Chronicle

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    The second part of the essay will explore the popular book series of The Chronicles of Narnia by C.S. Lewis. It will also compare any apocalyptic references with the Bible; hence, linking this source to the Jehovah’s Witnesses as they use the Bible as scriptural evidence for their apocalypticism. Clive Staples Lewis was born in Belfast in 1898. Lewis began writing The Lion, the Witch, and the Wardrobe in 1939. He pauses during the Second World War resuming writing in 1948. He begins writing his last

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    for The Chronicles of Narnia series and the book of Mere Christianity, although he has written more than 40 books. In 1916, C.S Lewis was drafted into the army to serve in war, an experience that turned him into an atheist. In 1929, Lewis converted from atheism to theism and in September of 1931, after talking to his close friend, J.R.R Tolkien, Lewis became a Christian. C.S. Lewis started to write about Christianity and on October 16, 1950, he published the first book novel in the Chronicles of Narnia

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    Lewis’ personality is personified in The Chronicles of Narnia, and specifically in The Voyage of the Dawn Treader through the children. The children Lucy, Edmund, Caspian, and Eustace are searching for the seven missing lords exiled by King Caspian’s odorous Uncle Miraz. Additionally, they are searching for the “far east” or Aslan’s country. But more pointedly Edmund and Lucy are continually searching for Aslan. In the novels, Aslan is a huge lion that appears from time to time offering assistance

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    According to the Subtlety of C.S. Lewis’s Use of the Bible in The Chronicles of Narnia session, “In the book, during the visit to the Dark Island, Aslan continues this comparison with Jesus by sending an albatross that at first “looked like a cross” to lead them out of the darkness and into the light. Dawn Treader sails nears Aslan’s country, the light from the sun gets brighter and brighter, and everyone’s vision is improved by the ocean water, which has gotten sweeter and sweeter.” The imagery

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    In Gabriel Garcia-Marquez’s Novel Chronicle of a Death Foretold He explored many different topics such as cultural values, gender equality and social viewpoint, but the one most fascinating to me was his way of making the ideals of religion and culturalism complement each other and how he could also make them enable each other. While reading the book as a class we pointed out many distinct differences in between characters and their behaviors and how they would relate to the theme of culturalism

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    “Chronicle Of a Death Foretold” is a novel written by Gabriel Garcia Marques. The narrative viewpoint is ambiguous as it changes slightly throughout the novel, the main viewpoint used is first person as the narrator is retelling the story but Marquez correspondingly uses reports and direct speech of other characters to present different perspectives and versions of truth. Consequently, our knowledge of Father Amador is limited, as some information is given about what he says and does but the rest

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    beyond the simplicity of a pretty flower. Like women, flowers are seen at face value without any concern for the lack of freedom, opportunity, and expression they have. Women are meant to be seen just how society expects and not any other way. In Chronicle of a Death Foretold, female characters face the serious consequences of societal expectations and views on sexuality. Gabriel Garcia Marquez uses the motif of flowers to symbolize women and their virginity to demonstrate the confinement of women

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    2016 C.S. Lewis and “The Chronicles of Narnia” C.S Lewis was a well renowned English author that has published many great works with his most well received piece being, “The Chronicles of Narnia.” The tale takes place during the London bombings of World War II. The solace for the four children in the novel is a magical wardrobe that transports them to a world of mythical creatures, and connections are made between the Catholic Church and this magical world. In, “The Chronicles of Narnia, the author

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    Maria Alejandrina Cervantes—Commentary—Chronicle of a Death Foretold “I dreamed that a woman was coming into the room with a little girl in her arms, and that the child was chewing without stopping to take a breath, and that half-chewed kernels of corn were falling into the woman’s brassiere. The woman said to me: ‘She crunches like a nutty nuthatch, kind of sloppy, kind of slurpy.’ Suddenly I felt the anxious fingers that were undoing the buttons of my shirt, and I caught the dangerous smell

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    When C.S. Lewis wrote The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe, he intended for Aslan to represent Jesus. Throughout the book, Aslan goes through many of the same things Jesus went through. For instance, Aslan represents Jesus by how he goes through the crucifixion as Jesus did. Also, Aslan was resurrected from the grave after his death just as Jesus was. Aslan’s personality, emotions, and traits all represent Jesus. Aslan brings the statues life when they were trapped in nothing

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