When We Were Kings directed by Leon Gast is a documentary based on the heavy weight championship between Muhammad Ali and George Foreman. Gast uses variety of cinematic techniques to convey certain opinions about the world famous boxer Muhammad Ali.
When We Were Kings emphasises on Muhammad Ali’s arrogance and egotism through the use of voiceover narration. Gast introduces Ali into the film with video clips of his extroverted and charismatic persona. Throughout the film, Ali supporters chant his name "Ali bumbaye, Ali bumbaye" (Ali, kill him), that exaggerate his drive to defeat his opponent. When We Were Kings presents Ali’s opponent George Foreman as an inhuman being, setting him up as a practically unbeatable man who is seen throughout the
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Moreover, contrary to Ali’s character, we view Foreman as a solitary man, who was seen with only one or two people with him at a time. Due to the narrators speaking of Foreman in a negative light, he became the enemy in the eyes of the viewer, being the complete opposite of Ali and what he believed in. This also is attributable to the producer’s selection of narrators who are generally in favor of Ali. The descriptions of Ali’s sheer arrogance in build-up of the fight from Mailer, Malik and Plimpton presented an added element of realness to Ali as a person as opposed to his fighting persona; depicting his arrogance and ego as his means of pumping himself up. This is demonstrated when Bowens states: “Muhammad Ali, he was like a sleeping elephant. You can do whatever you want around a sleeping elephant; whatever you want. But when he wakes up, he tramples everything.” The narrator’s words create the on-going voice for the film, which keeps the chronicle moving forward. Without their words interwoven with the footage, the execution of the …show more content…
He goes into great depths in order to enable the viewer to view Ali as a man who refrains from taking a philosophical or political stance on the fight. Gast’s portrayal of Ali gives the viewer the impression that he is very sincere in his wish to serve as an inspiration to the masses. His remarks on representing his culture to the media in interviews, paired with the African music and political clips of fighting reminded audiences of the greater societal implications. Before the fight we are never shown Ali being too close to anyone specifically, always being somewhat removed. But, in the morning after the fight, we see Ali bent down to hug and kiss a young girl. This is an incredibly tender moment; not only breaking down the wall between him and his followers, but it brings him back akin to the earth after he has been exalted to the status of a God. Nevertheless, because this moment occurs directly after the fight, it not only humanises Ali, but it sets the stage for him to move beyond boxing and into the rest of his life. When We Were Kings is very much a character piece of Muhammad Ali’s intense adoration for the people of Africa, which is shown through the use of
is shown when the white men put blindfolds on the black men before the battle royal. The white
The young man does not know what is in store for him. He goes to the hotel ready to show his dexterity, but is humiliated by having to participate in a battle royal, which is a boxing match between multiple participants. Young men in the fight are blindfolded, “I had no dignity. I stumbled about like a baby or a drunken man” (244). The boy shows great inner strength when he chooses to stay in the fight for amusement of the white businessmen, which demonstrates his fulfillment to his grandfathers words. If in fact he does get thrown out he many not have a chance to give his speech.
