Women Need a Place to Write in Woolf's Essay, A Room of One's Own

Virginia Woolf in “A Room of One’s Own” uses the symbolism of a room to express solitude and leisure time. Women were excluded from education and the unequal distribution of wealth. Through this idea, women lack the essential necessities to produce their own creativity. Women wrote out of their own anger and insecurity. Men wrote intellectual passages that were highly praised because a woman could never live up to a man’s expectations in literature due to lack of education.

Throughout her essay, Woolf never once describes to us her immediate surroundings. By describing only what is outside, Woolf isolates herself from the rest of the world, instead of embracing it as Dillard did. She is chiefly concerned with describing where she isn't. Her focus is on the world outside of her window. She describes the field that is being plowed, the black, net-like flock of birds flying together. These images engender a rather unpleasant feeling of dreariness.

Despite the achievements of women in many different fields, society still attempts to limit women to certain roles. Furthermore, in the poem, women “… are defined […] by what [they] never will be,” (lines 19 - 21); once again, the author claims that women are defined by what they are unable to do because of gender bias. Instead of being given the chance to be influential, they are continually limited to staying at home or doing jobs “meant for women.” Finally, Boland tells the tutor that women “…were never on the scene of crime,” (lines 27 - 28). This serves as a metaphor for how women are never allowed to do important jobs; instead, they are left at the sidelines due to the repeatedly ignored restrictions placed on women by our gender-biased society.

Woolf starts of by mentioning “Society concerned with the employment of women” (1). Woolf uses anaphora in the beginning of her speech. Using the phrase “it is true” (1) to emphasize that she is a women that is employed. In the time period Woolf wrote this speech was during the 1930’s, which is mostly associated with the Women’s Suffrage movement. This meant that women back were expected by society to fit into a specific role. Woolf’s self-employment as a writer did not fit into the role of women of the 1930’s. Woolf makes an understatement mentioning that “It is true I am a woman” (1). This understatement was made in order for the reader to comprehend the significance of Woolf being a female during the era of the 1930’s. Woolf not only includes herself to be a recognized female writer but enumerates names of recognized writers such as Fanny Burney to Jane Austen. Stating that these exclusive writes are responsible for “cutting the rode” (1) for the future female authors. To make her point valid, Woolf implements imagery of how her “scratching of a pen” (1) does not negatively impact the “family peace” nor the “family purse” (1). In addition with the specific phrase “the cheapness of writing paper is, of course, the reason women have succeeded as writers before they succeeded in other professions” (1). This specific phrase adds a sense of irony of how something considered cheap can prosper with a work of a woman.

Emergence of female writers desperate for money was a phenomenon of XIX century. The famous works include The American Frugal Housewife, A Treatise on Domestic Economy, Uncle Tom’s Cabin, St. Elmo. Women’s literature was considered awful.

A woman is given limited freedom. Something as simple as a room could give her a sense of liberty. In Virginia Woolf's article, she claims that "a woman must have money and a room of her own if she is to write fiction." Woolf suggests that having a room literally allows women to have their own space to write, but figuratively traps them in their own thoughts due to a lack of freedom. In the works of Jamaica Kincaid, Virginia Woolf, and Alice Walker, the female figures have shown how their own thoughts, reflection, and creativity could be used as a sense of freedom.

The Romantic Period built an environment where women were painted with flowery diction (Wollstonecraft, 216) and were incapable of independence. The Rights of Woman became a crucial topic, particularly in poetry which allowed women the freedom of expression. Accordingly, during the early eighteenth and nineteenth centuries, women writers did not need the prop of their male contemporaries like suggested. Evidently, women were able, successful, and professional writers in their own right. In fact, women often influenced male writers (Dustin, 42). Both Mary Wollstonecraft and Anna Letitia Barbauld are evidence that women did not need to rely on their male peers to become successful poets. Consequently, many poets took inspiration from them (Dustin, 32). In The Rights of Woman and Vindication of the Rights of Woman, Anna Letitia Barbauld and Mary Wollstonecraft had contrasting ideas. Barbauld’s The Rights of Woman was a documented reaction towards Wollstonecraft’s extremely controversial Vindication. Henceforth, both indicate a separate message for the Rights of the Woman. Assumedly, Barbauld misinterpreted Wollstonecraft and readings of The Rights of Woman in the twenty-first century appear antifeminist as a result.

Shortly after, the family is about to set off for Florida. After a brief conversation, Bailey forbids his mother from bringing the cat along for the ride. Once again, the Author expresses her view of her self-absorbed, callous mother through the grandmother. Going against her son’s orders, she decides to bring the cat anyways, for fear it may miss her too much or, in a freak accident, asphyxiate itself on on the gas burners. An utterly selfish action for nothing more than getting what she wants, just because she wants it. This action would prove to be disastrous in the end, showing the self destructive behavior of a woman unfit to be called a “mother” by O’Connor.

Woolf demonstrates how women writers have often failed in this because of our frustration and bitterness with a world that presented to us and our writing not welcome, or even indifference, but hostility (41). She makes it clear that if there is ever going to be a “Shakespeare’s sister,” we must---at least while we are writing---swallow that sense of having been wronged, for it stands as an impediment to our creativity. This is the mental freedom that women writers must attain.

The first major point made by Woolf in A Room of One’s Own is synonymous with the essay’s thesis. Woolf first introduces this theme in the beginning of her essay: “a woman must have money and a room of her own if she is to write fiction” (4). The concept of a woman needing to possess finances and an individual space is recurrent throughout the book. To Woolf, this idea is tantamount to obtaining freedom. During the era in which Woolf lived and set A Room of One’s Own, women faced various limitations that stripped them of their ability to find true creative liberation. With so much of their time spent in the house and no access to finances, women struggled to find separation from the home. Thus, Woolf’s emphasis on money and a room symbolizes the separation and freedom

Woolf writes about life for women during that time period. She herself being a woman, found it hard to get her work to become public. During that time women are seen as property and that they must follow social norms. Things such as obeying her husband and waiting to be allowed to speak(if she were allowed to speak) were “just how things are done”. In society women are looked down on and seen as things or property rather than people who have feelings,

In Chapters Four and Five of A Room of One 's Own,, the focus on Women & Fiction shifts to a consideration of women writers, both actual writers and ultimately one of the author 's own creation.

Woolf again construct a contrast between fiction and reality by expressing “Imaginatively she is of the highest

In many of her novels and especially in Mrs. Dalloway, Virginia Woolf tends to stray from directly attacking an issue such as social unjust by using symbolism. She often “detested what she called ‘preaching’ in fiction” and instead, strategically “scatters fragments of images for the readers to gather up and to piece together as to form [their] own, maybe individual, understanding of the character” in her stream-of-consciousness

2. The original occasion of a “ A Room Of One’s Own” was to describe “Women and what they are like; … women and the fiction that they write; or women and the fiction that is written about them.(Woolf, 3). Woolf addresses women as her audience, and follows to a great extent the advices she intend them to follow.