William Carlos Williams 's The Twentieth Century

Not only is he the most nominated living individual in the history of the Academy Awards (with 49 nominations), but he is also the third most-nominated person in Hollywood History, second only to Metro Goldwyn Mayer (62) Walt Disney (59). In his credentials he holds five Academy Awards, seven British Academy Film Awards, 22 Grammy Awards, and 4 Golden Globe Awards. Considering that obtaining a single nomination for any of the aforementioned awards is remarkable in itself, this astounding number is truly

Poetry as a literally work in which the expression of ideas and feelings is given strength has had great authors overtime who took different perspectives in this genre of literature. These poets used distinctive rhythm and style to express their styles, poetic themes, outlook on life, and had their share of influence on the American society. This paper uses the basis of these styles, themes, outlook on life and subsequent influence on the American society to compare three prolific poets who ventured into this literature genre: Robert Frost, Mary Oliver, and Maya Angelou. Robert Frost (1874-1963) holds a unique and almost sole position in the career span which mostly encompasses

The roaring 20’s was an astounding time in the history of the United States of America. Many authors published novels, poems, and other works of literature to show their readers what it would be like to experience this time frame. Some examples of these works include The Great Gatsby by F. Scott Fitzgerald and “Harlem” by Langston Hughes. Both of these pieces of literature include literary elements to appeal to the reader’s senses and imagination. A prevalent theme that has been found in works of the roaring 20’s is the wealth that someone may or may not achieve. Literary elements such as figurative language, irony, and symbolism are profound in both The Great Gatsby and “Harlem”, adding depth to both literature works.

William Carlos Williams was from Rutherford, New Jersey, born in 1883. By trade, he was both a doctor and writer. Williams published poetry, novels, and essays in small magazines. Williams started as an imagist movement poet, “which emphasized simplicity, clarity of expression, and precision through the use of exacting visual images” (poets.org). He later began to write more about the life of everyday people. His poem, “The Widow’s Lament in Springtime” follows this writing style.

During the 20th century, the people of America had to adjust to new desires, lifestyles, and the new materialistic economy. After entering World War I, the aftermath included false positives that in the end, turned out to be complete negatives. Citizens of America possessed materialistic beliefs that led to disappointments. African Americans were confronted by atrocious social conditions. The frustrations faced by many Americans living in the 1920s, included the desires for materialistic possessions in hopes of contentment, the aspirations for freedom and the dignified need for racial equality, are all elucidated in F. Scott Fitzgerald’s short story, “Winter Dreams”, and both poems, “Democracy” by Langston Hughes and “The White House” by Claude Mckay.

One such author, poet Langston Hughes, wrote “Let America Be America Again.” Hughes is known for his portrayal of the African American life in America during the early to mid 1900’s. Hughes was born in 1902 in Missouri where his parents divorced when he was a young child. He was raised by his grandmother until his teenage years before he moved to live with his mother and her new husband. He was a college graduate from Lincoln University and was an award winning novelist. Another author, Edward McClelland, we don’t learn as much about. We know he grew up in an auto making town in the 1970s, a time during which middle-class America was strong and prosperous. McClelland tells us his ideology through personal experience, examples, and the use of some statistics. With our last author, meet D. Watkins, a college professor who has a master’s degree in education from John Hopkins University and an MFA in creative writing from the University of Baltimore. (3) We

The 1920s is often stereotyped as the “Golden Twenties”, “Jazz Age”, and the “Roaring Twenties”. This was because the 1920s glorified and fantasized this era as being a wonderful time of excitement. During this time, there was also dramaturgic divide between the America’s pastime, and future. The nineteenth century, before World War I remained rooted culturally, without alteration. With the rise of the next generation, America seemed to disconnect its current attachment to the past, and guide into a more modern age. The divide between innovation and tradition created extreme contradictions as it switched over to urbanism and modernism (Zeitz). The 1920s also showed the economic boom from post World War I, the great migration of African American’s from the South to search for opportunity, and racial violence with the rise of the KKK.

