William Merritt Chase In The Studio Analysis

The largest downfall in the lives a century ago was the spanish flu that started during the november of 1918. It infected one in every five people of u.s during the calamity and took the lives of 675,000 people, close to 10 times as many lives as from ww1, leaving a deep wound on to the history of U.S. the next difficulties faced by the people of U.S was their work difficulties. 85% of adult men were working for labors in many factories for an average of 55 hours a week. And they were not working in good A.C conditions. Instead their fatality rate at work was 30 times higher than present day. And you would think that they would get a bad for it right? Indeed they did get a bad pay for it. They had to spend half of their pay for feeding themselves.yeah. It was not good. Now unlike men who had to work hard, women were treated differently coz women.. Working… let's move on…. Ok im not being a feminist. Contrary to popular belief, i treat women and men equally.. Coz i beat people no matter their what their gender is. Next up is Art…. the tool to find yourself and lose yourself at the same time. Now there is only one thing i want to talk about in art and that is the rise in expressionism, or like I call it, the start of a disaster.*rage*. If there is one thing the future generation will make fun of, it is the fact that people buy these. Let's get to the conclusion before i kill all the expressionists in the world*tear the paper.*. In

-In the 1700’s a new middle class emerged. Mass print became a thing as well. Every day people started to purchase art works to display in their homes. It was a way for them to express their status and national patriotism. The diversity in patrons had a great impact on the arts of the 15th – 18th centuries. With new patrons and the demand for art work, artists were able to capture more than just religious scenes. They were able to create landscapes and everyday life in their work. Artists were commissioned by the new middle class to create art work that they were able to hang in their houses. For instance, artist Joseph Wright of Derby’s painting “A Philosopher Giving a Lecture at the Orrey (1765).”

(2005). In D. Bjelajac, American Art: A Cultural History (pp. 37-129). Upper Saddle River: Prentice Hall, Inc.

There are several historical, economic, and cultural events that caused the people of this time to look at life in a new way, and thus, art to be

5. Visual Art Expressionism art spread throughout America in the 1890s. “The objective of the art movement was to present the world solely from a subjective perspective or emotional experience rather than physical reality” (The Art History Contributors). Artists like Alfred Henry Maurer and Arthur Dove accomplished this aim through vivid, violent, and dynamic applications (The Art History

Art by its nature is a subject of the philosophical, social, economic, political or religious context surrounding its creator. More often than not, a work of art addresses a specific topic or somewhat revolves around a particular person. Therefore, it is impossible to separate the context of a piece of painting, either historical or cultural, to its intrinsic value or the artwork's meaning. On the other hand, different cultures and time utilized specific conventions that govern the representation of objects of creativity. This essay highlights various pieces of art and their relationship to particular cultural, political, economic, or social settings. Moreover, it pinpoints how different times influence art presentation.

Overall, the ideologies discussed within the articles Written In Blood: 20th Century Art by Stephanie Dudek and Estrangement As A Motif In Modern Painting by John Adkins Richardson address similarities and differences from various standpoints. Modernistic ideologies towards social, cultural and technological changes of the 20th century are demonstrated in both articles. The article by Stephanie Dudek emphasizes on the employment of radical and transgressive values by modern artists within their work to target cultural, and artistic principles that have persisted over many generations leading to a transformation within the subject of art (Dudek 105). Furthermore, modern art set out to obtain new visions of reality as witnessed within the Cubist

Many times in society, life is sometimes influenced by art and during other times art is imitated by life. Art being able to imitate life means that the brush strokes of a painter or the innovative ideas of an architect are influenced by the world around him or her. During the years of 1900-1917 the United States was going through a number of changes. These changes helped to indentify the period as the Reformation Era. During the Reformation era the United States was becoming reshaped politically, economically, socially, and culturally. Painters such as George Benjamin Luks used pastel colors to paint pictures of a newly reformed society. In his painting Hester Street revealed a New York City that was accepting to Jewish culture and lifestyles (Figure 1) . Other pictures painted during the Progressive Era depicted more areas of city life, sports, different ethnic groups and culture. The life that was present in many of these painting showed a country that valued women, minorities, and individuality.

In the early 20th century the United States was rapidly industrializing. There were many changes including political, economic, cultural and social changes. All of these changes set the stage for artistic movements. Norman Perceval Rockwell was a famous and well-known author, painter, and illustrator in his era. His drawings depicted the simplicity and nobility of American life and culture even in tough times like World War II.

In the United States, the Arts and Crafts Movement took on a distinctively more bourgeois flavor. While the European movement tried to recreate the virtuous world of craft labor that was being destroyed by industrialization, Americans tried to establish a new source of virtue to replace heroic craft production: the tasteful middle-class home. They thought that the simple but refined aesthetics of Arts and Crafts decorative arts would ennoble the new experience of industrial consumerism, making individuals more rational and society more harmonious. In short, the American Arts and Crafts Movement was the aesthetic counterpart of its contemporary political movement: Progressivism.

Distancing itself from fantasy and focusing on the time at hand, American Realism presented a new breakthrough; introducing modernism and what it means to be in the present. The subject of art in America also changed by the beginning of the 20th century. Images of urban life replaced rural landscapes and nature, as a greater amount of the American population moved to cities (“Edward Hopper”).

The American public reacted to the 1913 Armory Show in New York as a complete failure at first however, with time it became completely the opposite. This created a big crowd that wanted to see what all this art was about (87,000 people). The newspaper reacted with exaggerated disgust. However this created that potential buyers paid close attention to the art. For a while it was a shocking revelation to Americans in general, but soon many assimilate these styles as something that already was being done in Europe, from artists like Picasso or Stieglitz with gallery 291. This just open doors to other artist to adopt the same loose type of

Impressionism art can be considered the first distinctly modern movement in painting, it was developed in Paris in the 1860’s but wasn’t first exhibited until 1874. Impressionist art turned away from the fine finish and detail that artist during the same time aspired to create. Impressionist captured or at least tried to capture momentary, and sensory effect of a scene. Impressionist didn’t rely heavily on realistic depictions of an object or scene, they loosed the brushwork and lightened their palettes to include intense pure colors. They didn’t follow the traditional linear perspective and clarity that previous art forms depicted to lesser ones. Many critics during the time faulted the impressionist paintings because of that

He characterises the store as a microcosm of the societal and economical changes that was taking place in the larger bourgeoise culture of France. The Ladies Paradise, the fictional department store is just a cog in the mechanism of capitalism’s ruthless efficiency, it does not care about it’s consumers personal satisfaction, rather it is only concerned about making a profit. As the concept of the department is seen as the origin of fashion consumerism, Mouret employs marketing techniques to create spontaneous desire by playing with his customers senses, particularly the sense of sight. The first thing they see when they walk into the illuminated store is the window display. In an attempt to appeal to their femininity he throws brightly coloured scarves in mounting displays in front of the store.

During the early twentieth century, art education was seen as unproductive and more often not cost effective. However, in the 1950’s opinions about art education made a drastic change as Americans craved more self-expression. Art education began to flourish as the importance of art involvement became known (DeHoyas).