Something that extremely irritated and disturbed me in chapters 6 through 9 was how Amir had the audacity (when he was a child) to treat Hassan incompetently, not considering him as a friend, nor entitling him as one verbally to others. He never stood up for Hassan and never has. He admitted that he "always envied his natural athleticism" (Hosseini 53). Amir just wants to be acknowledge by Baba, but he knows he never will because he isnt the athletic nor strong-minded son his father wanted, however Hassan was. Its so insulting of Amir to say "I had been mean to Hassan [and] almost apologized, then didn't" (Hosseini 60). It just goes to show that even though he felt guilty he didn't let Hassan be aware of it. This scene portrays how insecure
(An emotional appeal to the audience) We are all a prostitute to something in this world doing things we don't want to do just to continue in life dealing with the forces that are constantly in our way. This is a relentless reality to the African-American people throughout the history of the United States. How much is one willing to let white men abuse and torment themselves as they dangle the keys to success right in front of oneself, all the while laughing at this “animal” that they see as nothing more than an inferior human to that of themselves as they believe that their skin color makes them superior to all of those unlike them. Ralph Ellison's Battle Royal is a story of just that, as a young, black man yearns to learn who, and what, he is in this world. He takes his grandfather's dying words to his soul of “I want you to overcome ‘em with yeses, un-determine ‘em with grins, agree ‘em to death and destruction” (Ellison 278) even then feeling uncomfortable and guilty. Through this young man's journey to find himself in this world that still laughs at the notion of racial equality, Ellison uses a viscous cast of society's highest “class”, along with men, who are both like and unlike him, who scrap at the scraps of leftovers from these white men to show this young, black man how worthless he is to white men and teach him an important lesson in his first step forward in his dive to the heart to find himself as person and the start of his journey in life as he faces racism
“Lately” life around Amiri has become a normal routine. Being mistreated by the whites does not phase him anymore. “The ground opens up and envelops me” (1). He uses personification to portray the vision of nature and life opening up and wrapping
We were all humans until race disconnected us, religion separated us, politics divided us, and wealth classified us.” – Anonymous. In “Battle Royal” Ralph Ellison, displays that African-Americans being freed from slavery did not bring them equality to the white-superiors using allegory and symbolism. The grandfathers last words, the desperation of the narrator wanting to read his speech, the battle and the nightmare all represent what Ellison is displaying. The narrator opens to the audience explaining his grandfather’s last word to his father. Some of what the grandfather says is, " Live with your head in the lion's mouth. I want you to overcome 'em with yeses, undermine 'em with grins, agree 'em to death and destruction.” (2) The grandfathers last words show symbolism and appear to the narrator’s life throughout the story. What the grandfather is telling his son is to step on rocks and pebbles while he is with the white people. He is telling him to live with the fact that the whites can end him at any moment and to always say yes and nod at them. To always smile and never show anger for your life could get worse.
After waiting and chasing Burns around, Johnson finally got the opportunity to fight against Burns. The fight was in late 1908 and was also for the heavyweight championship. While fighting, Johnson ended up beating up on Burns for the racial comments that Burn was spitting out before the bought. Johnson would actually hold Burns up when Burns would try to fall. This was so that he could deliver even more of a beating. Even the crowd was yelling racial slurs, but Johnson would just smile and just beat on Burns even more. Jack Johnson had become the heavyweight champion. White people were still not ready to call Johnson their champion because they did not consider Burns the true champion since Johnson destroyed him.
The first time the reader is introduced to the theme comes at a time when Amir is feeling as though he is not deserving of his fathers appreciation. “Because the truth of it was, I always felt like Baba hated me a little. And why not? After all, I had killed his beloved wife, his beautiful princess, hadn’t I? The least I could of done was to have the decency to turn out a little more like him. But I hadn’t turned out like him.” [19] Amir is showing he feels responsible for his father’s misfortunes, and believes his father doesn’t love him since he and his father are so different. Amir constantly tries to redeem himself for “killing” Baba’s wife by trying to become a better son. Amir tries to become athletic like his father, but fails. Then tries to get into spectating soccer with his father, but he can’t do that either. Amir discovers through this that the traits he admires in his father are the things Amir lacks. These traits include strong values, success in business and life in general, as well as athleticism. One can see Amir’s attempts at redemption through his desire to become more like his father, even though he realizes he is
The documentary, “Unforgivable Blackness” directed by Ken Burns casts light on the extraordinary life story of legendary boxer Jack Johnson. The documentary is about the barriers Jack Johnson had to overcome to satisfy his hunger for becoming the best and living “The American Dream.” Johnson had humble beginnings in Galveston, Texas and it was in those beginnings that glimpses of his bright future were slowly but surely beginning to show. Through out his life, he showed independence, relentlessness, ability to improvise, call attention to himself and get around rules meaning to tie him down. Jack Johnson was a self made man who had the drive to go forward and achieve what he wanted to achieve
Ellison once said, “Our social mobility was strictly, and violently, limited” (German 2). The black society is portrayed in a special way in “Battle Royal.” The boxing ring of the Battle symbolizes the confinement of blacks in their society (German 2). The whites are always superior, and the blacks are constantly held back and left fighting. “The story’s title, ‘Battle Royal,’ suggests that the incidents described in the narrative are just one battle in the ongoing racial war” (Brent 2). There is constant controversy between whites and blacks, so far as it is described as a war. In the grandfather’s speech, he describes it as a war, and he states that he wants the narrator to “keep up the good fight.” He then explains how the narrator should do so; he orders him “Live with your head in the lion’s
One day Asseff rapes Hassan as an act of power, and Amir witnesses the actions but acts in a cowardly matter and simply avoids the matter by ignoring it. Amir then proceeds to cut off the relationships between himself and Hassan, “I actually aspired to cowardice, but the real reason I was running, was that Asseff was right. Nothing was free in this world. Maybe Hassan was the price I had to pay, the lamb I had to slay to win Baba. Was it a fair price? The answer floated to my conscious mind before I could thwart it: He was just a Hazara. Wasn’t he?” Amir did it because the traditional and historical beliefs were more important than friendship. This action displays how being born in a different social class can outweigh all feelings of love and friendship with one of a different social group.
