Why Is Act 3 Scene 1 Important In Hamlet

“Hamlet” and “Twelfth Night” are two Shakespeare plays of complete opposites. Due to one being written as a tragedy, and the other as a comedy, many comparisons can be drawn between the two plays, on themes and motifs that develop throughout the plays. One of the themes that is easily recognisable in the early stages of both plays, is that of deceit and disguise. In “Hamlet”, we learn early on that Hamlet decides to act as a madman in order to try and weed out a confession from his uncle about the murder of his father. Although he does not actually reveal to any other characters his plan until Act 1 Scene 5, when he tells Horatio that he plans to “put an antic disposition on”, the audience can recognise very early that Hamlet is going to

Another interesting thing that happens at this part of the play is that the Player King unintentionally refers to Hamlet’s inaction:

The way that Shakespeare portrayed Hamlet’s soliloquy touches on a global issue of suicide. While Hamlet considers his suicidal thoughts it reveals inklings about his character. Hamlet’s soliloquy advances the tone of the play because of

In act 1 scene 2 of “Hamlet” the character Hamlet speaks his first soliloquy which reveals his innermost thoughts and feelings to the audience. In this soliloquy Hamlet’s unstable state of mind is evident as well as his feelings of despair about his father’s death and his disgust of his mother’s remarriage to his uncle Claudius. Hamlet’s hatred for his uncle is shown through harsh comparisons between Claudius and his late father. This soliloquy takes place after Claudius has begun his reign as king and has addressed the court for the first time but before Hamlet hears about the apparition that Horatio and the guards have seen. Hamlet’s character and personality are shown in this soliloquy through the use of classical imagery, diction and

Finally, in act 3, scene 2, we are shown the true nature of King Claudius.  The players enact the same scenario described to Hamlet by the ghost.  The King rises and calls for lights, showing the players, Hamlet, and the audience that what has just been acted has shocked him tremendously.

She means a lot to him, but now she has rejected him (by returning his

Rosencrantz and Guildenstern interrogate Hamlet about Polonius. Hamlet dosent answer their questions and says that they cant be trusted because they are working for the king and tells them that the body is somewhere where t isn’t just to mess with them. This scene shows how Hamlet dosent trust any of his former friends anymore due to paranoia and is now starting to get his revenge.

By so doing it was believed that the sins of the dead person would be

In Act 3 Hamlet finally decides that now is the time for action, he must betray both Claudius and Ophelia if he is to get anywhere. The first scene in act 3 includes Hamlet acting berzerk towards Ophelia while Claudius and Polonius watch from the shadows. In this scene the pride of Polonius is what will lead to his demise. Due to Polonius thinking so very highly of himself, he must get involved in the affairs of Hamlet and Ophelia. This ends up draws him into

At the end Act 3 Scene 2 of Hamlet, Hamlet speaks to himself before his meeting with his mother. Not knowing what the conversation is going to be about, he already decides to treat his mother harshly and not submit to her motherly charm. This soliloquy expresses Hamlet bitterness towards his mother while still wanting to respect her. He tells himself to go into the meeting with a cold-heart throughout his whole speech, but he also warns himself not to inflict violence on her. I believed that Hamlet anger towards his mother is more for her willingness to remarry quickly after his father's death than any speculation of her role in King Hamlet's murder.

Hamlet knows Claudius and Polonius’s plan to spy on him and Ophelia, so he seeks council with Heratio. Hamlet says, “Heratio good friend, I have a request for you” Heratio replies “Of course we are excellent friends, what is it that you wish my lord.” Hamlet goes on to tell Heratio about how he is being set up by the donkey king and the fish monger. Hamlet requests Heratio to go in place of himself, because he won’t be played like a fool. Hamlet gives Heratio a detailed script to specifically memorize to recite to Ophelia. While Heratio reports to Ophelia Hamlet will be unsuspectingly hiding from the second floor, waiting for the events to unfold.

At best, I believe that Act I, Scene II might be one of the most important parts of Hamlet. It prepares any reader with the character’s styling of Hamlet, its importance to the play, its characters, and the logical play on words to show the complexity of Shakespeare’s skills as a playwright. Though, it might be a bit of over-aggrandizing to say that the first Act and second scene could be so crucial. It set the tone of the play for many of the characters and their motives from Claudius, Gertrude, and Hamlet. The Act shows the true nature of many of the characters and where they stand in the apparent and the hidden stance. As the scene begins, we see Claudius come straight out as the antagonist, though not immediately. He (Claudius) begins to establish himself as King of Denmark but it is until Hamlet makes his appearance that we see some of Claudius’s attributes.

“O, that this too too sullied flesh would melt, Thaw and resolve itself into a dew, Or that the Everlasting had not fixed His canon 'gainst self-slaughter! O God, God, How weary, stale, flat, and unprofitable Seem to me all the uses of this world!” (Act 1 Scene 1, Hamlet) Hamlet’s idea of role-playing was truly important to Hamlet in the play, because it was his way of conducing revenge, for his father’s death. Hamlet acted deranging and irrational throughout the whole play, to cover up his capacity of killing Claudius, who was the killer of his father, King Hamlet. Hamlet’s actions of insaneness, led him to committing many mishaps in the play that completely disarranged his objective of obtaining revenge against Claudius. However, due to Hamlet’s exploitation in role-playing in the play, it precipitated him into temporizing and delaying his ability to obtain his revenge, which effected many characters along the way. Characters like Polonius, Ophelia, Laertes, Gertrude, and Claudius suffered dramatically throughout the whole play, because of Hamlet.

In Act III, scene I of Hamlet, by William Shakespeare, the thematic imagery, along with the symbolic use of syntax and diction that Shakespeare uses helps convey Hamlet’s state of mind as troubled and as having a painful view to life which, overall, is subtly expressed with weakness as he talked about death.

Hamlet is asking himself if it would be easier to endure a never-ending sleep, or to suffer; he asks who would tolerate the whips and scorns of time, the oppressor's wrong against us, the disrespect of proud men, the pain of rejected love, the proudness of authorities, and the advantage that the worst people take of the best when one could just release himself with a blade? Hamlet wonders who would carry this load, sweating and grunting under the burden of life if one did not have to dread of the after life. By Hamlet's in-depth thoughts of suicide, it is apparent that Hamlet is depressed and does not enjoy his life. "Repetition of words such as calamity, scorns, oppressor, despised, dread and weary emphasize the mental trauma he is portraying ("Passage analysis of Hamlet")." "Hamlet's speech contains obsessive concerns with suicide and death. His representation of himself as mentally unstable is an attempt to accomplish his super-objective of avoiding