Women And The Ladies By Linda Pastan

In the poem “It’s a Woman’s World,” Eavan Boland uses many poetic devices such as alliteration, simile, and enjambment in order to explain life from a woman’s point of view and how women have lived the same since the beginning of time.

In the She’s The Man (2006), Viola Hastings (Amanda Bynes) cross dresses for the majority of the film, pretending to be her twin brother Sebastian. She does this in order to play for Illyria’s men’s soccer team as her school, Cornwall, cut the women’s soccer team and wouldn’t allow her to play for the men’s team. Her main motivation is to beat her former schools team and prove to them that even though she is a girl, she can play on the same field as the boys. While pretending to be Sebastian, Viola initially struggles to hide her femininity, such as when it is discovered that she has tampons in her bag. As the movie progresses her ability to hide this femininity and express masculinity becomes easier. Her cross dressing has an effect on everything and everyone around her and it pushes the line on the comfort people feel when stereotypical gender norms are challenged/ She becomes interested in her roommate, Duke (Channing Tatum) and throughout the movie the two become closer on an intimate level even though Viola is still masked as Sebastian. Duke is obviously uncomfortable with this as made evident by the end of the movie, when it is revealed that Viola was pretending to be Sebastian the entire time. His look of relief reinforces this idea of stereotypical, heterosexual gender roles, as now that Viola is revealed as a female, it is socially acceptable to be attracted to her. She’s The Man reinforces the stereotypical gender roles that society expects out of

Reading Response to “Looking at Women” written by Scott Russell Sanders is an article about Sanders

Through Women’s Eyes by Ellen Carol DuBois and Lynn Dumenil addresses American History from 1865 until present day. The third edition of this textbook includes visual and primary sources over several centuries. I used this textbook in a history course, “Women in the United States, 1890 – Present;” I found the textbook to be engaging, helpful, and useful throughout the course. The way in which in the information was presented allowed me to learn, assess, and analyze the difficulties women faced.

In “I Want a Wife” by Judy Brady, the author argues that the roles of a wife are unfair and more demanding than a husband's, thereby they are treated as lesser than a man. Brady supports her claim by first, introducing herself as a wife, showing her empirical knowledge; secondly, cataloging the unreasonable expectations of a wife; finally ending the essay with an emotional and thought-provoking statement, “My God, who wouldn’t want a wife?” Brady’s purpose is to expose the inequality between the roles of a husband and of a wife in order to show that women do not belong to men and to persuade women to take action and stand up for themselves. Based on when this essay was written and since it is about the impossible expectations of a wife, Brady was writing to feminists in the 1960s in order to rally them to create a change in the way people thought.

Strong-willed, intelligent, and motivated are only some of the words we can use to describe Betty Friedan. Credited as being the mother of the second wave of feminism, Friedan was an influential women’s right activist during the twentieth century but her legacy has continued to strive well into the twenty-first century. Friedan is the author of a variety of books including The Feminine Mystique, which became a phenomenon because of its powerful message to women for self-exploration outside their traditional roles. This book helped to define Friedan’s role in the fight for women empowerment and equality. It evoked emotions in many women who agreed that they did not want to fulfil traditional roles, creating an atmosphere of change. She was also the cofounder of the National Organization for Women (NOW), serving as its first president and also helped to create the National Association for the Repeal of Abortion Laws and the National Women’s Political Caucus. With these organizations, Friedan became the face of the women’s movement and encouraged women to take a stand against the pathological idealization of women by creating a sense of community

I Knew a Woman is about a woman who has more than just beauty. Theodore Roethke explains what he sees in this woman and the joy and pain about loving her. Roethke uses a

