Yann Martel's 'How To Read Literature Like A Professor'

In chapter fourteen of Thomas Foster’s novel, How to Read Literature Like a Professor, when telling of Christ in our literature, he makes the all-composing assertion that we live in an overwhelming Christian culture. The common man or woman may not know all there is to understand in Christianity, but our media and minds are affected by it considerably and basic knowledge of its core is known by the majority. The figures of Jesus in literature are abstract and in no way have to be exact to Jesus in gender, morality, or actions. No literary character or real character can be as divine or perfect as Jesus was in the Bible, making it impossible to completely replicate him. Imagination is the largest

Chapter 10 of How to Read Literature Like a Professor is called “Never Stand Next to the Hero.” This chapter claims that character’s deaths are important plot devices. Foster made a great point of saying how readers become emotionally attached to characters in books. He makes to point that characters aren't real people. “They’re not people because they have never existed. I mean, have you ever met one on the street?” Characters are simply an outline made by the author and the reader coloring in that outline to make the character what they want it to be. Foster also pushed the point across that the main character can’t ever die in the beginning or middle of the book. If the main character dies, what’s the point of the book

The power of imagination can be described as invincible. With the use of imagination, one can reach undefined triumphs and create a new powerful world. In the book, Life of Pi, by Yann Martel, a blooming young boy named Pi Patel begins to develop a wondrous mind that expands his knowledge, true meaning of independence and value of life. His imagination is what allows him to cope and get through his suffering. The role of his imagination and stories are extremely significant in the sense that these telling are completely

“Sometimes the really scary bloodsuckers are entirely human” (Foster 18). In How To Read Literature Like a Professor, Foster argues that vampires in literature are not always actual vampires, but can be figurative as well: “Using other people to get what we want. Placing our desires above the needs of others...as long as people act toward their fellows in exploitative and selfish ways, the vampire will be” (Foster 22). In essence, Foster illustrates that the act of using others to attain one’s personal goal is analogous to a vampire sucking the blood out of it’s victim. Foer’s protagonist in Extremely Loud and Incredibly Close, Oskar, also shows these vampiric tendencies in his goal of learning about his father’s key. “‘Actually, I’m diabetic

Authors tend to get very political in between the lines of their stories. In “How to Read Literature Like a Professor,” by Thomas C. Foster, there is a chapter that discusses about how almost every author gets political with their writing. “Nearly all writing is political on some level.” (“How to Read Literature Like a Professor” 118.) “Animal Farm,” “Narrative of the Life of Frederick Douglass: An American Slave,” and “Nature” are some examples that’ll be used to prove this point.

Yann Martel`s Life of Pi follows A journey of a young man and a Bengal tiger as they travel across the ocean in a lifeboat.Director Ang lee made many consider the book to be beautiful,but virually unflimable.Being needed to told on screen Ang lee discerned very adeptly,about Life of Pi ‘’if there is will there is a way’’.

In the novel “How to Read Literature like a Professor” the author, Thomas Foster, analyzed and broke down many literary techniques and reoccurring themes in literature. One of the most widely used literary techniques as shown in the novel was Symbolism. Symbolism is heavily used in literature from precipitation and weather to politics, almost everything we read in literature is a form of symbolism.

In Thomas Foster’s book, How to Read Literature Like a Professor, it is written that there are five aspects of a quest: “the quester; a place to go; a stated reason to go there; challenges and trials en route; a real reason to go there” (Foster 3). In the book Siddhartha, Siddhartha is the quester who is specifically in search for enlightenment through his wanderings. During his quest, he constantly endures internal unrest. Although Siddhartha searched for enlightenment, he really wanted all of his unsettled questions about his life answered.

Thomas C. Foster’s book, How to Read Literature Like a Professor, tackles the process of uncovering the underlying complexities and symbols that authors incorporate into their literary works. In its most lucid form, Foster’s message is that, when reading a work of literary merit, anything you may postulate has a deeper meaning most likely does, since skilled authors do not include items and occurrences just to include them. The dystopian literature novels 1984, Animal Farm, and Brave New World follow this trend as they interpolate different motifs with deeper political and symbolic context; however, Foster’s statements do not only apply to written literature. The movie V For Vendetta, released in 2005, connects to How to Read Literature Like

Bengali polymath, Rabindranath Tagore, once said “you can’t cross the sea merely by standing and staring at the water.” In the novel Life of Pi by Yann Martel, the protagonist, Pi, faces many challenges at sea while being accompanied by a tiger by the name of Richard Parker. This tiger, though a nuisance, proves to be essential in the role of Pi’s survival. Throughout the story, Richard Parker symbolizes survival, a reflection of Pi, and a being of God.

In the novel How to Read Literature Like a Professor, Thomas C. Foster discloses to the readers the significance of the communion of food, which can be applied to the journey Pi experiences in the novel Life of Pi. Foster manages to portray the significance of the communion of food by explaining that “whenever people eat or drink together, it’s communion” (Foster 8). Communion can not only be religious, but it can also be an act of understanding a character’s relationship with other characters.

On its surface, Martel’s Life of Pi proceeds as a far-fetched yet not completely unbelievable tale about a young Indian boy named Pi who survives after two hundred twenty-seven days on a lifeboat with a Bengal tiger named Richard Parker. It is an uplifting and entertaining story, with a few themes about companionship and survival sprinkled throughout. The ending, however, reveals a second story – a more realistic and dark account replacing the animals from the beginning with crude human counterparts. Suddenly, Life of Pi becomes more than an inspiring tale and transforms into a point to be made about rationality, faith, and how storytelling correlates the two. The point of the book is not for the reader to decide which

Richard Parker, the tiger, is a symbol of Pi himself. Pi directly correlates himself with Richard Parker. If Richard Parker “give[s] up” (121) then Pi is giving up. When swimming toward the life boat Richard Parker “look[s] small and helpless” (121) much like Pi actually is. Next to the tiger, zebra, and hyena Pi is small and feeble; he has no way to defend himself against the other animals. Pi egging Richard Parker on, toward the boat; “keep[ing him] swimming” (122) shows Pi’s resilience for survival; determined for Richard Parker to survive, which is actually his determination to survive. It is often mistaken in the novel as to whether Pi is speaking of himself or of Richard Parker because they could be the same being.

1. Marvelous body of Richard Parker as both an image of God and a sign

Charles Darwin, English Naturalist, once said, “Man can live about forty days without food, about three days without water, about eight minutes without air, but only for one second without hope.” Similarly, a few years ago, one of my friends, he suffers a depression after his brother passed away at a traffic accident.He starts to kill himself.One normal summer night, everyone is celebrating the last day of school, he decided to kill himself.But then was stopped by his mother.His mother tries to think some ways to help his son.But ran out of options, she decided to bring his son to church.And it works, my friend became more focus on religion. End up he devote himself to god.Life of Pi by Yann Martel which talks about exploring religions and find the real you.The main character named Pi who suffer the loss of his parents and he is survivor's story for months in the Pacific ocean on a Lifeboat along with a tiger, Richard Parker. In ‘Life of Pi by Yann Martel, the use of symbols: The Algae Island, the Tsimtsum, the colour orange, and Richard Parker shape the central message of the novel. Ultimately those symbols represent pi’s spiritual journey.