William Shakespeare 's ' Othello '

Iago also has a fixed mindset. His whole plan to destroy Othello started because Othello appointed Cassio lieutenant instead of him. He believes he is too good and too experienced to simply be Othello’s ensign, he believes he deserves to be lieutenant. In Mindset: The New Psychology of Success, author Carol Dweck says, “If you only have a certain amount of intelligence, a certain personality, and a certain moral character - well, then you’d better prove that you have a healthy dose of them.” Iago is basically trying to “prove” himself throughout the whole play. People with a fixed mindset feel that they’re stuck on whatever level of intelligence they’re born on. In Iago’s mind, he’s stuck on the level of being a lieutenant, and spends the entire play trying to prove that he deserves to be lieutenant over Cassio. He doesn’t accept the fact that he didn’t get the position and instead of trying harder to get a better position, he tries to destroy his competition.

In William Shakespeare’s Othello, Othello is the tragic hero. He is a character of high stature who is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single villain, but is rather a consequence of a wide range of feelings, judgments and misjudgments, and attempts for personal justification exhibited by the characters. Othello is first shown as a hero of war and a man of great pride and courage. As the play continues, his character begins to deteriorate and become less noble. Chronologically through the play, Othello’s character

By the middle of the play Othello’s mood and demeanor seem to shift from being peaceful and patient to very anxious, paranoid, and gullible. For example when Othello is talking to Iago and Iago suggests that maybe his wife is not being faithful to him, it becomes Othello’s obsession to get down to the bottom of it and catch her. “I have been talking with your suitor here, a man that languishes in your displeasure / Who is’t you mean / Why, your lieutenant, Cassio. Good my lord” (III.iii.41-43). In this dialog between Othello and Iago, with just two sentences Iago causes Othello to lose trust in his wife and believe she is being unfaithful to him which grows stronger and stronger each scene of the play. Because Iago is extremely cunning and manipulative, he is able to control almost anyone he chooses and he is in control of Othello’s emotions because he knows the things Othello fears. Iago is pretending to be Othello’s friend but secretively is going behind his back and bringing him down. Iago convinces Othello that Cassio is having an affair with Desdemona. “I humbly do beseech

Othello, not knowing that Cassio was in fact speaking with Desdemona in hopes of being reinstated as Lieutenant, mistakenly believes that the two are having an affair and that Desdemona has lost her chastity. Iago skillfully capitalizes on the situation by developing his attack further: "She did deceive her father, marrying you" (3.3.220). Othello begins to see Iago's reasoning: if she could deceive her father, she could just as easily deceive her new husband. Once Othello's bliss has been decimated, Iago concentrates on weakening Othello's perception of himself; Iago very carefully and very tactfully chooses words and metaphors that subconsciously pit Othello against the Venetians. Othello begins to perceive himself as an outsider in his own country, "a malignant and turbaned Turk" (5.2.365). A fruitful marriage with a Venetian woman becomes out of the question in Othello's mind. Iago's successful manipulation takes a self-confidant man and reduces him to one at ends with himself and with the woman he loved.

A society consists of diverse cultures, looks, values, and beliefs. In a world with one predominant culture, those perceived as different from the norm are associated with negative images and treated inferior to the superior culture. The negative images associated with color, specifically blackness, has a detrimental effect on the victims who are racially stereotyped. The character Othello is a unique character in English literature, because unlike the other members of society, Othello is an outsider in Venice. He is a black man living in a white world, married to a white woman, and a leader of white men in battle. Othello is persuaded that his wife, Desdemona, is cheating on him, leading him to murder her. Some argue that because Othello was the typical black stereotype he killed Desdemona, but evidence suggests that Othello viewed his own racial identity as undesirable for Desdemona and killed her out of honor and self-hatred. Henceforth, the long-term psychological effects of racism affects an individual’s self-identity and his or her relationship with others.

William Shakespeare’s 16th century play Othello is a duplicitous and fraudulent tale set alternatingly between Venice in act 1, and the island of Cyprus thereafter. The play follows the scandalous marriage between protagonist Othello, a Christian moore and the general of the army of Venice, and Desdemona, a respected and intelligent woman who also happens to be the daughter of the Venetian Senator Brabantio. Shakespeare undoubtedly positions the marriage to be viewed as heroic and noble, despite Othello’s hamartia and subsequent downfall that inevitably occurs. Their marriage is then sabotaged by the jealous Iago, Othello’s ensign and villain of the play. While Iago’s ostensible justification for instigating Othello’s demise was his failure to acquire Othello’s position as lieutenant, Iago’s motives are rarely directly articulated and seem to derive from an obsessive, almost aesthetic pleasure in manipulation and destruction. Through the genre of the play, being a Shakespearean tragedy, and the structural devices employed by Shakespeare such as plot development, exposition, foreshadowing, dénouement, dramatic excitement, and catharsis, the key ideas of jealousy, appearance vs. reality and pride are developed and explored.

In Shakespeare’s Othello, the nominal character, an honorable Venetian general, is driven to madness through the deceptions of his honest right hand Iago. Iago plots to ruin Othello and through his deception, he drives Othello’s insecurities by implanting the idea of infidelity of his beloved wife Desdemona. Othello goes on to murder his wife, and after he discovers Iago’s plot, he kills himself. In a time when women were looked down upon, Shakespeare crafted a drama in which women took part in major roles. Modeled by Elizabethan England the women in Othello were portrayed in a light justified by society as in Othello, these women were nothing more to than objectified possessions, forced to submit to the ever dying will of their husbands. This is displayed by Desdemona and Emilia’s and relationships with their husbands.

