Who Is Creon Tragic Hero

The final aspect that makes Creon a tragic hero is the fact that he suffers more greatly than he deserves. For example, not only does Creon’s son kill himself, but according to the messenger before Haimon commits suicide he, “Spat in (Creon’s) face. He said not a word, Staring / And suddenly drew his sword / And lunged. Crein shrank back, the blade missed…” (Sophocles 734-735). Not only did Creon’s only son die, the last image of Haimon is him spitting in Creon’s face. The guilt Creon will have for the rest of his life will be tremendous, because he is going to feel responsible for leading his son to suicide. Not only does Haimon curse his father,

Tragic heroes have identifiable flaws which cause their destruction. In this situation Creon’s major flaw was that he was self-centered, and never listened he thought he was always right. Haemon points out that Creon needs to stop being narrow-minded and stubborn, "...Not far off when you shall pay back corpse for corpse..." (Scene 5, 72-73). Teiresias the fortune teller warns Creon that his inflexible ways

Similarly, Creon is a good leader to his people. He punishes evil and rewards good as mentioned above. He is seen by the people, as well as his own son, to have "goodness" in his "leadership" (lines 691). Thus, Creon’s noble character seen through the love of his country, through the just decision to punish Polyneices, and through his good leadership qualifies him for the 1st criterion of being a tragic hero.

He doesn’t believe in any gods. He lost control of his own self. He was selfish and didn’t care about nobody or their feelings. A tragic hero also has some type of flaw. Creon is a tragic hero because of his hatred journey he took. Creon, as king of Thebes, is at the top of the social leader. He’s not only king, he is also possessed frailty, which qualify him to make some major mistakes. He was aggressive and mean at the beginning. Towards the end he feels empty and a mad sad mood. He didn’t think that they both would commit suicide. This is how Antigone contrasts Creon into a tragic

Lastly, Creon was a tragic hero because he realized his flaws too late in time. Referring back to the prophecy of Tiresias, after the prophecy of Thebes was declared and Creon denying it, it soon came to pass. The chorus leader cries “My lord, my lord, such dreadful prophecies- and how he's gone..Since my hair changed colour from black to white, I know here in the city he's never uttered a false prophecy” (Antigone line 1220). Creon then replies to him by acknowledging his wrong and the effect of his wrong in the situation. “Aaii- mistakes made by a foolish mind, cruel mistakes that bring on

As a final point, Creon is a tragic hero because he witnesses his mistakes he made. He actually takes it as a man and doesn’t blame others for his actions. His actions towards his son drove him to do what he did. Haemon wanted to be with his wife, the love of his life. Creon didn’t want him in any part of that. He felt the need that Haemon’s wife should be punished. When Creon tells Haemon his thoughts about his wife, Haemon broke away then. Creon thinks about what he has said and what he has

Aristotle once said, regarding his principles that a certain character is a tragic hero, "A man cannot become a hero until he can see the root of his own downfall." This quotation is an accurate statement regarding the actions between Creon in the beginning of the play, and at the end once he has lost his family. A tragic hero is defined as a character of noble stature, the hero is imperfect allowing the audience to relate to him, as well as the hero’s downfall is caused by his own fate, leading to the punishment exceeding the crime and the character’s realization leading to the fall. The audience experiences a catharsis at the end of the play, which allows the audience feel that society is “right” again. All six of

In the Greek tragedy Antigone, the characters Antigone and Creon can both be thought of as the tragic hero of the play. Though Antigone does show some of these characteristics of a tragic hero, Creon demonstrates the attributes more clearly and concisely. Creon is the King of Thebes, as well as the uncle of Antigone. Creon took the throne after a tragic quarrel between his two nephews, Eteocles and Polyneices. Despite his harsh governing and his crude ideals, he is not good or bad. Creon is the tragic hero of the play Antigone, because of his superiority in his society, his nobility, and his tragic flaw, self-pride.

Creon is first portrayed as a leader with rational laws and consequences for breaking them. But by the end of the play, Creon is a completely different character; he has let his excessive pride and hubris take over him. He doesn’t realize his change in character until it is brought to him through the prophecy of Teiresias, when it is already too late. Creon can be identified as a tragic hero because he shows great signs of stubbornness and pride. Considering he is the King of Thebes, he follows his rules and laws without listening to his citizen’s concerns, nor does he care about the gods wishes. His role as a hubris influences many of his choices, he believes in only his own thoughts and wishes. Creon abuses his power just because he can, without thinking of the consequences.

Being noble does not always mean being a ruler, or a member of a royal family. Being noble can mean many other things. In Antigone, Creon becomes a noble character by choice when he slowly and secretly advances himself to the throne. Creon sits back and gives advice while Oedipus is king, and while his two sons were fighting over the crown. Once all of the competition is gone, Creon takes the thrown, " I, as you know, in right of kinship nearest to the dead, poses the throne and take the supreme power"(8). Creon gained the respect of his people and when he says to do something, they do it, "I have given orders to the citizens"(9). Creon is not born into power, he wants it and by his own will, he becomes noble.

The second criterion for being a tragic hero is that one is neither purely evil nor pre-eminently great. Although Creon possesses many good kingly qualities, as far a honor and nobility, his imperfection lies in his excessive pride and hubris, as well as his self indulgence as King of Thebes. Creon shows his power and pride

A tragic hero is often someone who is very well-known and honored by many people. After Creon announces his laws as king, he states “you will give no support to whoever breaks this law” (198). Creon makes his role as the king of Thebes clear and seems to believe that no one should disobey him. This suggests his authority over the city and shows the honor that has been given to him. Also, during a discussion between Creon and Teiresias, Creon tells Teiresias “you forget yourself! You are speaking to your King.” Teiresias replies with “I know it. You are a king because of me” (233). Creon’s pride also interferes with his understanding of other’s because he demands control of the city so much that he even if he rules unfairly that everyone still has to show respect towards him. Nobility as one of Creon’s characteristics provides an added reason to show that he truly is a tragic

Creon fits Aristotle’s tragic hero traits as a significant person who is faced with difficult decisions. Creon is significant because he is king. This makes him both renowned and prosperous. Creon is not completely good nor completely bad; he is somewhere in-between, as humans are. The audience can relate to this and they admire his qualities of intelligence in political affairs. They can also relate to his ability to make hard decisions with apparent ease. These hard decisions are

When the title of a play is a character's name, it is normally assumed that the character is the protagonist of the play. In Sophocles' Antigone, most people probably believe Antigone to be the tragic heroine, even after they have finished watching the play. It may be argued, however, that Creon, not Antigone, is the tragic character. When we examine the nature and concept of the Greek Tragedy and what it means to be a tragic character, it becomes clear that Creon is indeed the tragic hero of the play Antigone.

Creon complies with Aristotle’s definition of a tragic hero by possessing high status in his society and being neither all benign nor all evil. He fulfills the first of these requirements by being the king of Thebes. After his nephews Eteocles and Polyneices,