William Wordsworth's Nuns Fret Not

Dunbar’s purpose for making the last sentence about Douglass ability to “guide the shivering bark” ( Dunbar line 12) is to give the reader a sense of repulsion, like his own repulsion and therefore encouraging the reader to change. The last sentence in Wordsworth’s poem, on the other hand, is used to praise John Milton. This leaves the reader with the impression that Milton was in fact a great man, and that we should strive in order to become more like the person. Even though they are written in different sentences, the fact that this is even mentioned at all suggests that man kind has become repulsive and although they are expressed in different manners, it is clear that the eventual goal of these speakers is to make the readers change.

Wordsworth uses bees in the Peak of Furness-fells to strengthen his point. The imagery used by Wordsworth depicts how vast the mountains are, “High as the highest Peak of Furness-fells, Will murmur by the hour of the foxglove bells” (79). The Peak of Furness-fells is a very large, open, mountain range in England. There is plenty of open space, so the bee can go anywhere it would like. However, it chooses the small foxglove bell. This is where the bee is happiest because it gives the bee the pollen that it needs. The bee will continue to return here because it has become comfortable with the foxglove bell.

Then, in the second half of the octave, he alters it with ACCA rather than a repetition of ABBA. In the closing sestet, he abandons any traditional rhyme scheme for the ending of DEFDFE. Over the course of the poem, the tone changes from quietly appreciative to reverent of nature and the focus switches from admiration of the view and its divinity to an appreciation of that same divinity in a young girl by Wordsworth’s side. Wordsworth shifts from “It is a beauteous evening, calm and free,” to “Thy nature is not therefore less divine:” (ll. 1, 11). This shift in tone and focus after the first octave is emphasized by the unpredictable rhyme scheme. The odd rhyme scheme also creates in the reader an understanding that, to Wordsworth, nature is not something that can be contained by any structure or format.

Wordsworth demonstrates his use of tone and syntax in the following stanza, “Continuous as the stars that shine And twinkle on the milky way, They stretched in never-ending line Along the margin of a bay: Ten thousand saw I at a glance, Tossing their heads in a sprightly dance.” The tone of the stanza is joyful because he is happy when he talks about how beautiful the daffodils are. This shows how his relationship with nature is positive since he is happy when watching the daffodils. Wordsworth uses traditional syntax in this stanza. He uses several phrases divided by commas to describe the daffodils and their movements. This gives the stanza a playful pace which again expresses that his relationship with nature is happy and

William Wordsworth existed in a time when society and its functions were beginning to rapidly pick up. The poem that he 'Composed a Few Miles Above Tintern Abbey, on Revisiting the Banks of the Wye', gave him a chance to reflect upon his quick paced life by taking a moment to slow down and absorb the beauty of nature that allows one to 'see into the life of things'; (line 49). Wordsworth's 'Tintern Abbey'; takes you on a series of emotional states by trying to sway 'readers and himself, that the loss of innocence and intensity over time is compensated by an accumulation of knowledge and insight.'; Wordsworth accomplishes to prove that although time was lost along with his innocence, he

William Wordsworth uses different groups of words in this poem to connect nature with human beings: the pattern of their

The second and final work I am critiquing is from a book entitled, ‘The Life of William Wordsworth: A Critical Biography’ written by John Worthen. I have selected a chapter which pairs nicely with article mentioned above. The chapter features both Wordsworth and Coleridge as well. However, it is not as critical as the article, it is more biographical and informational which is to be expected in a biography. The chapter focuses on the years 1806 to 1807. It begins with the mention of the death of Wordsworth’s brother, John. According to Worthen, this deeply effected Wordsworth and he had little success with the poetry he was writing during this time. Worthen then, points to ‘Elegiac Stanzas’ which confronts his late brother’s death, displays a new sense of reality, and again redeems him as a poet. Worthen states, “The poem makes the narrator 's youthful state of ecstatic, thoughtless love for the natural world — ‘of lasting ease, / Elysian quiet, without toil or strife’ — utterly unreal, in contrast with the realities of life as he now knows them. A ‘fond delusion of my heart’ he calls that old love, ‘to be pitied’ not believed in” (328). The author implies that the death of his brother drastically changed his worldview. The bleak reality of a world without his brother led to Wordsworth becoming more mature and wise after experiencing loss. The author then shifts to discussing ‘Tintern Abbey’ and his reflections during a time of youth. I believe that the author mentions the

It also gives a reference to 'God', which immediately gives the poem a more heavenly and important meaning. This isn't to say Wordsworth does not use any devices to help deliver his thoughts to the reader. He uses personification a lot throughout the poem, 'in his first splendour,' is a good illustration of this. It also mentions that it 'houses seem asleep And all that mighty heart is lying still!' which suggest this image that London isn't an industrial and mechanical city, but is

Unlike society, Wordsworth does not see nature as a commodity. The verse "Little we see in Nature that is ours" (3), shows that coexisting is the relationship envisioned. This relationship appears to be at the mercy of mankind because of the vulnerable way nature is described. The verse "This Sea that bares her bosom to the moon" (5), gives the vision of a woman exposed to the heavens. In addition, the phrase "sleeping flowers"(7) might also describe how nature is being overrun unknowingly.

