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Why Did Baroque Concerto Changed During The Baroque Era

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The baroque concerto has proved to be a very formative aspect of classical music. Without the emergence of the concerto, music would not be as it is today. Concerto composers changed the way music was perceived and defied musical norms, introducing new and exciting patterns, sequences, and combinations.
Concertos have changed drastically throughout the years. What were deemed concertos during the baroque era, will not always qualify as a concerto by modern definition. A concerto was originally defined as multiple instruments or voices performing together, typically a piece combining voices and instruments often in larger numbers. The definition has since changed as the concerto has become a more distinguishable work. Today, concertos involve a soloist pitted against an orchestra or ensemble contrasting in movement. Contrast and unity were, ironically, both basic elements of the baroque concerto. The principal of the concerto was to unite two differing bodies of sound. The term Concerto is a derivative of the latin term “concertare” which translates as “to contend with.” The first composer to write a work designated as a concerto was Giuseppe Torelli.. Before they were appointed the term concerto, his early works were known as sonatas and sinfonias. From Torelli’s works of early concerto, inspiration arose. Composers such as J.S. Bach, Corelli, and Vivaldi adopted this new style and created their own masterpieces out of it.
There are two types of concerti that were popular during the baroque Era: Solo Concerto and Concerto Grosso. The solo concerto includes one solo instrument set against an orchestra. An excellent example of the solo concerto is Vivaldi’s Four Seasons, a set of Violin Concertos. Sonority and virtuoso instrumentalists experimented a lot with the solo concerto. The violin was featured in the solo concerto more than any other instrument. A violin soloist would play something as the orchestra played against it. The common movement for the solo concerto is allegro, adagio, allegro (fast, then slow, then fast again.) Concerto grosso involves a small group of soloists and an orchestra. J.S. Bach’s six Brandenburg concertos fall under this category. This type of concerto is based on opposition

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