Film Noir Essay

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    Film Noir

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    “Film Noir” is a term that has been up for debate for an extended time period. Film Noir is French for “Black Film”, it was used to describe a proportion of American films that reached a French audience for the first time after World War II. These American movies depicted or expressed the feelings of this time period. The world was going through a dark and gloomy time. It analyzed the social aspects and it was evident in films in various ways. The movies characterized as “Film Noir” shared themes

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    The film noir genre first appeared in the early 1940s and has grown since their first appearance on screen. While there are various definitions and aspects that can define this genre, it is usual depicted as having an anti-hero set in a realistic setting while trying to fight inner demons and the outer world surrounding problems simultaneously. As any genre, it has noticeable tropes that can place it within this spectrum. Over the years, since the first decade of film noir, society has changed, causing

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    Film Noir Conventions

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    What is Film Noir? Film Noir literally means “Black Film” in French, the French coined this after World War 2 when they were finally able to view American films again after the war and they found that these films were quite different than what they used to be. These films had a completely different atmosphere, a different emotion that was displayed. Film Noir had a very distrustful air about its nature, lacking integrity. Every scene was cloaked in darkness and the plot had a looming sense of despair

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    Bud Film Noir

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    Film noir is a style of crime drama movies from Hollywood that are often focused on sex, crime, and corruption by using techniques like: compromised heroes and contrasting characters; camera shots with objects that have physical properties of reflectivity, transparency and translucency; a femme fatale; and specific setting. Film noir movies were during the period of early 1940s to the late 1950s. Film noir means ‘black film.’ Other films that integrated film noir techniques but were not during films

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    has all the elements of a film noir: the presence of a beautiful but dangerous woman, otherwise known as the femme fatale, a gritty urban setting, compositional tension (highly contrasting light and dark colors or oblique camera angles), and themes of moral ambiguity and alienation. Chinatown, however, is different. Polanski shot Chinatown with color film, and though his colors do appear especially vivid, color film precludes the contrast intensity that black and white film offers. In addition, Evelyn

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    Laura Film Noir

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    number of distinctive characteristics for film noir and especially played a huge role in Laura, a classic film in 1944 that was directed by Otto Preminger with music by David Raksin. The hauntingly beautiful Laura theme was composed by Raskin which became one of the most popular melodies of that decade. The melody was played in the opening credits with such rich materials that it provided essentially all of the musical material for the rest of the film. The film follows a detective, Detective Mark McPherson

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    Film Noir: A Style Spanning Genres Essay

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    objets d’art, including film – and the recognition or dismissal of film noir as a genre has been argued since the term was coined. While the term itself is valid, film noir as a genre is a misnomer. More properly, film noir should be considered a style unto itself, but definitively not genre, defined by the very definitions of the words “style” and “genre”. We will limit our subject matter here to the classic film noir period of 1941-1958, recognizing that all modern noir variants seek to emulate

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    Elements Of Film Noir

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    Problem Statement The element of film noir is widely often misinterpreted, and it confuses audience with the genre of these films. According to Andrew Spicer (2010), Film noir has always been problematic because it is a retrospective category, not applied to the films whose characteristics are not so obvious or clear cut as comedies or westerns or even crime thriller with which film noir is sometimes conflated. (p.xxxvii, line 6) From there, it shows that film noir sometimes lead audience could not

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    Crooks: A Look At Film Noir      Film noir is a style of black and white American films that first evolved in the 1940s, became prominent in the post-war era, and lasted in a classic “Golden Age” period until about 1960. Frank Nino, a French film critic, first coined the label film noir, which literally means black film or cinema, in 1946. Nino noticed the trend of how “dark” and black the looks and themes were of many American crime and detective films released in France

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    Film Noir Features in Blade Runner and The Matrix “The Matrix” has a main science fiction theme but also includes features of film noir films. It is directed and written by Andy and Larry Wachowski. Other than Science Fiction and film noir the film can also be classed as a Hybrid. “Blade Runner” is more of a film noir film than “The Matrix”. Although it does include action and fighting scenes but these have film noir features in them. Most ideas about the film are

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