Why Is Chemotherapy Important In Children

Dracula is one of the earliest and successful vampire novels in history, which is why Dracula is considered to be the traditional vampire. Beginning with the fact that Dracula must sleep during the day, otherwise he will weaken in sunlight. The first clue was Jonathan Harker’s thought, “I have not yet seen the Count in the daylight” (Bram Stoker, 49). His thought is later proved to be true when Harker sneaks into Dracula’s room and is said, “There in one of the great boxes, of which there were fifty in all, on a pile of newly dug earth, lay the Count” (50). The next being the obvious and most important is his consumption of blood. Another element is he is petrified of

Bram Stoker’s novel, Dracula, tells the story of a popular “monstrous” figure who is known throughout pop culture. It is the story of a vampire named Dracula. When thinking of vampires, the reader could automatically paint a picture in their mind of a frightening pale figure with sharp fangs who lurks in the shadows and is ready to feed on their next victim at any given moment. However, the reader will observe that this is not the case with Dracula. He is described as a tall, clean shaven, older man. Johnathan Harker notes his painted finger nails, and how he has observed Dracula doing tasks that a woman would typically do. So, if it is not about physical appearance, what makes Dracula monstrous? Dracula is described as monstrous because his actions and behaviors break societal norms. An example of this crude behavior would be when Dracula brings the brides an infant to feed upon. Stoker

To start off, the manner Arnold Friend and Dracula 's facial and physiological traits are described allow us to compare how monstrous they really are. The Count is said to be a tall thin old man with a shaved face, except for his heavy mustache. His face is a strong aquiline with a high bridge of the thin nose and peculiarly arched nostrils. Stoker notes that his ears are pale and pointed, his chin is broad and strong and his cheeks firm and thin. There is an insistence on Dracula 's mouth that is fixed and cruel-looking with sharp white teeth that protruded over his vital-looking lips. His eyebrows are massive, almost meeting over his nose and he has bushy hair that grows around his temples and his lofty domed forehead. Another element that is focused on in Stoker 's novel is the vampire 's extreme pallor. This description is not particularly frightening since we immediately know the character is a monster : he does not look human at all and is not hiding it. There is no place for

Bram stoker has used the technique of visual imagery to describe Dracula’s appearance because he was dark and suspicious The vampire looks this way because in 1897, during the Victorian era many english men and woman feared foreigners and all evil. Therefore, vampires are represented to be evil creatures from the devil, foreigners, dark and mysterious and look like a old

Dracula is a proud of his lineage. His blood is noble among gypies (criminals) but when placed in comparison to the elite of England, he is considered primitive, “…Dracula's criminality dominates over his noble blood: 'science' assimilates him to a lower type, associating him with animals and 'inferior' human groups” (McWhir 34).

According to one view, Dracula, in many ways, can be seen as a “metaphor for human evil.” A vampire’s devil-like characteristics creates a profile representing all the evil that can manifest in human beings. For instance, one common characteristic between vampires and evil humans is Ego-Centrism, when one’s ego acts like a “tyrant”. This kinds of person is self-centered and takes little interest in the desires or needs of others. Dracula illustrates a form of ego-centrism in that his ego is so high that he believes that there’s no spirt or higher authority that he needs to answer to other than himself. He believes that he’s perfect and judges the rest of the world according to his own standards. Another common characteristic between vampires and evil beings is their continuous hunger for power and need to be able to control others so that they can do them as they please. If vampires are an extension of humans, some people may ask how can vampires justify their actions and be able live with themselves after all the bad things they’ve done. The simple answer is they don’t. Vampires, as many evil humans are, tend to be in denial, lying to themselves about who they really are. They know that they would not be able to handle the guilt associated with their sins, such as murder and sucking the blood of others. Therefore, vampires disguise themselves to make themselves appear normal, in

To answer this question, I decided to look at three of the most influential pieces of vampire literature from the 19th century, including: John Polidori’s The Vampyre, Sheridan Le Fanu’s Carmilla and Bram Stoker’s Dracula. Firstly, I will examine and compare the portrayals of each antagonist in their text. I will then compare the literary and folkloric depictions of vampires to see how faithful the writers’ work is to the original lore, as well as identify the possible reasons behind any alterations made by the

Dracula According to our society’s definition, dark skin is associated with the fires of hell, and is a demonic symbol. Which connects with Dracula’s as always dressing up in black. Daniel Farson describes Dracula as, “clad in black from head to foot, with reddish eyes” (Farson). People with dark appearances and red eyes were associated with sins and hell, and in society people began to believe that individuals with dark appearances and red eyes were devils or monsters because they are different and outside the norm.