An average, women during the 1960’s were held accountable for many responsibilities. Women led very different lives during this time period. Punctual, responsible, and reliable were just some of the many standards that were expected from society. At the age of twenty women were expected to be married; soon after they would become pregnant. Raising a family and devoting their lives to be the best housewives possible. Legally women made no earnings or any income for that matter. Child care and in vigorous chores were a part of their daily routine. Women had no say financially. Women had one duty, and that was to be a housewife. Men had all the control in marriages; after all they were the bread winners. Women were stuck in a vicious cycle of controlling and power hungry men. Comparing women from the 10960’s to the women in today’s generation is quite astonishing. The women’s rights movement fought for women to be free. Women no longer need to be chained to such degrading and depressing circumstances. Raising a family and having a husband is a beautiful goal most women dream of. However, we should also have the right to decide when we want to marry and to whom we believe is the right candidate. “Why I Want a Wife” written by Judy Brady raises a powerful message on women in the 1960’s. Judy touches upon the idea that women had constantly been expected to be in confined and submissive relationships. Brady perfectly depicts the

“We must open the doors and we must see to it they remain open, so that others can pass through it”

The article, The Cult of Womanhood: 1820 - 1860 written by Barbara Welter discusses the philosophy towards women in America during the mid 19th century. A set of demands and expectations based upon four principles: piety, purity, submission and domesticity were placed on women as well as certain behavioral expectations left 19th century women feeling guilty. It also left women feeling this way during the industrialization period as well as having a huge presence of incompatibility with society. Welter shares her viewpoint that the Cult of Womanhood was an attempt to preserve pre modern values in the industrial age. Men held a dominant place in society and continued to prevent new opportunities for women to explore. Narrow minded

Literature is defined as written works published on a particular subject. Literature can also be viewed as witness, because it can be a source of proof based on the events it was written on. Literature as witness allows readers to get a deeper understanding of the issues that have happened based off of what the books are about. Those who read literary texts such as historical novels, memoirs and novels are witness to historical events. These texts can be viewed as witness because the events mentioned are based off of true life events. Some may argue historical fiction is not real and therefore could not be viewed as a reliable source. Even though historical fiction is made up of fictional characters, the conflicts that are mentioned are based

In the article “The End of Men,” Hanna Rosin offers several examples of women overpowering men. The inequality between men and women has become a critical issue in today’s society. According to Rosin, women are slowly surging ahead in the workforce and family life while men are left behind struggling to meet expectations. Rosin argues that this role reversal is taking place because women are simply better suited for postindustrial society.

In the book The Feminine Mystique, Betty Friedan brings attention to what she calls the feminine mystique, or “the problem that has no name”. Through the use of anecdotal narratives, her own personal experiences as a journalist, editor, mother, and the interviews of many women from different backgrounds in order to unveil the truth about the women of the 1950’s. The problem which sparked the second wave of feminism in the United States is one that focuses on the inequality between men and women and the undervaluing of women in both the social and private spheres. The women of the time gave up pursuing their passions, such as getting an education or careers in science or business in order to fit the image of the stereotypical stay-at-home mom whose main goal in life is to raise her children while providing a safe and comforting home for her husband. The Feminine Mystique, as she called it, was the idea of widespread unhappiness of women, despite the preconceived notion that women were happiest when they have a family. Throughout her work, she dives into many of the problems associated with the feminine mystique and builds a powerful concept of what would eventually be labeled feminism.

From "You just don't understand: Women and men in conversation", Deborah Tannen shows the gender differences in conversation. The main idea is that women value relationship and empathy within a group, while men are struggling to raise their status and class. According to Deborah Tannen, this affects how they think and speak. Generally, men talk more in a public situation, while women talk more in private settings. Most women tend to use rapport talk for conversation, "a way of establishing connections and negotiating relationships," whereas most men tend to use report talk, "a way of preserving independence and maintain status in hierarchical social order"(Deborah Tannen, You just don't understand: Women and men in conversation) There are different understandings between gender about what conversation is for. To him, talk is information, which is used to inform what he needs to know or what he wants other to know. To her, however, talk is for interaction, a way to show involvement, whereas listening is a way of caring. Therefore, in public events, men are more comfortable to claim attention with this understanding of talking.

Simone De Beauvoir in The Second Sex suggests that to resolve the tension between bad faith and authenticity, people must regard women as subjects and not objects. They must also collectively fight against the idea of womanhood in order to remain authentic to themselves.