The baroque concerto has proved to be a very formative aspect of classical music. Without the emergence of the concerto, music would not be as it is today. Concerto composers changed the way music was perceived and defied musical norms, introducing new and exciting patterns, sequences, and combinations.
Concertos have changed drastically throughout the years. What were deemed concertos during the baroque era, will not always qualify as a concerto by modern definition. A concerto was originally defined as multiple instruments or voices performing together, typically a piece combining voices and instruments often in larger numbers. The definition has since changed as the concerto has become a more distinguishable work. Today, concertos involve a soloist pitted against an orchestra or ensemble contrasting in movement. Contrast and unity were, ironically, both basic elements of the baroque concerto. The principal of the concerto was to unite two differing bodies of sound. The term Concerto is a derivative of the latin term “concertare” which translates as “to contend with.” The first composer to write a work designated as a concerto was Giuseppe Torelli.. Before they were appointed the term concerto, his early works were known as sonatas and sinfonias. From Torelli’s works of early concerto, inspiration arose. Composers such as J.S. Bach, Corelli, and Vivaldi adopted this new style and created their own masterpieces out of it.
There are two types of concerti that were popular during the baroque Era: Solo Concerto and Concerto Grosso. The solo concerto includes one solo instrument set against an orchestra. An excellent example of the solo concerto is Vivaldi’s Four Seasons, a set of Violin Concertos. Sonority and virtuoso instrumentalists experimented a lot with the solo concerto. The violin was featured in the solo concerto more than any other instrument. A violin soloist would play something as the orchestra played against it. The common movement for the solo concerto is allegro, adagio, allegro (fast, then slow, then fast again.) Concerto grosso involves a small group of soloists and an orchestra. J.S. Bach’s six Brandenburg concertos fall under this category. This type of concerto is based on opposition
The Classical period of music has also been called the “Rococo” period. The Classical time period was between the 18th and 19th centuries. Spanning the years of 1750-1820. The transition from the Baroque period to the Classical took the music from polyphonic to homophonic where even though it seems like that would make the music less complex we look at a whole different type of complexity. The music typically contained two different melodies and a contrast in sections. This made the chords in the music much more defined and the tonal part of the music became more defined. The Classical period had a significant influence on several aspects of music. Chamber music had a sonata form. This means it had an exposition, a transition, and a recapitulation. Composition in the Classical time was mainly dominated by eclecticism which made the music more diverse. Concerto was driven at first by the Italians. They started the idea of the solo concerto. Orchestration was mainly developed during this musical time period. This is partly due to some of the most talented musicians that lived during this time. They did a lot of work in making the orchestra mainly string instruments. Some of these being the violin, viola, cello, and the contrabass, just to name a few. All of these things had a great influence in the way the music made the transition from the Baroque period to the Classical period.
The second concert I attended was performed by the Richardson Symphony Orchestra. The orchestra performed “Passacaglia and Fugue in C minor, BWV 582” by Bach, which is part of the Baroque era. The string instruments of the orchestra performed with the hair of the bow, in other words, arco (7). By using lots of motion or most commonly known as mosso (8), the orchestra increased the tension of the piece. The orchestra played at a pretty fast tempo (9), probably allegro. The piece had a distinct part where the harp played. The ensemble was large, in order to attain the full sound of the piece. The instruments played in the orchestra did not comply with the typical orchestras of the Baroque era because it did not have a distinct part where were the main instruments were the piano and the bass, or more commonly known as basso continuo (10).
The Baroque Era started in 1600 and lasted till 1750. Some of the famous composers from the Baroque Era include Monteverdi, Vivaldi, Handel, and JS Bach. Music in Baroque society became amusement for aristocrats, modern orchestra began to evolve, and the idea of opera are beginning to develop. In many Baroque pieces the use of a Basso Continuo, which is played by two instruments typically a keyboard and a member of the strings family was found in many pieces during this time. The Baroque period can be characterized with clear and distinct meter, repeated rhythmic patterns, homophonic texture, and terraced dynamics. The Baroque is also classified by its distinct genres including Fugue, Solo Concerto, and Cantata. The Ritornello form being introduced had an impact on Baroque music because it is outlined using harmonic progressions, key modulations, and motives from the main theme in order to give character to a piece.
15. What was a baroque orchestra like? As well as violins and woodwinds, the baroque orchestra contained continuo instruments such as the harpsichord and theorbo. The orchestra was generally small with a maximum of thirty people.
Music during the Baroque period was diverse and composers began to rebel against the styles that were popular during the Renaissance. In the Baroque era music was driven by the text and the emotions behind it. Vocal and sacred music developed greatly during the Baroque period. During the mid-17th century the Italian phenomenon opera dominated most of the theatres in Europe. Sacred music was deeply influenced by the opera, contributing to the development of the oratorio and cantata genre. The opera, oratorio, and cantata contain musical similarities; among all three genres they feature recitative, soloist orchestras, and duet arias.
Music of the baroque period was considered very complex and similar to the other forms of art of this time. Additional brass, woodwind and string instruments had been created to add additional depth to the works of this time. Composers of this time attempted to give voices to their works and invoke emotions. The works were created to tell a story.