Throughout history there have been many influential people who have lived in this country. Some were politicians, some were actors, and some were even athletes. One such man was a gifted boxer named Muhammad Ali. He made his mark as an amateur, then as a professional. "The Greatest" was the self-proclaimed nickname of Ali, but so many people agreed that it stuck. He went through trials and tribulations in his life, which make him a historic icon. Muhammad Ali is known for being "The Greatest" boxer of all time, but unlike other athletes he is remembered for his out of the ring actions as well as his athletic accomplishments.
Ralph Ellison’s excerpt “Battle Royal” from his novel “Invisible Man” reveals the African American’s struggle for social equality. It was written during the Cold War and Civil Rights movement and made an impact in the literature world and won an award. Ellison never provides a name for the narrator who refers to himself as the invisible man. The story begins with the narrator’s grandfather on his death bed instructing on how to deal with white people. The narrator felt this advice was more of a curse than helpful. The determination exhibited by the narrator during his encounter at Battle Royal is impressive. The level of abuse endured in his pursuit to deliver his graduation speech is both baffling and admiring.
Throughout the novel, Amir endeavors to be approved by his father, Baba, who is admired by people in Kabul. Unfortunately, Baba believes that Amir, unlike him, is very unmanly “and [that he] never fights back. He just... drops his head ” (Hosseini 24). Since Baba wishes for a son who would stand up for himself, he can’t help but observe that Amir’s friend Hassan, as the guy who “steps in and fends the [bullies] off” (Hosseini 24) is his idea of the ideal son. Though aware of his father’s expectations, Amir is unable to change himself and instead envies Hassan and the fact that Baba treats him like his own son by“[patting]Hassan on the back. [and even putting] his arm around his shoulder [like a fatherly figure]”(Hosseini 15). Despite the manifestation of this hatred in Amir, he continues to recognize the bond that he shares with Hassan, “ brotherhood between people who had fed from the same breast” (Hosseini 11) which is because both their mothers died during birth. The confusing emotions he feels for Hassan has Amir face a situation in which he acts inappropriately and allows the guilt to manifest upon him. After winning a very important kite tournament for the first time and “seeing Baba on that roof, proud of [him] at last” (Hosseini 71) Amir begins to search for Hassan who had gone to run his kite earlier. Finally, Amir finds him in a dark alley and as he “peeks around the corner” (Hosseini 75) he witnesses a sight that eradicated not only his relationship with Hassan but also Baba’s brotherly relationship with Ali, Hassan’s father. Peeking through the corner of the alley, like a bystander, he watches his one and only friend getting raped. The guilt that came upon him was for two reason; one, his lack of courage to stand up to
Ali shows exceptional character development throughout the film because of his actual development as both a human being as well as a professional boxer. In the beginning of the film, he is still under the name Cassius Clay prior to his debut in the championship ring. He wins his debut as becomes a heavyweight champion. This championship beings Clay’s development as a character. Soon after his championship, Clay meets with an Islamic leader. At this meeting, he gave Clay the name Muhammad Ali. Clay