vietnam soldier, called If I Die in a Combat Zone. Raised in Worthington, Minnesota, Tim O’Brien was influenced by wars while growing up (particularly the Korean War). Soon landing in the training facility at Fort Lewis in Washington, O’Brien’s life was about to change. In If I Die in a Combat Zone, author Tim O'Brien argued that the Vietnam War was full of courage through how the soldiers chose to stay and battle for their nation, his depictions of Plato, and through O’Brien’s experiences of his fellow soldier’s deaths.

In the chapter “Rainy River” O’Brien addresses the theme of storytelling and memory. In “Rainy River” O’Brien is trying to decide whether to go to war or to go and escape to Canada. He chose to go to war but he feels as though he's choosing for his country and not for himself. He felt like he had no option, no choice and his future was already set. “I felt paralyzed. All around me the options seemed to be narrowing as if they were hurling down a huge black funnel, the world squeezing in tight” (O’Brien 41). He didn't agree with the reasons for the war, and he did not want to go. The choices between war and living his life were close. He tells the story to portray his feelings to the war, he knows he's not cut out for the war. He felt as though he would be letting his country down by not going. Looking back onto his decision through memories he knows how hard the decision wah but he's glad he made it because he felt like he helped the country in a big

In “The Things They Carried” Tim O’Brien uses this story as a coping mechanism; to tell part of his stories and others that are fiction from the Vietnamese War. This is shown by using a fictions character’s voice, deeper meaning in what soldier’s carried, motivation in decision making, telling a war story, becoming a new person and the outcome of a war in one person. Tim O’ Brien uses a psychological approach to tell his sorrows, and some happiness from his stories from the war. Each part, each story is supposed to represent a deeper meaning on how O’Brien dealt, and will deal with his past. In war, a way to

Tim O'Brien is confused about the Vietnam War. He is getting drafted into it, but is also protesting it. He gets to boot camp and finds it very difficult to know that he is going off to a country far away from home and fighting a war that he didn't believe was morally right. Before O'Brien gets to Vietnam he visits a military Chaplin about his problem with the war. "O'Brien I am really surprised to hear this. You're a good kid but you are betraying you country when you say these things"(60). This says a lot about O'Brien's views on the Vietnam War. In the reading of the book, If I Die in a Combat Zone, Tim O'Brien explains his struggles in boot camp

Linda kept from Tim that she was sick. As a child, he was not aware of how to deal with death, “A nine year old girl, just a kid, and yet there was something ageless in

Tim O’Brien depicts some of the effects it has on them, as well as some coping mechanisms they use, in The Things they Carried. Some of the things the soldiers lose include their innocence and a few of their fellow soldiers. Everyone was affected by this differently, some felt guilt, others just pretended things were fine, or dreamt them back to life. The reactions of those experiencing loss also help define it and how powerful it can be. When Kiowa died, one of the boys felt the effects of immediate loss, leading him to believe he was to blame for his death. He felt that “he was alone. He’d lost everything. He’d lost Kiowa and his weapon and his flashlight and his girlfriend’s picture. He remembered this. He remembered wondering if he could lose himself” (O’Brien 171). Like him, many people feel very lost during hard times and question how much longer they can stay sane and handle the situation. In some unfortunate cases, when loss becomes too much, some commit suicide, or react violently. However, an alternate way of coping with loss (of lives and of sanity) that is seen in the novel is to completely ignore it. O’Brien recalls how “in Vietnam, too, [they] always had ways of making the dead seem not so dead. Shaking hands, that was one way. By slighting death, by acting, [they] pretended it was not the terrible thing it was…” (O’Brien 238). The thoughts of one of the characters portrays how much everyone

The first story O’Brien decides to tell us is the story of Lieutenant Jimmy Cross. Cross represents a young and inexperienced soldier who went to war for all of the wrong reasons. He deals with the savagery of the Vietnam War through letters and pictures sent from the woman he loves back home, Martha. Cross carries physical objects, pictures, letters, as well as memories from his time spent back home with Martha before signing up for war. At one point in the story after describing a date between him and Martha, he mentions how “he should’ve carried her up the stairs to her room and tied her to the bed and touched that left knee all night long.” (5) His thoughts of Martha are enough to help distract him from the brutal realities taking place in the war. However, his distraction becomes too much, and it ends up resulting in the death of one of his fellow squad members, Ted Lavender. He carries regret for the death of Lavender, and years later confesses his guilt to O’Brien, and that he has never forgiven himself for his death. Despite his long-lived regret, Cross finds comfort in his thoughts of Martha, and hopes one day she will return his love.

It is no coincidence that Linda and the old man’s corpse appear in the same story. The reader can infer that both Linda and the corpse are important to O’Brien and the story he is trying to tell. He wants to acknowledge that the old man had a life and people who cared about him before he passed, much like Linda. He says in this chapter that he has two options regarding the dead. He can either pretend that they are just another piece of meaningless waste or he can honor their lives by letting them live on in a story.

His purpose is to convey the hauntings of his experiences as a foot soldier, but at the same time, avoids writing directly from memory. O’Brien mixes in fictional characters, places, and events about the war that blurs the line between real & imaginary. What this does for the reader is allows a broader understanding of the word ‘truth’. In one passage from the text called How to Tell a True War Story, Tim O’Brien writes that

In his final chapter, ‘The Lives of the Dead’, he tells readers a story of his youthful self, ice skating with his first love, Linda. ‘Don't cry Timmy, lets go ice skating … and under the yellow lights I can sometimes see Bowker, Lavender and Kiowa.’ This situation is complex, since bringing the dead back to life is impossible. Yet O’Brien makes the impossible possible through storytelling. The audience can see and imagine these people who have passed away.

Ultimately, this novel is not about Vietnam--in fact, it is not about war at all. It is about the narrator 's attempt to find a place where the erosion of time will have no effect. By working through the "threads" of this novel, O 'Brien 's intentions become obvious: He is fighting to preserve the physical against deterioration, and by extension, to preserve life by immortalizing it in fiction. He is not writing as a result of neurosis or as a form of therapy; he does this since

In this passage O’brien demonstrates his own character traits. As a writer, he has a strong ability to understand what others are feeling and sympathize. When he kills the young soldier, he creates a story around him, imaging the soldier as having similar struggles to his own. He deeply regrets the soldier's death because he feels that neither of them really wanted to be fighting in this war and relates his own life story to the fictional one he creates for the soldier.