The Baroque musical period occurred throughout Europe from 1600 to 1750. The compositions during this period had certain characteristics. Some of these characteristics included unity of mood, continuity of rhythm and melody, and most compositions, in the middle to late Baroque period, included polyphonic textures (Kamien, 2011). Many musicians, such as Johann Sebastian Bach and Arcangelo Corelli, thrived during this period. They composed hundreds to thousands of compositions in various different musical forms and each piece holds the characteristics of the Baroque period uniquely. This paper will review the
Since the Baroque era, the concerto has played a vital role in the music world. According to the Merriam Webster dictionary, a concerto is “a composition for one or more soloists and orchestra with three contrasting movements.” There are two main types: the concerto grosso and the classical concerto; both will be discussed later. While the term concerto is relatively easy to understand in context, when put into use the term becomes more complicated to define.
Music during the Baroque era was regarded as a powerful form of communication that could invoke any emotion in the audience members. This philosophical belief was derived from a revival of the ideas of the Greco-Roman culture. As a result of these ideas, composers believed that they could also affect their listeners through the power of melody, harmony, rhythm, and stylistic details. The emphasis on communication was reflected in the major styles and components that were used throughout Baroque compositions. Baroque music is characterized by the composers’ attention to detail, such as contrast in dynamics, ornamentation, and the emphasis on bass line. These characteristics of the Baroque era of music are reflected in Antonio Vivaldi’s compositions. Known as one of the most popular pieces in Baroque repertoire, Vivaldi’s The Four Seasons reveals how composers of the Baroque period used different techniques, such as ritornello and contrast, to invoke emotion through the powerful communication of music. The Four Seasons perfectly represents the Baroque period because of Vivaldi 's style, techniques, and theme.
The word concerto originated from the Italian word concertare, which means to join together. The concerto took on many different forms during the baroque era, and it wasn't until the late seventeenth century that the concerto took on its modern meaning; a piece of music that combined a solo instrument with orchestra or a group of soloists. It is usually composed in three parts, each movement distinguished by tempo changes. In the late sixteen hundreds composers gave rise to a this new form of orchestral music, which later became the most recognized and distinguished of all the other baroque genres. Such is a feature in the baroque era of turning old into something new so too the concerto was adapted into a new form. Similar was the vocal concerto,
The end of the 1600’s and beginning of the 1700’s marked the beginning of stylistic changes in Western music. As time progressed, the popularity of the Baroque styles of music was fading away. European society started to favor more natural and less intense art, which contradicted the typical flashy, over-the-top elements of the Baroque period. During this time of great stylistic change, the concerto, which was developed around 1680, became the most important type of Baroque instrumental music, and also established the orchestra as the leading instrumental ensemble. The instrumental concerto took the idea of the vocal concerto in bringing together two contrasting forces.
Baroque music is characterized through contrasts as dramatic elements, monody and the advent of the basso continuo, and different instrumental sounds. Contrast is an essential feature in the production of baroque arrangements. The alternations between bold and flamboyant and soft, solo and ensemble, different instruments and timbres all constitute a key portion in various baroque compositions. Composers similarly created more precise instrumental arrangements regularly stipulating the instruments on a musical piece that ought to be executed instead of allowing the performing musician to select.
First, in the baroque period vocal and instrumental music had the same importance, this allowed that the composers had a wide range in composition types. Some composers chosen more vocally style and others preferred the instrumental style, which generated an amount of balance in composition during this period. In addition, instruments were created with specific features to perform the baroque music, they presented a sound and form characteristic, they were built to sound full and rich, but in small-type-sized, mainly strings instruments. The bow and the technique to play this kind of music required a careful and distinct method which caused that its texture and timbre were unique and special for that era. The most representative instruments of baroque period were organ and harpsichord, however, in most of the compositions of this period strings, woodwinds and brass instruments were also used by the compositors, and these instruments were important for the baroque orchestra. Some instruments used in the baroque period were: violin, viola da gamba, lute, violoncello, oboe, bassoon and trumpet. Moreover, baroque orchestra was characterized as small number of instrumentalists, and it was form mainly by strings instruments with a few woodwinds and brass, which gave the colorful contrast in the orchestra, this was called chamber orchestra. On
The Baroque Period (1600-1750) was mainly a period of newly discovered ideas. From major new innovations in science, to vivid changes in geography, people were exploring more of the world around them. The music of the baroque period was just as extreme as the new changes. Newly recognized composers such as Bach, Handel, Vivaldi, and Monteverdi were writing entirely new musical ideas and giving a chance for new voices to be heard that were normally not thought of sounds. Their musical legacy is still recognized today, and is a treasured discovery of outstanding compositions being reiterated with every performance of them.
The baroque period of music commenced in the year 1600 and ended around 1750 (Fuller – “Baroque”). Its texture was mainly polyphonic (Fuller – “Classical”). Polyphonic means that two or more different melodies are played simultaneously (McComb). This provides an energetic rhythm, long melodies, and many ornaments. The most famous composers of this time period were Vivaldi, Corelli, Monteverdi, Purcell, Handel, J.S. Bach, and Couperin. Many new styles of music were introduced, such as operas, sonatas, oratorios, suites, fugues, and concertos. Orchestras began to develop, but it was not until the classical period when orchestral music was perfected (Fuller – “Baroque”).