Throughout “I Wandered Lonely as a Cloud” William Wordsworth shows his relationship with nature through his choice of diction, fantastic descriptions, and shifting mood of his poem. There are also many words and phrases that Wordsworth included into his poem that shows how he feels about nature. These phrases are well written, extremely descriptive, and show how Wordsworth is influenced by the wild: “I wandered lonely as a cloud”, “When all at once I saw a crowd, a host, of golden daffodils", “Continuous as the stars that shine and twinkle on the milky way, they stretched in never-ending line along the margin of a bay: ten thousand saw I at a glance, tossing their heads in sprightly dance”, “The waves beside them danced; but they out-did the sparkling waves in glee”, “I gazed—and gazed—but little thought what wealth the show to me had brought”, and “For oft, when on my couch I lie in vacant or in pensive mood, they flash upon that inward eye [...] and then my heart with pleasure fills, and dances with the daffodils.” Another phrase, which indicates that the flowers were so beautiful that no true poet could be sad in their presence, also builds upon Wordsworth’s relationship with nature. These particular lines in “I Wandered Lonely as a Cloud” show how Wordsworth’s mood shifts from somber and lonely to joyous and content. The lines also show how the gorgeousness of nature sticks with

In "Lines Composed A Few Miles Above Tintern Abbey", Wordsworth uses imagination to help him and others to live in the physical world peacefully. He recalls playing in Tintern Abbey, a forest nearby there and played in it when he was young. Now he comes back for different reasons. He escapes the world which is individualism and goes to the forest to get away from all the burden. He tells his young sister that she can always come here to get away from her problems as well. In the poem, Wordsworth uses nature to solve problems in life.

“In Tintern Abbey, Wordsworth fears the loss of his genial spirit and seems to be worried about his poetic ability. Similarly, Coleridge, in Dejection, admits that his poetic originality is at stake” (Magnuson 15). In the forth stanza, Wordsworth writes, “Nor perchance / If I were not thus taught, should I the more / Suffer my genial spirits to decay” (113-115). Likewise, Coleridge, in the third stanza, writes, “My genial spirits fail” (39). Actually, both Coleridge and Wordsworth admit that they have been facing problems with nature. In the beginning of the third stanza, one can feel the sad tone of Wordsworth’s poem. The poet tells us how he lost part of his feelings toward nature. His ideas become “dim” and “faint.” He writes, “And now with gleams of half extinguished thought, / With many recognitions dim and faint, / And somewhat of a sad perplexity” (59-61). He cannot feel nature the same way he used to do as a child. Describing the way he was as a child, the poet says, “I cannot paint / What I was then” (76-77). Similarly, Coleridge asserts that he used to view nature differently as a child. In the beginning of the sixth stanza, he says, “There was a time when, though my path was rough, / This joy within me dallied with distress, / And all misfortunes were but the stuff”

Published in 1807, William Wordsworth reflects the many voices such as his attitude and values towards the Industrial Revolution and how it was a big turning point in history. This inevitable transition included going from hand production methods to machines. Wordsworth has described the world as being too overwhelming, for example instead of appreciating beautiful events such as the moon shining over the ocean; people began to use all their energy on being concerned about time and money. Technology and modernization effect this poem as ‘The World’ in fact has become advanced for us to handle; cities have increased in size, merchandise has become for sale, Blake implies that the advancement has a heavy price. Wordsworth’s tone of the poem created an effect of depression and sadness; the poem is elegiac, the speaker is ‘forlon’. William Wordsworth conveys the new progress of machines, contrasting the stress of the importance of nature and its importance to society.

Lines 79-84 represent loss and decay and are another set of themes in this poem. These lines show that his poem itself is a memory; memories can never contain the original content of an experience as it did the first time. Wordsworth's intense emotional pain is displayed throughout these lines. A particular line is: "That time is past/And all its aching joys are no more". The poet clearly tells his reader's that he is extremely upset at the fact that he no longer feels that joys he has felt before, and even though he hears in nature the still, sad music of humanity, he still prefers memory and the sense of nature over intellect and actuality. Wordsworth senses his mortality and realizes that nature ("their colours and their forms...") can not renew his pleasant spirits as much as he wants them to. "Tintern Abbey" also presents the poet to an exploration of identity and self understanding; Wordsworth is in conflict with the natural landscape that is painted in front of him and his mental landscape, two major different forces, and he is trying to find an equal path to both forces so that he can find his self or his destiny. Another explanation of these lines could be that Wordsworth comprehends the way nature functions --the death and renewal of all things– and that nature will one day also play a part on him. He is accepting that one day that, like his memories, he will fade and pass

Where Wordsworth focused too on love and nature at first, he then took on more spiritual subjects. Further, if we assume that Wordsworth’s imitation of “The Retreat” was intentional, then Vaughan may have even been a poetic model (in some sense) for Wordsworth later in life. True, Wordsworth is not generally considered a religious poet; he would never have originally considered Vaughan a model because of the latter’s extreme religiosity. Yet if these two poems don’t echo in godly gestures per se, they do in a more spiritual sense—and perhaps Wordsworth, as a man confronted with his own mortality, found Vaughan’s treatise on the spirit’s immortality a sympathetic sentiment. Thus by comparing the two, we also might better understand Wordsworth’s poetic progression.