The materialistic nature during the twenties was everywhere. Some Americans embraced it and some attacked it. For President Calvin Coolidge and his followers it was embraced: “Sharing so visibly in the wealth of society, more and more Americans came to feel that the booming Coolidge economy was working for them”(Nash 379). The wealthy nation satisfied materialistic Americans and Coolidge became a prominent leader. For American writers, materialism was attacked and “they questioned the society that placed more importance on money and material goods…”(Nash 390). Leading to their fame in literature, the writers who were concerned with American materialism moved to Europe. Materialism lead to prominence in 1920s America just as it did in The Great Gatsby. Gatsby’s prominence is an aspect of how Americans used materialism in the 1920s. One way materialism is shown is through fashion.

During early 20th century, American writers were influenced by the changing world of industrialization and globalization. The horrors and World War 1 and the invention of new technologies had people questioning the future of humanity. Writers and journalist used this time to voice their views and experiences during these troubling times. Henry Louis Mencken is well-known writer who had a powerful influence on America’s writing style during the 1920s. His writing style was known for it’s wit, and harsh criticism towards American social and cultural weaknesses. His essay “The Libido for the Ugly” sends the message to the reader that America needs to change its way of living because they are too content with their current ugly lifestyle.

American society is known for having the highest standard of living across the globe; this is solely due to the consumerist culture that is brought forth by capitalism. Americans in the U.S. take pride in these standards and in the freedoms that this democratic nation has established. The 20th century will always be remembered in American history as a century of radical changes on the social and political fronts of the nation. Literature, too, evolved quickly from specific, compartmentalized fields which fit into categories, to works which had no set definition—nobody knew what to do with them. These changes also took place in poetry; artistic expression began to change across the arts and so did the mediums. Poets across the nation

In the poem “America” penned by Claude McKay in 1921, the speaker explains that even though America seems to be sucking the life out of him, and hates him, he still loves the country as it plunges itself towards certain death. The 1920’s were a very exciting time but also full of struggles. The recent invention of the automobile and subsequent lack of paved roads are a good example of an excitement and struggle, these struggles and excitements could help us determine the meaning of McKay’s interpretation of America. He sites many examples and gives his thoughts about American society, like how it treats its citizens, how it acts, and its dismal future. So, what does this poem mean when you discuss the life of an average 1920’s American?

T.S. Eliot and Melvin Tolson use their poems, which reference political norms and utilize a diverse set of diction, in order to purvey socio-economic paradigms of the time period in which each author lived, which in turn, gave the audience a look into their lives. These two authors actively tried to change their environments by satirizing these paradigms and drawing attention to them in order to bring

If one listens closely, they can hear America’s song. The words, like thunder, comprise the groans of the slave, the cheers of the free, and the unmistakable sounds of the brave. The music rings out as clear as day; it is composed by the growing children and the dying men. Walt Whitman and Langston Hughes captured the essence of these songs in their respective works, “I Hear America Singing” and “I, Too, Sing America.” The first describes the melodies of a working nation, the “the wood-cutter’s song” and the “delicious singing of the mother” (Whitman 7-8). The quiet musings of a young African American make up the latter; it is a hymn of hushed hope for tomorrow. Although the two poems stand alone, both Whitman’s and Hughes's works powerfully capture the song of America through the sense of pride found in each piece, the uses of different literary elements, and their individual views of the nation.

European Modernism and American Modernism, while sharing broadly similar characteristics, engage in different projects. In Europe, T.S. Eliot and Ezra Pound found potential solutions in Conservatism (involving Eliot’s concern with tradition) and new modes of organic social organization (represented by Pound’s acceptance of Fascism). The Dadaists and Italian Futurists adopted a subversive and negative eye towards the present in desire for the future. Abstract artists and atonal composers were examining ways to represent a search for truth in a way that overcame the bourgeois art and music of the past. In America, life was dominated by an explosion of wealth and prosperity in the wake of World War I. In some instances, soldiers and citizens became expatriates. Hemingway and Fitzgerald stand out as representatives of two parts of American Modernism. Fitzgerald focuses on life in the United States in all of its excess and search for deeper connection amid vapidity. Hemingway shows the life of the post-war American who is aware of the change in the world and strives for enjoyment and direction in activities like bull fighting, hunting, love, and drinking.

At the turn of the century many things were happening that would affect America in ways that would have never been expected. The 1900-1940 era would have truly been an exciting time to live in. Over these four decades Americans would face some of the