Wuthering Heights Grief Analysis

Since its publication, Wuthering Heights has intrigued its readers; a love story gone wrong, twisted by vengeance and heartbreak. Many important factors of the novel are displayed in the portion of the novel narrated by Ellen. The passage in Wuthering Heights in which Catherine Linton’s funeral is described is vital in explaining important relationships in the novel, particularly the relationship between Heathcliff and Edgar Linton.

In Wuthering Heights by Emily Brontë, Heathcliff’s strong love for Catherine guides his transformation as a character. While Heathcliff enters the story as an innocent child, the abuse he receives at a young age and his heartbreak at Catherine’s choice to marry Edgar Linton bring about a change within him. Heathcliff’s adulthood is consequently marked by jealousy and greed due to his separation from Catherine, along with manipulation and a deep desire to seek revenge on Edgar. Although Heathcliff uses deceit and manipulation to his advantage throughout the novel, he is never entirely content in his current situation. As Heathcliff attempts to revenge Edgar Linton, he does not gain true fulfillment. Throughout Wuthering Heights, Brontë uses Heathcliff’s vengeful actions to convey the message that manipulative and revenge-seeking behaviors will not bring a person satisfaction.

Heathcliff has an obsession with Catherine, and undergoes emotional stress after her death (Bloomfield 291). His unsympathetic personality is also a trait of his mental disorder (Bloomfield 297). Heathcliff’s obsession can be classified as Monomania, he is fixed on one idea to the extent of physical and mental destruction (Bloomfield 295). Heathcliff lets hid ID take over instead of suppressing his instinctual feelings. Heathcliff becomes reckless and self-destructive and develops psychotic depression, he then retreats to Catherine’s room to die (Bloomfield 291). Throughout the novel it seems as though Heathcliff completely ignores his Ego and Super-Ego, and lives only by his ID. Emily Bronte uses mental illness in her characters and their death to alter the plot of Wuthering Heights. All of the characters fit into periodically correct illnesses, but the focus

Wuthering Heights is a novel which deviates from the standard of Victorian literature. The novels of the Victorian Era were often works of social criticism. They generally had a moral purpose and promoted ideals of love and brotherhood. Wuthering Heights is more of a Victorian Gothic novel; it contains passion, violence, and supernatural elements (Mitchell 119). The world of Wuthering Heights seems to be a world without morals. In Wuthering Heights, Brontë does not idealize love; she presents it realistically, with all its faults and merits. She shows that love is a powerful force which can be destructive or redemptive. Heathcliff has an all-consuming passion for Catherine. When she chooses to marry Edgar, his spurned love turns into a

One of the most dramatic scenes in the book is the death of Catherine. The first signs of her failing health physically and mentally come when she locks herself up in her room after Heathcliff and Edgar's fight. She fasts herself into a delirium, pulling out pillow stuffing and seeing faces in the mirror. Unlike ordinary death, which comes quick and painlessly, Catherine's slowly wastes her away into a ghost. About seven months later, she dies at childbirth, but returning to haunt Heathcliff. The main cause for Catherine's death is not childbirth, although it may have been the final contributor. Ironically, because of the spiritual link between Heathcliff and her, it is their separation that killed her. Brontë punishes the sinned by slow death, having the guilty put the wrath upon themselves. She also brings in the supernatural to prove that even at death, there is no peace. The precise description of the moments before Catherine's death emotionally charges and further involves the reader. Like Catherine, Heathcliff dies in a similar fashion, except his sufferings prior to death lasted eighteen years. He explains to Nelly, "What does not recall her [Catherine]? Those two [Catherine Linton and Linton Heathcliff] are the only objects which retain a distinct material appearance to me; and, that appearance causes me pain, amounting to agony." This is consistent because he has sinned the most of all

Emily Bronte’s Wuthering Heights display of cultural and physical features of an environment affecting one’s character and moral traits is showcased through the first Catherine’s development throughout the novel. Catherine is forced to “adopt a double character”, as she lives as a rebellious, passionate woman on the turbulent Wuthering Heights, while behaving politely and courtly on the elegant Thrushcross Grange(Bronte, 48). Each of these environments also contains a love interest of Catherine’s, each man parallel with the characteristics of their environments: Heathcliff, the passionate and destructive, residing in Wuthering Heights, while the civilized and gentle Edgar inhabits Thrushcross Grange. Catherine’s development in character due to her setting significantly contributes to the theme that pursuing passionate love is dangerous, such as the love shared by Heathcliff and Catherine.

