Who Is Voltaire's Candide: The Foolishness Of Optimism

In Voltaires?s Candide, the main character, Candide, fails to live happily because he is looking outside of himself and his circumstances to do it. Voltaire says through Candide's ultimate discovery that happiness in many ways depends on a person's attitude. Voltaire's philosophy expressed through Candide's final realization is that "We must cultivate our garden," which is the key to happiness(p.585). By cultivating our garden, Voltaire means that we must make the best of our situation in the present moment. We accept what we are given in life and work to make the best of it. It all has to do with our perspective on life. We do not find happiness somewhere else or by philosophizing about it, we open our eyes to the

Voltaire’s satire contains a strong sense of witful irony and parodies meant to elicit disgust at the topics he is criticizing. “Candide’s” sense of satire is largely derived from the Juvenalian satire which was created by the Roman satirist Juvenal. By using absurdist and ironic images of characters, satirists intend to invoke disgust or laughter at a topic to the point where it is rejected a legitimate. Thi is the point with Voltaire’s mockery of optimism in “Candide”.

Candide is Voltaire’s most known literary work and most extensively read pieces of literature in French. His philosophical tale is a means to portray his ideas. Simultaneously, amuse his readers with satirical wit and ironical innuendo. Candide (the name refers to frankness and purity) is the main character in the tale. The philosophical idea embodies optimism that is opposed by Voltaire’s intend.

Pangloss, a philosopher is depicted all through the novel as an idealistic mastermind who lives by this logic. Candide, who is mentored by Pangloss aimlessly much of the time addresses this reasoning at snapshots of hardship over the span of his life, lastly rejects it, picking to trust that in spite of the fact that the world is not the best of all possible worlds but,“we must cultivate our garden” (Voltaire 365). Different characters in the book likewise can 't help contradicting Pangloss ' ideals. Jacques who went to Lisbon with Pangloss isn 't strong of these ideals. Jacques says “ humankind has corrupted its nature a little, for people were not born wolves, yet they have become wolves. God did not give them heavy cannon or bayonets, yet they have invented them to destroy each other” (Voltaire 309). The book recounts the account of Candide, as he goes through life and endures numerous hardships on account of others. Candide not only suffers, but the people he surrounds himself with suffer the same fate as well. The book does a good job at outlining human suffering that provoked enlightenment ideas to not only challenge it, but to really show their true selves. Each time something bad happens Pangloss shares his idealistic perspective as to why it occurred. The way Candide points these things out, causes the reader to disagree with Pangloss’s

The Merriam-Webster Dictionary defines satire as: “literary work holding up human vices and follies to ridicule or scorn.” Besides this definition satire can also be seen as the particular literary way of making possible the improvement of humanity and its institutions. In the three works: Moliere’s “Tartuffe,” Voltaire’s “Candide,” and Swift’s “A Modest Proposal” the authors indirectly criticize and ridicule human behavior and characteristics but with the goal for improving these faults rather than just demolishing them.

Candide 's hyperbolic optimism is Voltaire’s way of jeering at the German philosopher and mathematician Gottfried Wilhelm von Leibniz. In the Leibniz’s theodicy (1710) he wrote that the world must be “the best of all possible Worlds” which is clearly where Pangloss’ statement comes from. Another dig is at John Locke who believed that the human brain is like a blank tablet, or tabularasa, on which the natural world produces the individual 's understanding and beliefs. By having Candide be an example of a student who has no ideas of his own and acts like a tabularasa, Voltaire mocks the famous physician and member of the Royal Society.

Throughout Candide Voltaire mercilessly satirizes and mocks many aspects of philosophical optimism. One of the most prevalent examples of this is displayed through Candide’s teacher, Pangloss. Acting as a stand-in for Leibniz in the novel, Voltaire portrays him as both ignorant and arrogant, initially introducing him as Candide’s “metaphysico-theologo-cosmoniogoly”(Voltaire 15) teacher. Pangloss’s egocentric personality

  In its time, satire was a powerful tool for political assault on Europe's corrupt and deteriorating society. Voltaire's Candide uses satire to vibrantly and sarcastically portray optimism, a philosophical view from the Enlightenment used to bury the horrors of 18th century life: superstition, sexually transmitted diseases, aristocracy, the church, tyrannical rulers, civil and religious wars, and the cruel punishment of the innocent.

In Candide, or Optimism, Voltaire envisions a paradise, El Dorado, where the inhabitants have all they ever need and the idea of physical wealth or excess does not

Voltaire's Candide is a novel that is interspersed with superficial characters and conceptual ideas that are critically exaggerated and satirized. The parody offers cynical themes disguised by mockeries and witticism, and the story itself presents a distinctive outlook on life narrowed to the concept of free will as opposed to blind faith driven by desire for an optimistic outcome. The crucial contrast in the story deals with irrational ideas as taught to Candide about being optimistic by Pangloss, his cheerful mentor, versus reality as viewed by the rest of the world through the eyes of the troubled character, Martin. This raises the question of whether or not the notion of free will is valid due to Candide’s peculiar timing of his

Pangloss is a major representation of the optimistic philosophy of life. This naïve optimism does not promote the improvement of conditions in the world because it

On November 21, 1694, Francois-Marie Arouet, otherwise known as Voltaire, was born in Paris. The youngest of five, son to Francois and Marie Arouet, Voltaire grew

     The philosophy of Gottfried Wilhelm Leibnitz, which Voltaire called “optimism,” is one of the main themes of Candide. The two main points of Leibnitzian philosophy are that God is beneficent, and that in creating the world, He created the best possible one. Leibnitz did not argue that the world was perfect or that evil was non-existent, but thanks

Voltaire successfully uses satire as a means of conveying his opinions about many aspects of European society in the eighteenth century.  He criticizes religion, the evils found in every level of society, and a philosophy of optimism when faced with an intolerable world.

In Voltaire’s Candide, we are taken by the hand through an adventure which spanned two continents, several countries, and to a multitude of adverse characters. The protagonist, Candide, became the recipient of the horrors which would be faced by any person in the 18th century. But Candide was always accompanied with fellows sufferers, two of which our focus will lay, Pangloss and Martin. In equal respects, both are embodiments of different philosophies of the time: Pangloss the proponent of Optimism and Martin the proponent of Pessimism. Each of the two travelers is never together with Candide, until the end, but both entice him to picture the world in one of their two philosophies. Throughout the story there is an apparent ebb and flow