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When We Were Kings

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When We Were Kings directed by Leon Gast is a documentary based on the heavy weight championship between Muhammad Ali and George Foreman. Gast uses variety of cinematic techniques to convey certain opinions about the world famous boxer Muhammad Ali.
When We Were Kings emphasises on Muhammad Ali’s arrogance and egotism through the use of voiceover narration. Gast introduces Ali into the film with video clips of his extroverted and charismatic persona. Throughout the film, Ali supporters chant his name "Ali bumbaye, Ali bumbaye" (Ali, kill him), that exaggerate his drive to defeat his opponent. When We Were Kings presents Ali’s opponent George Foreman as an inhuman being, setting him up as a practically unbeatable man who is seen throughout the …show more content…

Moreover, contrary to Ali’s character, we view Foreman as a solitary man, who was seen with only one or two people with him at a time. Due to the narrators speaking of Foreman in a negative light, he became the enemy in the eyes of the viewer, being the complete opposite of Ali and what he believed in. This also is attributable to the producer’s selection of narrators who are generally in favor of Ali. The descriptions of Ali’s sheer arrogance in build-up of the fight from Mailer, Malik and Plimpton presented an added element of realness to Ali as a person as opposed to his fighting persona; depicting his arrogance and ego as his means of pumping himself up. This is demonstrated when Bowens states: “Muhammad Ali, he was like a sleeping elephant. You can do whatever you want around a sleeping elephant; whatever you want. But when he wakes up, he tramples everything.” The narrator’s words create the on-going voice for the film, which keeps the chronicle moving forward. Without their words interwoven with the footage, the execution of the …show more content…

He goes into great depths in order to enable the viewer to view Ali as a man who refrains from taking a philosophical or political stance on the fight. Gast’s portrayal of Ali gives the viewer the impression that he is very sincere in his wish to serve as an inspiration to the masses. His remarks on representing his culture to the media in interviews, paired with the African music and political clips of fighting reminded audiences of the greater societal implications. Before the fight we are never shown Ali being too close to anyone specifically, always being somewhat removed. But, in the morning after the fight, we see Ali bent down to hug and kiss a young girl. This is an incredibly tender moment; not only breaking down the wall between him and his followers, but it brings him back akin to the earth after he has been exalted to the status of a God. Nevertheless, because this moment occurs directly after the fight, it not only humanises Ali, but it sets the stage for him to move beyond boxing and into the rest of his life. When We Were Kings is very much a character piece of Muhammad Ali’s intense adoration for the people of Africa, which is shown through the use of

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