When I was eight years of age, my first drum instructor was Mr. Dowden. While I would utilize teachers who had far greater talent, he laid the foundation for competently reading and writing music. Where he did little to inspire my percussive style, he shined at inspiring my attitude towards the medium. “The band is a single living creature,” he said, “And you are the heart.” While this meant little to my disinterested young mind at the time, those twelve words’ value would reach a booming crescendo, and echo through my days.
Rhythm has become more important to me than almost the genre of the music I listen to. In effect, my most time consuming love affair with music is jazz. Jazz is not only kinetic, jazz is thermal. During the slower songs, I can almost feel the cold. The verses sing tunes of industry, innocence, love, luminosity, streetlights and serenity. The faster songs are warmer, even boiling. The music vibrates like heated particles. When I listen, I hear insomnia, intelligence, synecdochical synchronicity, and my own caffeinated franticness. It has been argued that all music has an intangible temperature to it, I cannot only hear it in Jazz, it’s almost like I can feel it in my lungs.
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Music is about the where, when, and why. Jazz rarely visits me unaccompanied. Jazz often gets me through long drives, work requiring intense focus, creative endeavors, and even writing this very essay. I have a divided interest in old and new jazz. Some of my favorite old artists are Isham Jones, Nat King Cole, Charlie Parker, and John Coltrane. Newer artists I enjoy include Gregory Porter, Twin Danger, and the incredible Kamasi Washington. One thing you will find these musicians share, is an exceptional rhythmic style. With or without percussion, there is no music without rhythm. When somebody makes music out of tune intentionally, it is considered to be avant-garde. But music without tempo is not music at
The jazz is a musical expression that was created it in Africa America and also it is Americas classical music, but first it started 20th century in Africa America. When the Jazz started in the United States, it started first New Orleans, so the Jazz in that time started to become American’s popular music. According to the article Jazz, “The 1950s saw the emergence of free jazz, which explored playing without regular meter, beat and formal structures”, so the free jazz was changing during that time because it was played different (Jazz). In the jazz has faster tempos and it is playing without formal and beat. The elements of the jazz have a steady beat, fast tempo, and polyphonic texture. In addition, the part of rhythm of the jazz is that
The music called Jazz was born sometime around 1895 in New Orleans. It combined elements of Ragtime, marching band music and Blues. What made Jazz such a different perspective of traditional music was its act of improvising. There was a widespread use of improvisation often by more than one player at a time. Songwriters would write the music down on a piece of paper, and then the Jazz musicians would try their best to play the music. Usually in a Jazz piece, musicians would use the song as a starting point to improvise around. Jazz musicians would play a familiar song to the audience, and by the time they were done with the piece they would stir up a totally different feeling away from the
In a marching band, the idea is to utilize copious amounts of micro-organisms and turn them into a singular macro-organism. However, our voices do not become lost in the cacophony of noise, simply strengthened and enforced by the foundation that each section provides to make the larger creation- a show. My understanding of myself became clearer as I learned to give myself to a larger cause without losing myself among the chaos.
It is during monotonous afternoons in the sweltering heat where one discovers the true limitations of his or her resolve. Remarkably, our exuberant group of approximately 160 members repeatedly managed to accomplish a new feat and set a precedent after every repetition. Much of this persistence I attribute to our band director, whose passion and resolution roused us to attain superior versions of ourselves. Often, he would remind us that “what was acceptable yesterday is not acceptable today”, a sample of his wisdom that prompted me to audition for the role of drum major. A drum major is essentially the foremost proprietor of student leadership within a marching band and he or she functions as a musical conductor during performances. Though I was not chosen at the conclusion of my freshman year, my commitment only intensified. I auditioned once more at the end of the following year and was selected. Suddenly, I was thrust into a renowned position of liability. My success depended on effectively communicating with individuals unfamiliar to me on a daily basis and defusing stiff situations. Stressful and tedious as I have discovered the role to be, it has bolstered my confidence and allowed me to acknowledge the mantle of leadership in a new
Jazz has always been a part of the American tradition. Some may say they like Jazz for its rhythmic twist and turns. Others may love the soothing melodies from an improved Trumpet solo. All in all, Jazz has been an American staple and has molded today’s popular music, into what it is today. It’s very different from classical music, which is written out and strict. Jazz is much more. It’s made up of spontaneity and improvisation, which makes up an idea on the spot. There are many wide varieties in Jazz. There is Bebop Jazz, Avante Garde Jazz, Acid Jazz, Free Funk Jazz, Soul Jazz, Swing Jazz, and many, many more! These forms of Jazz can be seen and heard in some of your favorite music of Today. It’s been widely used by the world. There is an important reason as to why this genre contributes to the growing of music. We first take a look into the root of all Jazz. In the late 1800’s and early 1900’s, the country of Africa was the first known country to use rhythm primarily for the element of musical expression, and ensembles composed entirely of percussion instruments created extended polyrhythmic works. These polyrhythms, which means the “layering of multiple rhythms.”, were record in Western music. African music did not use paper, or sheet music. Instead, they relied on Aural rituals, learned by ear and also used” spontaneity, which is later said to be known as improvisation”. In Africa, most of the music that was expressed was for religious
As I sat down in a room with my favorite drummer, Rhett Noland, I had pre existing thoughts I would learn new drum skills, hear about tour life, and get advice about performing. Instead, all those things were blown out the window. What I aquired from this classroom was more important to me than any rudiment or drum fill, or any advice someone else could have given me. What I learned in this classroom in a sense “woke me up” and gave me a realization about what I am here on Earth for. Rhett told me about how he used to be an alcoholic. How he used to not even be able to go to work without a drink. How destructive drinking was. How miserable he was. There was a paradigm shift in the room immediately after he told us that now, he had been sober for 23 months.
