Who Is Aditi Bornel's Exclusion?

Liu opens his essay by cataloging ways that he could be considered “white” in order to inform the reader about the similarities the author shares with white people, even though he is not white. The purpose of the list is to convey the message that Liu shares similarities with white people, and introduce the audience into his personal story about his integration into the white culture of America. The list is not specifically meant to be humorous, yet it has that effect, due to the generalizations and stereotypes that Liu states, like “I wear khaki Dockers” or “I vacation in charming bed-and-breakfasts” (1). Liu may have included these exaggerated stereotypes of white Americans for a humorous effect in order to engage the

First, by looking at the way Henry’s ethnicity played a large role in getting him bullied in school. Henry’s parents decided that it would be better off if Henry would go to an all-white school rather than a Chinese school. In the hope that, Henry would become accustomed to American culture. However, this resulted in Henry being bullied in school by all the white children and even the other Chinese in his neighborhood. Before going to school he would pass by his neighborhood where all the Chinese kids that were once his friends called him “white devil” and Then he would get to school and the white kids would call him “yellow” (Ford 39). Once they started to get all the Japanese and take them to the internment camps. Henry started to get bullied even more since several of his classmates thought he was Japanese American. Likewise, to Henrys ethnicity playing a large role for getting him bullied in school, his ethnicity also cost him the distant relationship with his parents.

In the 1999 novel “Chinese Cinderella”, author Adeline Yen Mah explores the theme of acceptance and belonging throughout the novel, as a result of her tragic childhood. The autobiography reveals the experiences of a young Chinese girl called Adeline, and her sense of isolation. The young girl is neglected by her family because she is being held liable for the death of her mother, who died during childbirth and leaving the family in poverty. As a result of this his heart-wrenching story, the author challenges the idea of belonging in an unkind family, to ultimately depict a sense of loneliness

The tale “American Born Chinese” by Gene Luch Wang depicts the story of three characters, Monkey, Jin, and Danny. They all have the problem of fitting into their new environments. Jin Wang has to deal with Asian stereotypes. Danny has to deal with embarrassment of his cousin. Lastly, Monkey has to deal with the fact that there is no position for him in the heavenly ranks. However, over time, these characters have to come together to fit in. Yet the question remains: what exactly about fitting in is the problem? Although Jin Wang takes the form of Danny to reject his Chinese roots, the embarrassment of Chin-Knee shows he cannot hide behind a false American identity, thereby delineating that race is the source of his problem.

According to the documents, describing the cruel actions of wicked men who intended nothing but hate towards the Chinese and racist comments that targeted specifically the Chinese depicts the idea that the Chinese Exclusion Act should have not been implemented in the United States in the year of 1882. The Chinese were strongly discriminated just like the African American people. To start on with (Document A) about a play divided in four parts called “The Chinese Must Go” by Henry Grimm in 1879, shows of the stereotypes about the Chinese. This document is nothing else but mimicking or impersonating how the Chinese tend to speak English in America. Their English maybe be taken as broken English, another way to describe someone’s struggle to speak

THESIS - When evaluating Arnold “Junior” Spirit from Sherman Alexie’s The Absolutely True Diary of a Part-Time Indian and Jin Wang from Gene Luen Yang’s American Born Chinese, similarities radiate in both characters as their disparity in race deem the two of them as outcasts in the entirety of society. In addition to their lack of social interactions, their uniformity in their impulsive decisions cost them each a dear friend. Although Junior and Jin are quite similar, they share differences in the way Junior tries bettering himself by fitting into both his Indian and Reardan culture whereas Jin changes himself in every possible way to become Americanized.

China is and always will be a land seen as mysterious to those with roots in Western culture. And in its own way, Balzac and the Little Chinese Seamstress by Dai Sijie is what can happen when Western and Far Eastern culture interact. Outside of the cultural revolution, headed by Mao Zedong, which makes the whole novel possible, and was a push back against Western involvement in China, the novel includes many other ideas of cultural interaction. However, it also prominently provides complex emotions and changes within the characters who are followed throughout the novel. In fact, one passage in particular reveals much character change and development in the narrator of the story (who will simply be known as narrator for the entirety of this essay), and it occurs on the pages of 166 to 169. The passage is a daydream of the narrator’s after having taken a beating by a band of hooligans and potential suitors of the Little Seamstress. In it, readers can see the narrator develop to the same sort of manhood as Luo: the satisfaction of changing something and reaching independence. However, after reaching this stage, he also realizes the drawbacks to having done so, causing him to feel remorse for his actions. This is achieved by the narrator’s expression of hidden desires he developed over time and what lustful feelings and desperation accompany them.

