Explain, in your own words, what Reid wanted to encourage viewers to do after seeing the film. 2.3.5 Explain how this source can be useful to a historian studying the work of the TRC.

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2.3.4

Explain, in your own words, what Reid wanted to encourage viewers to do after seeing the film.

2.3.5

Explain how this source can be useful to a historian studying the work of the TRC.

SOURCE 2C
This is part of an interview with the filmmaker, Frances Reid, who produced the
film Long Night's Journey into Day. It deals with the work of the TRC, 1997.
[Interviewer]: When and how did you decide to undertake this project?
[Reid]: In 1997, after hearing stories of South Africa's Truth and Reconciliation
Commission, I was moved by what was happening there.
[Interviewer]: What were your goals in making Long Night's Journey into Day? What
would you like a viewer to understand after seeing the film and what would you like
to see happen with the film?
[Reid]: Our goals were to tell a story that was universal. We wanted to tell a story
that people in the United States could relate to as well as people in South Africa or
anywhere in the world. All of us have had the experience in some way of being
wronged or of doing wrong to others. How do we cope with those experiences?
We wanted to make a film that would spark viewers to think about and have
conversations about how they face those issues in their own lives, in their families,
in their communities, and in their nations.
Transcribed Image Text:SOURCE 2C This is part of an interview with the filmmaker, Frances Reid, who produced the film Long Night's Journey into Day. It deals with the work of the TRC, 1997. [Interviewer]: When and how did you decide to undertake this project? [Reid]: In 1997, after hearing stories of South Africa's Truth and Reconciliation Commission, I was moved by what was happening there. [Interviewer]: What were your goals in making Long Night's Journey into Day? What would you like a viewer to understand after seeing the film and what would you like to see happen with the film? [Reid]: Our goals were to tell a story that was universal. We wanted to tell a story that people in the United States could relate to as well as people in South Africa or anywhere in the world. All of us have had the experience in some way of being wronged or of doing wrong to others. How do we cope with those experiences? We wanted to make a film that would spark viewers to think about and have conversations about how they face those issues in their own lives, in their families, in their communities, and in their nations.
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