Bela Lugosi is arguably the most classic example of an actor taking on a vampire role. However, during 1931 when the universal studio was casting the 1931’s Dracula, Lugosi could only barely speak English, and therefore almost lost his chance at playing the iconic part (“Dracula (1931 English-Language Film”). Nonetheless his accents and costumes, which has become the classic look of the vampire, he himself was so typecast in his role that he was actually buried after his death in his Dracula costume. Certainly, it is Lugosi’s performance that makes Tod Browning’s film such an influential Hollywood picture. Overall, I will give it a 3 star out of 5, compared with the older version film of Dracula, because of the dialogues and sounds, the plot is much easier for the audiences to understand, without any editing or background music the horror of the film is not inferior to

Over the last decade, medicine has acknowledged the psychosocial impact of cancer treatments on patients, to the point that it has become a subject of psycho-medical research. Chemotherapy-induced alopecia (CIA) is a physical condition that can have profound psychosocial consequences, leading to a negative body image, lowered self-esteem, and a reduced sense of well-being. Patients, women who fear alopecia in particular, may sometimes refuse or select another treatment that lower the risk of baldness. In her testimony, Lori, a breast cancer patient, expresses a common feeling for women with cancer: “The worst part of this entire experience [cancer], is losing my hair [….] The chemotherapy would be so much easier if I had my own hair. I appreciate

Sleep in a coffin. An association with bats. Red eyes. Cold touch. Great strength. Possess a hypnotic power. Have the ability to transform into a variety of animals. They avoid garlic, sunlight, crosses and holy water. May need to sleep on their native soil. Acute night vision. Immortal The History Of Vampires Where The Name Originated The word 'Vampire' is thought to have come from No one is absolutly sure, though. Where The Myths About Vampires First Appeared And Why Where? The myth of the Vampire has popped up in many different cultures over the centuries and it has changed and developed over the years. There have been stories as far back as 600 BC about vampires in Ancient Greece, but most of the tales began in the late eighteenth century. "In China Tsze-Chan reported in the 'Tsachwen' the existence of vampires in 600 BC. This idea was also common in ancient Babylon and Assyria. Most vampire tales originated in Eastern Europe and Balkan countries, such as Albania, Greece, Hungary, and Romania. Why? No one is sure where the myths really first started, but doctors and scientists have discussed actual medical conditions that may have lead to the reason that it carried on. The old reasons that people were thought to be a Vampire are, in suspected corpses, if the body has: No odor, lack of rigor mortis, and an excessive amount of bloating. Internal organs of the 'vampire' are similar in appearance to that of a healthy, living

Blood sucking, shapeshifting, killer… These are just some of the myths attached to Count Dracula. Dracula is a vampire, and as we all know, vampires consume blood. In the novel, the author Bram Stoker never mentions how Dracula became a vampire (every other vampire was created off of Dracula), however Van Helsing thinks that he made a deal with the Devil and traded his mortality for that of a cursed soul in return for something else. A lot of myths are attached to Dracula, which is

Vampires have aroused a perennial fascination within humanity since their fictional materialization into history. However, it is over the course of the last century that these creatures have become an iconic symbol of mystifying horror and inexplicable desire. Recently, the vampire has undergone a significant reconstruction of physical appearance, behaviour, and surroundings, along with, extensive modifications to its super-natural disadvantages. These distinct character adaptations are imperative when considering two of the most notable vampires ever fashioned: Count Dracula and Edward Cullen. The dissimilarity between Bram Stoker’s 19th century, Count Dracula, and Stephenie Meyer’s 21st century, Edward Cullen, is a complex reflection of the contrasting societies from which these vampires emerged.

The characters in Dracula are very Gothic. Dracula is the most important antagonist in the novel. Dracula is a very if not the most interesting Gothic character ever created. He like all vampires casts no shadow and possesses no reflection. Dracula cannot die by the mere passing of time for he is

Cancer, one of the most feared words in our vocabulary of this time, especially in childhood (Druker 1). Most people when thinking of “childhood cancer” envision very young children, although a “Nation Institute of Health Policy concerning inclusion of children in clinical research defines children as being younger than twenty-one years of age while the Food and Drug Administration considers children to be fifteen years and younger” (Ries 158). That being said, most cancers incidence peak among children occurs during the first year of life (Gurney 149). Some of the most well-known nationwide childhood cancers are leukemia, brain cancer, and other central nervous system cancers (oeconline 1). In conjunction, “the side effects of treatment,