Lee Chew lived in the US for 20 years and feels outraged by the treatment he receives from fellow Americans. Even though the Chinese got mocked in plays and speeches they worked hard and got support from cartoons and a autobiography. In Document A, an American play is mocking the Chinese. The play states that the Chinese are

After the increased suppression of international slave trade during the mid nineteenth century, Chinese immigrants were frowned upon in America due to the fact that they were depicted as a threat to the U.S economy. As a result, the Chinese Exclusion Act of 1882 was passed and banished a vast majority of Chinese people in America. Based on the documents provided, it can be concluded that the Chinese Exclusion Act, despite being morally incorrect, was an inefficient ordinance that caused an abundance of controversy in America. Based on document A, during this time frame, there was a great amount of racist feelings towards the Chinese. This is shown in a play called “The Chinese Must Go” by Henry Grimm, which depicts the Chinese in a negative

“Trying to Find Chinatown” begins on a street corner in New York City. Benjamin, a blond haired, blue eyed white male, walks upon a street performer and begins a conversation with him. The street performer is an Asian-American named Ronnie. Their conversation begins with Benjamin asking where a certain address is in Chinatown. Ronnie takes this question as an insult because he’s the only Asian-American anywhere near by. Ronnie turns aggravated as Benjamin tells him he is also an Asian-American, not knowing he was adopted. He’s stunned when Benjamin informs him on his knowledge on Asian-American history because of his skin tone; which is very ironic considering he believed he was racially profiled and asked about the address in Chinatown because of his skin hue. They both give valid points in their arguments and begin to understand one another and their overview of the topic. The discussion doesn’t exactly result with either one of them winning but as a mutual understanding of each other. Although Ronnie and Benjamin don’t see eye to eye on the topic of conversation, the main idea of this play is very clear; don’t judge a book by its

The main protagonist, Arnold Spirit (a.k.a Junior), character identity development can be seen throughout the story. Born onto the broken, poverty smitten Indian reserve full of drunks and abusers, Junior deals with the everlasting effects of hydrocephalus. With his medical circumstance, he has to endure many malformations making it so that he is a main target to harassment. The quote, “And then you start believing that you're stupid and ugly because you're Indian. And because you're Indian you start believing you're destined to be poor. It's an ugly circle and there's nothing you can do about it (Alexie 13)”, shows that Junior gets ethnicity and poverty mixed up. This pernicious train of thought shows how Junior already establishes a

The Japanese and their rabid ethnocentrism have their effect on the narrator’s family. The family is generally happy and well structured. The narrator lives with his mother, father, little sister and grandfather. As mentioned before, the narrator’s family pressures him to be better than the Japanese students. Upon returning home after being beaten, the men of the house invite him to eat with them and drink wine. This is a strong scene that is filled with the proudness of a parent for their son. Simply standing up to a

Wong feels that she needs to fit into the dominant culture from an early age. The reason for this is because society stresses the dominate culture, promotes the dominate culture and pressures immigrant children to fit in. Wong uses herself as an example of the tremendous pressure children of immigrants are under to fit in, which is a burden placed on them by society. The pressure is so great that many are embarrassed by their roots and their heritage. Wong experiences this burden, and this is what drives her to want to become the stereotypical All-American girl. She learns to hate her culture so much that she does not want anything to do with it and she wants a divorce from her ethnic roots, “Wong’s adolescent embarrassment of her ethnic

One case in North Sydney that drew avid attention was the alleged relationship and planned elopement of Willoughby Sing, Ah Sing’s son, and Fanny Asher, a 17 year old shop assistant working for Ah Sing. The gazette, Truth, covered the incident in an article describing the affair, complete with undignified caricatures — Willoughby Sing depicted as a short, frowning, cigar smoking man. The article stated that ‘little Willie Sing’ had ‘grown fat and wealthy and purse proud’, a description aimed to put him ‘back in his

“Don’t humiliate us.  You wouldn’t like to be forgotten as if you had never been born.  The villagers are watchful.”  Practically through her mother’s indoctrination alone, Kingston was shaped throughout her childhood to respect honor, family, and the very Chinese culture itself.