Miles Davis Essay

Cool The word cool is very relaxed, never goes out of style, and people will never laugh at someone for using it. Getting at the nature of cool is further complicated by the fact that it has become fashionable in recent years to boast about not being cool. Perhaps the word is being pushed into its next stage of evolution by the freaks and the nerds whose childhood unpopularity is a badge of honor and whose brave new world of geekery is vindication. Coolness is an admired aesthetic of attitude, behavior

musicians carried a slow steady tempo throughout. The melody seemed to ebb and flow though the electronic wind instrument soared, hit piercing notes and occasionally rapidly move up and down the scales. The style was similar to that of Miles Davis “Tutu,” as Davis continued to produce high piercing notes as the background slow tempo persisted throughout keeping the overall sound velvety. Neither soloist appeared to interact with the rhythm section but cleverly play above, below and around it. Overall

Societal Reluctance and Reflection “American Sonnet to my Past and Future Assassin” by Terrance Hayes is a modern American sonnet whose focus is a black man struggling to comprehend his place in society. The speaker of the poem illustrates his dilemma through comparisons to the respected black musicians of the twentieth century to whom he feels a deep connection to. The tone of the sonnet is one of contemplation, or even uncertainty, as the speaker outlines his thoughts in reluctance, questioning

Contemplation and Reluctance “American Sonnet to my Past and Future Assassin” by Terrance Hayes is a modern American sonnet that focuses on a black man, struggling to comprehend his place in society. The speaker of the poem illustrates his dilemma through comparisons to the respected black musicians of the twentieth century to whom he feels a strong connection to. The tone of the sonnet is one of contemplation, or even uncertainty, as the speaker outlines his thoughts in reluctance, questioning

Marsalis is a jazz trumpeter of the highest caliber. Marsalis was born in the home of jazz, New Orleans, in 1961. He has been entertaining the world for decades with his mastery of trumpet improvisations; that scream the influences of greats like Miles Davis and Dizzy Gillespie. Marsalis played jazz with many of the greats, in particular Art Blakey. In 1980 he became one of Art Blakey’s Jazz Messengers. Marsalis is dedicated to the preservation of jazz and the roots of jazz music. His styles range from

As inspiring as the music of Coltrane itself, “Chasing Trane: The John Coltrane Documentary” unfolds the life of the galactic saxophonist whose soulful approach to music incessantly spread light, peace, and love into the world. Coltrane put his life in music, resorting to a unique timbre, accurate technique, and an unshakeable spirituality, delivering quintessential records that still sound modern and bold today. I believe that every true jazz fan was touched in a way or another by the art of this

Chapter 7 • Cool jazz is a term for modern style that sound more subdued than the bebop of Charlie Parker and Dizzy Gillespie. • West coast jazz: applied to classify cool jazz by California- based white musicians. • Birth of the cool band was 1949-1950 Miles David record session of a nine piece band in NY. • Progressive jazz was a term coined by stand Kenton to describe his own music. • Dave Brubeck was the first group in jazz that were sufficiently popular to tour as concert

Throughout the 1950’s, John dealt with alcohol and drug use, eventually leading to Davis firing him in 1957. He spent some time with Thelonious Monk for about six months and started making his own recordings at this point. John made a comeback after this and in 1960, had formed his own quartet with McCoy Tyner, Elvin Jones, and Jimmy Garrison

J.J. Johnson transformed the way his instrument, the trombone, was played. He was born on January 22, 1924, in Indianapolis, IN and died in February 4, 2001, Indianapolis, IN. J.J. Johnson, with his new execution and imagination, was the musician who brought bebop into the trombone. However, after battling cancer and a muscular-skeletal disorder, J.J. Johnson passed away, leaving behind a legacy of groundbreaking work that he had done accomplished with the trombone. When J.J. Johnson was 11 years

definitely feel it is unfair for any historian to leave him out of an in depth jazz history book. I hope jazz book writers to come take note of Mingus’s accomplishments, and start to include him in the history books right up there with Duke Ellington, Miles Davis, and Louis Armstrong. It is only fair to him and his fellow band mates, however, only time will