Antigone Tragic Hero Essay

Oedipus the Tragic Hero     A protagonist is a hero of a tragedy who has a high authority or power, and is a somewhat okay person, who is brought down by an error in judgement. A good character example is, Oedipus the King, by Sophocles. Oedipus is a tragic hero who is characterized by the definition described.  Oedipus the king had a hard way of life since after his birth he is abandoned by his parents ,who wanted him killed when he was cast out of Thebes. This however, does not stop him from being

classic Greek tragedies (Oedipus Packet). As the outcome of these emotions, the audience experiences catharsis in response to the inevitable downfall of the protagonist. It was not uncommon to see playwrights stray away from this classical approach in tragic literature as writing conventions became less restricted over time. Sophocles’ Oedipus Rex (430 B.C.) and Jean Cocteau’s The Infernal Machine (1934) highlight the conceptual differences of heroism, destiny, and a man’s consciousness to the influence

“Hector is the Hero of Act One and Irwin is the Villain” How far do you agree? In Allan Bennett’s, The History Boys, controversial teachers hector and Irwin are made out as one hero and the other a villain. The ability to be able to distinguish these complex characters as a hero, a person who is admired for their admirable nature; or a villain, who’s immoral and erroneous actions characterise them distinctly; is irrelevant as they both harbour characteristics seen as desirable and distasteful. Both

others. Tragic heroes are not the same kind of the hero's we usually think of. Although they do have positive, heroic qualities, they commit actions that cause a downfall, which later leads to a spiritual or literal death. A tragic hero must convey certain characteristics. One is that they are of noble and high placement in the world. They also must have a tragic flaw that could be either positive or negative. Another characteristic is a reversal of fortune or a downfall due to their tragic flaw. After

definition, the narrator in “Cathedral,” can be seen as an anti-hero. He is an inglorious character who is particularly jealous and close-minded toward a blind man. Despite showing negative characteristics, provoking insecurities, and living in a destructive way, he eventually overcomes his ego that separates him from the rest of the world. Vogler stated, “An anti-hero is not the opposite of a hero, but a specialized kind of hero, one who may be an outlaw or villain from the point of view

From the very beginning of the play, the playwright familiarises the audience with multiple pivotal themes and issues; such as love, honour, family, justice and the law. Miller presents these themes diversely amongst characters, creating substantial conflict. Ultimately, this results in excessive tension between characters, foreshadowing the catastrophic ending of the play. Alfieri, as the narrator of the play, begins the play and prepares the audience for the adverse events to come. He addresses

In Macbeth, Shakespeare proves the motif of “Fair is foul, and foul is fair” (Shakespeare 1.1.11) through the characterization of Macbeth. Macbeth was seen as a selfless, brave soldier to the readers but, with the contrast of his current characterization, readers have a sense of Macbeth’s darker characteristics. Because of his thirst for power and his ambition, Macbeth begins to tread along a wicked road. Readers are able to compare this change to Lady Macbeth as Shakespeare depicts her as a dark

humouring his own trial where he faced a grave fate. Socrates would not accept a verdict of guilty, therefore would not accept any other punishment than freedom. Plato's "Apology" depicts the dramatically tragic death of philosopher Socrates, historically

The idea of a tragic hero was first thought of by the philosopher Aristotle in his work, “Poetics”. In article discussing the philosopher’s ideology of a tragic hero, with emphasis on hamartia, the author states: The function of a tragedy is to arouse the emotions of pity and fear and Aristotle deduces the qualities of his hero from this function. He should be good, but not perfect, for the fall of a perfect man from happiness into misery, would be unfair and repellent and will not arouse pity. Similarly

captured him, but neglects to due to his arrogance. He enjoys the entertainment he creates and does not want it to end, especially since Rainsford is a well-known and skillful huntsman. However, because he chooses to preserve Rainsford, he suffers a tragic ending. Being included in an egotistic game can lead to a dreadful consequence. On the third day of the egregious game, Rainsford manages to escape from General Zaroff, but pridefully returns back to his home and confronts Zaroff. “I congratulate