B-flat major

Analysis of Haydn’s String Quartet: Op. 76, No. 4, in B-flat Major “Sunrise” Haydn composed his Op. 74 quartets in the later years of his life between 1796 and 1797 and it was the last of his completed string quartets. The set of quartets were dedicated to the Hungarian Count Joseph Erdödy and were published in 1799. It was said that this selection of quartets was one of his “most ambitious chamber works” with his attempt of “emphasizing thematic continuity, seamlessly and continually passing motifs

César Franck was one of the most sought-after and remarkable composers of the 19th century. Born in Liège in 1822, Franck received his musical instruction at the age of eight at Liège Conservatoire. In 1834, he gave the first public concert in Liège. After moving to Paris in 1835, Frank entered the Conservatoire where he studied counterpoint with Leborne and piano with Zimmermann. It was during his student years at the Paris Conservatoire which Franck composed his first serious works, three trios

(relative minor) | E | 60-66 | 69 crotchet beats per minute, B flat major, rit. | Coda | 67-73 | 88 crotchet beats per minute, rit-pause on final note, B flat major. | Characteristics of Movement 2 * The opening of ‘March of the Volunteer’ is used twice by horn 1/trumpet 1 in bars 61-64. ‘March of the Volunteers’ is the Chinese national anthem and was a revolutionary anti-Japanese song. * Mostly Composed in B flat major. * Apart from the restatement of the opening 16 bar

like the one you see below. piano-keyboard.gif So if you want to find the key of G, you would use the keyboard with the formula (WWHWWWH). And how you would do it would be, you go from the G to A, whole note, next would be A to B, whole note. Next B to C ,half note, next would be C to D, whole not; after that D to E, whole note. And you would just keep following formula and do E to F, whole

re-states the main themes. The overture is in the key (with key signature) of E flat major with three flats namely B, E and A flats. The key E flat major is thought of as the most religious, most philosophical and most other-worldly key. This is evident among composers as Francesco Galeazzi(an Italian composer of the same time as Mozart) identified E-flat major as "a heroic key, extremely majestic, grave and serious". The three flats in the key also follow the ‘rule of three’ suggesting ties to Freemasonry

range, moving between pianissimo and piano, and a light texture. The piece is written with three staves in order to clarify and neaten Debussy’s notation. The piece has a B-flat in the key signature, suggesting D minor. The piece mainly centers around the pitch D. “Canope” could be considered in ternary form, with section A (mm. 1-7), B (mm. 7-26) and section A’ (mm. 26-33). It mostly follows an additive process in which motives are not developed, but instead placed side-by-side.

classical chamber music concert just with the Piano. There were a intermission of about 15 minutes. The sections played at the concert were; Piano Sonata in D Major, K.311 by Wolfgang Amadeus Mozart, Sonata in b minor, Op,58, No.3 by Frederic Chopin, Consolation in D-flat Major, No. 3 by Franz Liszt, Etudes from Op.25 Frederic Chopin, Sonata in b-flat minor, Op.36, No.2 by Sergei Rachmaninov, Mazurka, Op. 15& 27, No. 1& 3, Sonata in a minor, K.54 Domenico Scarlatti, Valle d’Obermann, Franz Liszt and last

Toccata in Funk Bradley G. Eustace (b.1978) Moderate speed with energy Bradley Grant Eustace, the son of Robert and Rita Eustace, was born in Cairne, Australia on July 12th, 1978. Eustace is an Australian composer, arranger, publisher, and pianist who had been one of the nominees of the top five in the Classical/Jazz section of the 2008 National Music Oz Awards. He started learning many musical instruments in the age of 8 and he got his first Associate Diploma from Yamaha Music Foundations

characters that sing in different registers and keys. He personifies each character with their different entrances. By using lower registers for the father it shows the human trait of concern. When the son enters the vocal range is very high and uses the flat 9 chord. This is to show the human trait of fear. The Erlking enters and the music sounds soothing and at first it is in the low to middle register, then middle to high once he has captured the boy. By using different key changes Schubert expresses

in keys throughout the song from the opening key of G major, to the prevalent “relative major to the parallel minor” key of B-flat major, to the instrumental use of the parallel g minor, and to the occasional relative e minor1. Paul opens the song with an ‘intro’ section, something that not many other preceding Beatles songs possessed. This intro also commences the later key changes by shifting from the original G major key, to the B-flat major key at the end of the two lines. The intro is followed