White Is For Witching By Helen Oyeyemi

Marriage is important in human society. Marriage is “the customs, rules, and obligations that establish a special relationship between a sexually cohabitating adult male and female, between them and any children they produce, and between the kin of the bride and groom” (Arenson, and Miller-Thayer 520). Most of the cultures are used to seeing only female and male getting married but looking deeper into the society; we can see there are more to it. There are many different types of marriages. In an ethnography called, Guest of the Sheik, by Elizabeth Warnock Fernea, she talks about her experiences in a small rural village of El Nahra in southern Iraq. Ethnography is “comprised of the writings of the anthropologist, detailing the life ways of a particular culture, investigated by means of direct fieldwork” (1). As she gets accepted by the women of the villages, she gets a more inclusive view of the culture.

This world is filled with many troubles including racism. Society often depicts whites as superior to blacks. However, this is not precise, because every race has both good and bad within it. The world is trying to break away from racism to become a better place for everyone around the world. Racism is not only about the color of one’s skin, it can impact individuals around the world due to their race or religion. The title of this novel is “Black and White” by Paul Volponi. In this coming of age story, two friends, Marcus Brown and Eddie Russo, who are black and white (respectively), are senior basketball stars at their high school. Marcus lives in community housing which is fraught with crime with a single mother. On the other hand, Eddie lives in a private house nearby where Marcus lives. Both Marcus and Eddie are in financial hardships and need to find easy money to cover their school and basketball fees. The two agree to start pulling robberies when they unintentionally shoot a black man. They are left in anxiety trying to avoid getting caught while trying to lead a normal life after the incident. They both end up going through the justice system, and Marcus must serve jail time while Eddie gets to go free. While all of this transpires, Marcus and Eddie manage to keep their friendship strong and overcome any barriers together. Any true friendship can overcome racial stereotypes put in place by society including the racial barrier between Blacks and Whites. The novel

Although many gothic novels are written in a complex manner, the novel “We Have Always Lived in the Castle,” is very different. This gothic novel is written in a simplistic fashion which is understandable on the surface. However, if one digs deeper than the surface of this novel, “We Have Always lived in the Castle,” proves to be full of details and themes. There are many important themes in this story and some which are not as important. In the novel, “We Have Always Lived in the Castle,” there are many extremely important themes such as, domesticity, rich vs. poor, and sibling relationships. Also, in the novel, “We Have Always lived in the Castle,” there is one theme which is not essential to the novel, which is the supernatural and potential witch elements in this story. All of these themes help to portray the message of Shirley Jackson’s novel, “We have Always Lived in the Castle.”

Accused witches were forced to admit to various practices believed to be witchcraft. Details from the French Court of Rieux and the insanity that ensued are jaw dropping by today’s standards. Suzanne Gaudry’s judgement confession was no different, being forced and tortured into confessions including having given herself to the devil, renouncement of God, lent and Baptism. Moreover, Gaudry was also forced to confess that she had cohabited with the devil as well received the devil’s mark on her shoulder and being at dances. Of note however, the judgement confession seems to acknowledge Gaudry having technically only confessed to having had killed by poison, Philip Coine’s horse. Nevertheless, Gaudry’s confession was made

Poe’s ‘The Fall of The House of Usher’ express gothic completely immersed in madness and darkness while ‘The Yellow Wallpaper’ limits the decent madness of woman but shows the depression and gloominess of the character.

Kincaid’s On Seeing England for the First Time is an essay on the imperialism political and cultural dominance on it’s colonies. The narrator and her people are taught to love, admire, and emulate British Culture. However, as the narrator grows up she realizes all the discrepancies in all she has learned about the culture she should have and her own country. She picks apart England culture piece by piece.

Edgar Allen Poe’s short story, “The Fall of the House of Usher”, sets a tone that is dark, gloomy, and threatening. His inclusion of highly descriptive words and various forms of figurative language enhance the story’s evil nature, giving the house and its inhabitants eerie and “supernatural” qualities. Poe’s effective use of personification, symbolism, foreshadowing, and doubling create a morbid tale leading to, and ultimately causing, the fall of (the house of) Usher.