For as long as mankind has walked on this earth, music has been an important part of our culture and lifestyles. Each walk of life beats to a different drum. Different cultures use music for many aspects of their lives; for religious purposes, for celebrations, for comfort, for sorrow, for relaxation, for sports, for dances, for energy, for learning, for sleeping, and for sexual experiences. Everyone uses music for something. Music connects with people and reaches them in ways that words simply cannot. Music is a representation of what feelings sound like. It expresses emotion and brings that characteristic out from within us; it tells us a story. Every generation has its’ own sound and different music styles have emerged and become
During the early 1900’s, a new style of music began to take shape in the colorful city of New Orleans. People from all over the world came to exchange stories, conversation, and music. Although it is a very hard genre of music to define, it is said that Jazz is the combination of European and African music that was brought in via the ports. With mostly an African American population, the musicians shared their music in Storyville - a cultural melting pot, and began to spread the “New Orleans Sound”. They contributed to what would soon be known as Jazz in 1917. The spontaneous nature of Jazz’s syncopation and sound makes it a very humanistic style of music and makes every performance original. Every day we improvise, whether it is in conversation or spur of the moment decisions. These truly unique elements caused Jazz to become a symbol of America, and changed music forever.
When Chad Smith graduated high school in 1980, he encountered one of his most important musical experiences. Chad Smith was invited to start drumming with a band. The band was named ‘Pharaoh’ and it was a hit band around the year 1981. When he started playing with this band, Chad Smith met the band’s percussionist, Larry Fratangelo. With this experience, Chad’s drumming was increasing dramatically. “I think up until then, I was a drummer. Once I studied with Larry, I turned into a
Sam Ortega, a junior here at Chino Hills High School, is a kind and hardworking student. While most kids feel uncertain about what they want from their future, Sam has a clear idea of where he sees himself and is working towards those goals even at sixteen years old. Being involved in activities on campus mirror his future goals. His role of co-Art Director of LGBT+ Club is preparing him to one-day work at an LGBT+ Youth Center, where he hopes to empower and protect LGBT+ youth. Sam is also a part of our world record holding Drumline, and over the years he has grown so much as a percussionist. He began Drumline in 8th grade, playing bells. He went on to play auxiliary as a sophomore, and timpani this year. Sam's love for music drives him, even
Music is and has been an inconceivably paramount piece of black culture, when concentrating on any kind of black music it is all that much an investigation into the back mind. Music has been a piece of the black cultural scene going over to slavery. Despite the fact that Jazz music is cherished and performed by individuals of each national background, in America, the groundbreaker, pioneer and innovator in every venture forward of Jazz has been the Negro. Unequivocally in light of the fact that the black culture talks so effectively in Jazz, it has gotten to be adored and respected everywhere. Between the two, there is no division of consecrated, secular, music, vocals, or instruments.
Our cultures are what makes us who we are today, and one of the biggest things culture has provided us with is music.With the help of venues, artists, and schools jazz music is becoming a more popular genre. Jazz was once a popular way to express yourself and it greatly impacted many cultures. It also has greatly impacted the music we listen to today. There is an infinite amount of music genres, and jazz music is a very crucial one to our history.
Cool Jazz originated in the late 1940 's. It was created from the mix of classical music and jazz music. Miles Davis is known as the creator of cool jazz and his most important album was "Birth of Cool". People also say that cool jazz was a smoother style of bebop. The rhythm of cool jazz is more of a melodic flow. Cool jazz also originated in New York
The mystery of Jazz and its powerful impact on the music community can be explained largely by the context of it’s creation. Jazz was born in the United States, and because of this, many have referred to Jazz as “America’s music.” Like America, Jazz has a balance between structure and spontaneity. It capitalizes on the fluidity of the musicians, having several different instruments with independent spirits, coming together as one to form a great piece of music. Unlike other styles of music, Jazz has a certain way about it that makes it stand-alone in the world of genres. It improvises, moves, and transforms itself in a moment’s notice based on the musician’s intuition. Just as America harbors democracy, so too does a jazz ensemble, showing both the responsibility to a larger group, yet still allowing room for individual freedom. It all comes down to how well others can respect the overall framework and structure of the jingle.
gangs and hipsters and those who just pretend. It has been about 75 years since