"El Corazon Lowrider" Essay

In her novel La Linea, Ann Jaramillo tells the story of fifteen-year-old Miguel, who leaves his home in Mexico to illegally cross the US-Mexican border. He leaves for California, where his parents and two of his sisters have lived for the past seven years. His parents left first, in order to make money for their children to cross la linea later. Miguel and his younger sister Elena thus live with their grandmother on a rancho in the small Mexican village San Jacinto. On his fifteenth birthday, Miguel receives the letter he has waited for his entire life. A letter from his father tells him to go see Don Clemente, a rich and successful immigrant smuggler. Don Clemente provides Miguel with

Don’t Eat the Bear: A Spanish adventurer named Gaspar De Portola in 1769 passed through a region what is now Santa Barbara. In the near by sand dunes he found a lake where he crossed passed with an “oso flaco”, a skinny bear. They were dying of hunger and ate the skinny bear not knowing it was poisoned.

Based on Frank Romero's "Going to the Olympics" I infer his feeling towards car culture is that they are an essential for LA citizens. Romero's palette of colors consists of vibrant colors such as yellow, green, blue and red. This brings upon a fun mood for viewers along with the shape of the cars. The cars are drawn in cartoon way adding more fun to the mural. Romero emphasizes the idea of love for cars by including hearts above the cars. The hearts are also drawn with vibrant colors to tie in the idea of Romero.

Throughout the picture Diego Rivera’s palette consists of an ample array of reds, greens, and white as the dominant colors. One can sustain he employed these pigments. Due to the fact they are the colors of the national flag. The color white represents the purity of the hearts of the Mexican people; the red represents the blood lost during the multiple wars that Mexicans fought, until they conquered their independence. Finally, the color green represents the hope that Mexico, as a free

"La Malinche." Slave, interpreter, secretary, mistress, mother of the first "Mexican." her very name still stirs up controversy. Many Mexicans continue to revile the woman called Doña Marina by the Spaniards and La Malinche by the Aztecs, labeling her a traitor and harlot for her role as the alter-ego of Cortes as he conquered Mexico.

From January 20 to 23, I went to Santa Fe and San Ildefonso in New Mexico with Dr. Laughlin and my classmates. I was totally surprised by the architecture of the housing and the rich collection of Native American cultures. I expected to see traditional suburbs but instead I found almost everyone has built houses resembling traditional adobe homes which I had never seen. Houses, businesses, government buildings including museums are almost built in this style. The colors seem to blend in with the desert. One of the most exciting events I attended in New Mexico was the museum presentation of the Zuni tribe. Although we actually did not meet the Zuni tribe, we learned a lot about them because Dawn Kaufmann who is a guide at the Museum of

Space and colors dominates this piece of art. The artist used a three dimensional space where the road angle created a 3-D look. The road is going narrow as it goes towards the back part and the artist make it look like more realistic by making the trees smaller as well. White and blue color dominates the drawing. Blue symbolizes so many things

When thinking of New York City, more often than not, the first things one visualizes is the beautiful skyline, the bright lights, and Times Square. But without a second glance, one might miss one of the important things about the city. New York is the most heavily Dominican populated city in the United States. It’s ironic that the first non-native American to migrate to and reside on what is today New York City, was from Santo Domingo, the capital city of the Dominican Republic. Throughout history, Dominicans have migrated to the US in search of economic opportunity. This is the factor that influences nearly every immigrant group that migrates to the US in history. In the early 1900s, The United States and the Dominican Republic had a very close diplomatic relationship, to the point where the President considered annexation. At one point, the United States completely controlled the Sugar industry, one of the country’s most profitable markets.

On Sundays after Mass- every single Sunday, Latinos gathered on parks to play soccer and have carne asada something that is very traditional in Mexican families my family could be an example of that. These parks were built with the money taken from the Japanese which speaking of now a day’s use these complexes too and this is where the two cultures met.

Spain during the 16th century has been described as a time of oppression, a time of exploitation of the subordinate class. For example, in the text of The Life of Lazarillo De Tormes a gluttonist priest offers Lazarillo scraps of an Eucharist bread, that was nibbled by mice. The priest tells Lazaro to take the bread, stating “There, eat that. The mouse is a clean animal.” This shows the how the higher class sees the lower class, it shows how they believe in offerings coming from them should be taken as a gift, even if a literal rodent has tampered with it. Most who could live during this this time usually were those who held high levels of intelligence and were also devious. Due to this, Lazarillo, being a man who holds the fore told

The painting shows a two-dimensional image of the word and numbers “COCO.144”. The artist COCO 144 uses various colors of spray paint to create texture and depth of the image in the painting. COCO uses different art styles such as street art to depict the environment of the busy side street.

Red appears to dominate the painting and serves as an eye-catching color. The use of intensely saturated colors draws the attention to the front couple. Additionally, the red color plays with the mind of the onlooker without them thinking about it. It suggests deep passion, anger, and struggle. The artist intends to relay his feelings about the event to the viewer. His outlook consists of disgust towards the great depression that leaves many taken advantage of due to desperation.

Many of you must have read about this practically newborn mind-blowing village that raises among Patagonia's jagged mountains, but only a few know the gastronomic treasure that lays hidden within the narrow streets of the fledgling city of El Chaltén.

The painting measures 54.5cm x 76.5cm. It was painted using oil on unvarnished millboard in an artist's painted frame. Like most of the other Futurists Balla was intrigued with the automobile.  He was especially interested in it, because of his studies into the motion of objects. He did a series of almost 40 paintings on the speed of the automobile.  His work Abstract Speed + The Automobile Has Passed is described as, “the intersecting straight lines which radiate from the front of the automobile represent the swelling and noise of the engine, while the curved lines and concentric circles given off by the automobile, are intended to give the impression of speed and displacement of air.” This series of paintings is more abstract than the paintings

One of the great architects in time was Andrea Palladio, who was made famous for his magnificent Villas built in Italy in the fifteen hundreds. To do so he drew from the Greek and Roman’s architecture, studying many of their finest works, to create his masterful villas. This process would develop into a style of architecture, which became known as Palladianism. This style has inspired buildings which have dominated the landscape for the last four hundred years. These buildings include: English castles, American public buildings, Swiss railroad stations, Spanish libraries, Tuscan villas and Canadian hotels. Many of these buildings are considered to be the great buildings of the world.