William Shakespeare’s play, The Tragedy of Othello: The Moor of Venice presents a man who is undone by his own insecurities, as well as strong female characters who lead to the downfall of the men. The character of Othello allows others to control how he feels and this leads to a tragedy that could have been prevented. The source of this tragedy comes from within himself. His character is completely wrapped up in his wife Desdemona’s character and interestingly enough, as soon as her character starts to decline from the words of Iago, so does Othello’s. Unable to stand on his own, Othello is more concerned with outwardly appearances than Desdemona. He puts more pressure on her, than he does himself in regards to his character and how he

Iago, being remarkably wise, understood this, explaining to Roderigo: “If the balance of our lives had not one scale of reason to poise another of sensuality, the blood and baseness of our natures would conduct us to most preposterous conclusions” (Shakespeare 1.3.322-25). People require balance in their life in order to maintain stability, and therefore maintain their sanity. In the same way balance provides structure in one’s life, imbalance can also bring about one’s undoing. Iago was not traditionally at the apex of power in the Elizabethan triangle of power, but every character was still a pawn in his scheme. His manipulation over each character truly put him as the most powerful character, at least until his true intentions were later revealed. Iago deliberately offset the balance in Othello’s life, and manipulated his jealousy in such a way that allowed him to succeed in all that he had planned. His plan would not have otherwise come to fruition had Othello not allowed his emotion to overpower his logic. Iago was able to simultaneously accomplish every goal in exploiting Othello’s jealousy. Iago painted Cassio, the lieutenant, to be Desdemona’s lover behind Othello’s back. In doing this, he won Othello’s trust, ruined Desdemona and Othello’s relationship, as per Roderigo’s payment to him, and eventually became named lieutenant after Cassio’s demotion. Being the cunning manipulator ultimately brought Iago was success in

"Othello is set in a world and focuses on the passions and personalities of its major figures." (Thomas). Othello is a tragedy by William Shakespeare. The work revolves around four central characters: Othello, Othello's wife Desdemona, his lieutenant Cassio and advisor Iago. The play appeared in seven editors between 1622 and 1705. The themes of the story are racism, love, jealousy, and betrayal. Othello is a black soldier who is accused of stealing his wife Desdemona. Although Desdemona's father dislikes his daughter's choice, Desdemona loves Othello very much and the two are married. Othello’s right hand man is angered at the fact that Othello picked a man named Cassio to be more important than him and he also feels that he is messing with his wife. Iago plans to manipulate Othello but his plan eventually causes more hurt to most of the characters. Iago tries to use the meeting between Cassio and Desdemona as a way to make Othello believe she was cheating on him. Iago goes on with his manipulative plan by planting a handkerchief in Cassio's room, and goes and tell Othello about what he has seen Cassio do. Othello becomes jealous throughout the story and begins to believe that Cassio is talking to his wife. Iago persuades Othello to come up with a master plan to kill Cassio and Desdemona. As Othello tries to kill Desdemona, Emilia, Iago's wife, comes in to tell Othello the truth about Iago. Unfortunately it is too late. Othello had already suffocated her. When Othello

Othello is the protagonist of the story, he is married to Desdemona and is general of the army in Venice. Othello has a growth and fixed mindset simply because if he falls he’ll try again to do better. Othello shows having a

In the Shakespeare play Othello, Othello is looking for ocular proof that his wife is cheating on him. “Villain, be sure thou prove my love a whore, be sure of it. Give me the ocular proof Or by the worth of mine eternal soul Thou hadst been better have been born a dog than answer my waked wrath!”(3.3.369-373) In this quote Iago just told Othello that Desdemona was cheating on him with Cassio. Othello says he will kill Iago if he’s lying. Othello didn’t realize the entire play that “ocular proof” sometimes doesn’t mean its true. If he just talked to Desdemona this entire situation could have been avoided.

Iago, in Shakespeare's Othello, is a deceiving character because he tells lies in order to get what he wants. He interacts with people only to manipulate them, but most importantly he never reveals his true feelings or motives. Iago might say things that suggest what his motive is, but he soon contradicts himself with another suggestion making it extremely difficult to understand him. Although Iago's true motives cannot be determined, some motives could be jealousy, the enjoyment of seeing people suffer, or power. Iago's jealous of Othello and Cassio because he thinks that both of them slept with his wife, Emilia. In Iago's first soliloquy at the end of act 1, Iago says that Othello might have slept with his wife and even though this is a

CONFLICT IS INDISPENSABLE TO DRAMA. SHOW THAT HAMLET PRESENTS BOTH AN OUTWARD AND INWARD CONFLICT.

Initially, Othello is content as a general and has just married his lover Desdemona. In act two, Iago begins to plant seeds of doubt into Othello’s mind about Desdemona’s faithfulness to him. He does this by subtly influencing Othello’s thoughts through manipulation, like in act two, scene three when he asks the question “When you were wooing Desdemona, did Michael Cassio know about it?” These types of questions made doubt arise in Othello’s mind. His patience would thin when