The Gothic genre often reproduces a conservative paranoid structure when it comes to homophobia and other moral panics over sex (Hanson, Pg. 176). Eve Sedgwick depicts this in her work, ‘Between Men: English Literature and Male Homosexual Desire’ as she discusses how these ideas (paranoia) are represented within the Gothic, in what she describes as the ‘homosocial’ in reference to male bonds (Sedgwick, Pg. 86). She also discusses how bonds between men exist as the backbone of social form and forms (Sedgwick, Pg. 86). Thus, a consequence of said structure is the ability to define, control, and manipulate male bonds, which in turn becomes an inexplicably powerful instrument of social control (Sedgwick, Pg. 86). Thus, homosexuality is represented as the ‘unspeakable’ within the Gothic, as it has been defined, controlled, and manipulated to be such though social control. Therefore, this paper will discuss how ‘homosocial’ bonds between men, are used as a tool in social control and used as a way to produce paranoia and moral panic, thus in reference to the Gothic, these forms epitomize homosexuality as the ‘unspeakable,’ especially through homosexual representations within the contexts of ghosts and haunted houses.

The setting takes place in a living room characterized by darkness, a form of symbolism which constitutes the harsh reality of child abuse. A lamb in the corner represents hope for the abused girl juxtaposed by the darkness in the room. In the living room lies a pair of dark photographs hanging on the wall, a coffee table with black objects on top, checkered curtains surrounding the window

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

This book is about the life of a black young girl, Zarite (known as Tete) that is purchased at 9 years old by Violette, a mixed race prostitute, to be the personal slave of Eugenia Garcia del Solar, the Spanish wife of Toulouse Valmorain, a French guy owner of one of the biggest sugar plantation of Saint-Domingue, that is run by black slaves. Throughout the novel, Zarite tells her story as a representation of the exploitation of slaves on the island in the eighteenth century, their lives and how they fought for freedom. “He had never thought about Tete’s sentiments; he assumed they were very limited. In

Finally, the reader is introduced to the character around whom the story is centered, the accursed murderess, Mrs. Wright. She is depicted to be a person of great life and vitality in her younger years, yet her life as Mrs. Wright is portrayed as one of grim sameness, maintaining a humorless daily grind, devoid of life as one regards it in a normal social sense. Although it is clear to the reader that Mrs. Wright is indeed the culprit, she is portrayed sympathetically because of that very lack of normalcy in her daily routine. Where she was once a girl of fun and laughter, it is clear that over the years she has been forced into a reclusive shell by a marriage to a man who has been singularly oppressive. It is equally clear that she finally was brought to her personal breaking point, dealing with her situation in a manner that was at once final and yet inconclusive, depending on the outcome of the legal investigation. It is notable that regardless of the outcome, Mrs. Wright had finally realized a state of peace within herself, a state which had been denied her for the duration of her relationship with the deceased.

This dissertation will examine and analyse two of the macabre and gothic tales from the English author Elizabeth Gaskell (1810-1865); The Old Nurses Story (1852) and The Poor Clare (1857). Indicating and demonstrating how representations of mystery and the supernatural are used as vehicles of imagination, expression and exploration into the hidden depths of the female psyche through the use of Gothic fiction within the Victorian era (1837-1901). I intend to delve and explore into the identity of the feminine-self exposing the darker and intimate issues of the female Gothic, otherwise hidden within the oppressive constraints of the female role residing in Victorian society. Applying psychoanalytical examples, I shall discuss themes of the

“The Fall of the House of Usher (1939)”, arguably Edgar Allan Poe’s most famous short story, is a tale centered around the mysterious House of Usher and its equally indiscernible inhabitants. These subjects are plagued with physical and mental degradation – the Usher siblings suffer from various abnormal ailments and unexplained fears, while the house itself seems to be tethering on the edge of collapse. The gothic elements in the story are distributed generously, and the plot is increasingly ridden with the supernatural as it progresses.

Gothic tales are known for being mysterious and gloomy. Certain elements are integrated throughout the narrative to create the desired effect, and simultaneously suggest other ideas. Shutter Island by Dennis Lehane and “The Yellow Wall-Paper” by Charlotte Perkins Stetson are significantly similar, by the way both settings highlight the idea of madness. The relationship between setting and madness is induced by the display of physical isolation, disturbing elements, and hallucinatory incidents.