The novel Wuthering Heights and the poem “Remembrance”, both written by Emily Brontë, feature protagonists who must cope with the death of their lovers, and in many ways, the two characters are similarly affected by this. The actions and feelings of Heathcliff in the last chapter in Wuthering Heights, however, stand in sharp contrast to the last stanza of “Remembrance”. This contrast demonstrates the personal differences of the characters and how they were affected differently by their losses. Heathcliff, the protagonist of Wuthering Heights, and the speaker of “Remembrance” have different views on love (both before and after death). Consequently, while Heathcliff embraces death in the final chapter to be with his love, the speaker of “Remembrances” learns to stop dwelling in the past.

Wuthering Heights by Emily Bronte was published in 1847 and received many contradictory judgements. One main judgement that criticized the novel was how multiple characters can have a change in characterization depending on the reader. Many of the novel's characters, such as Heathcliff, possess positive values, but readers tend to focus on their negative qualities which allows these characters to change. Growing up poor and homeless, Heathcliff’s character changes many times throughout the novel as he grows older and possess negative qualities towards other characters. Later residing as an old, lonely master, Heathcliff’s change in character at the end of Wuthering Heights signifies that he has gone mad and leads to intentions that Heathcliff has not committed suicide, but lost all will after all he has been through.

was to run away to the moors in the morning and remain there all day."

Bronte, The author of the Wuthering Heights, expresses many themes and morals in her book. The one most important in the Wuthering Heights is the theme of love and cruelty. The main characters, Catherine and Heathcliff, show these actions time and time again. They occur because of the other, much like the yin and the yang. Love leads to cruelty and cruelty leads to love. In Wuthering Heights, there are two different types of love shown: platonic and passionate. Both of these types of love lead to cruelty to other characters. As Heathcliff states boldly within the first few chapters of the novel, love’s cruelty survives even beyond death. “Cathy, do come. Oh do – once more! Oh! My heart’s darling; hear me this time, Catherine, at last!”

The gothic and often disturbing Wuthering Heights is Emily Bronte’s classic novel that contains undeniably powerful writing that created her timeless love story. Andrea Arnold transformed her masterpiece into a cinematic rendition to recreate the wild and passionate story of the deep and destructive love between Catherine Earnshaw and Heathcliff.

Love is a strong attachment between two lovers and revenge is a strong conflict between two rivals. In the novel Wuthering Heights, Emily Bronte uses setting to establish contrast, to intensify conflict, and to develop character. The people and events of Wuthering Heights share a dramatic conflict. Thus, Bronte focuses on the evil eye of Heathcliff's obsessive and perpetual love with Catherine, and his enduring revenge to those who forced him and Catherine apart. The author expresses the conflict of Wuthering Heights with great intensity. Hence, she portrays a combination of crucial issues of romance and money, hate and power, and lastly

Death brings more than despair for the characters in this novel. Characters such as those in Wuthering Heights can be directly affected by death, whether it they have a change in mood or a whole new mindset from it. Heathcliff, for example, became deranged from Catherine’s death. He became a practically evil man. Heathcliff becoming the wicked man he portrays sets the novel into action. Heathcliff said himself that, “You know, I was wild after she died….” (Brontë 278). He set into a spree of evil doings as a result of her death. In fact, everything set

Self-Centered. Heathcliff is self-centered, caring for himself and his interests and having little concern for others. This trait is greatly amplified by his love for Catherine and hatred for Mr. Linton. One example of this is when he trapped Cathy and her companion for no less than five days in his house at Wuthering Heights, forcing Cathy to marry Linton (255, 260). “And there I remained enclosed [in a chamber], … [for] Five nights and four days I remained, seeing nobody but Hareton [when he brought food],” shows how little Heathcliff is concerned for others, and how much he cares for his own interests (260). His own self-interest causes him to want control over Thrushcross Grange, as evidenced by the fact Linton will gain control of it after Mr. Linton, who is in poor health, dies if he (Linton) marries Cathy (263). However, Linton was also in poor health and was going to

Readers often pity literary characters who play the role of a victim. In Wuthering Heights by Emily Bronte, Heathcliff: an outsider brought into the wealthy Earnshaw family, Hindley: the eldest Earnshaw child with a strong dislike for Heathcliff, and Hareton: the orphaned child Heathcliff takes in to raise, are victims, yet they evolve to perpetuate the abuse they suffered. Being able to be or become a victim or victimizer show the complexity of these characters. Emily Bronte manipulates readers to pity Heathcliff, Hindley, and Hareton, in spite of the hideous pain they inflict on others. John Hagan states, “Wuthering Heights is such a remarkable work partly because it persuades us to forcibly pity victims and