Des beaux arts

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    Paul Cézanne (1839-1906) was a French painter, born in Aix, France. Cézanne was born to a middle-class family, being his father the co-founder of a banking firm. Cézanne attended to good schools due to his family’s background. Paul was registered to the Bourbon College where he enhanced his skills. After meeting Émile Zola in the Bourbon College, Cézanne was encouraged to go deeper in his artistic career. Both of them had the idea of success in the industrial Paris. His father derailed his plans

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    the École des Beaux-Arts, where he stepped out of the traditional way of painting and invented his own way of painting through scientific technique of mixing colors. His techniques were beyond the styles of Impressionism, which was the most acquired art technique of that age. After his birth on December 2, 1859, in Paris, France, his father was a customs official, he was not at home that often which led Seurat, his brother and his sister to grow up with their mother Faivre. He learned arts in his

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    I will be talking about my partner Romaric Delecourt who was born in northern France in the city of Lille. The city of Lillie is well known for its beauty and history. Many people worldwide travel to Lille each year to be able to see Palais des Beaux- Arts de Lille which is the biggest museum in France and the biggest museum which is not in Paris. There are many

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    Epitaph On A Tyrant

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    In W.H. Auden’s poem “Epitaph on a Tyrant” is a six-line poem with a rhyme scheme of ABBCAC. The speaker of the poem seems to be talking of the thoughts and actions of a tyrant. Tyrants tend to exercise their control in a cruel way. The speaker states that this particular tyrant seeks “perfection” which could mean that the tyrant believes that their way is the correct way when it comes to running the nation (Line 1). The mention of “armies and fleets” is a way that the tyrant shows his power and

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    Old Masters Meaning

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    W.H. Auden’s poem, “Musée des Beaux Arts,” is clearly about suffering. However, Auden presents the idea of suffering in an uncommon, shrewdly observant manner by letting us know that the “Old Masters” have never been wrong about it (lines 10-12). The “Old Masters,” we discover, are painter like Pieter Brueghel, but the poet could also possibly mean that other artist—such as writers, musicians, dramatists, and myth creators—have been correct to imply in their works that no one seems to care about

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    Gilbert, a manufacturer of blinds. In 1860 he became a student of Charles Gleyre and enrolled at the Ecole des Beaux-Arts. In April, 1864 he came out 10th of 106th candidates in a sculpture and drawing examination there. Initially influenced by the Barbizon School, once he had come

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    the early 1840s he studied at the Petite Ecole, the state school for training in the applied arts, formally called the Ecole Gratuite de Dessin, before entering the Ecole des Beaux-Arts in 1844, where he changed masters repeatedly, oscillating between typical student ambition (optimal credentials for the Prix de Rome) and his interest in more liberal approaches. Carpeaux moved from Ecole painter Abel de Pujol (1785-1861), to the independent sculptor François Rude, and finally to the prestigious Ecole

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    René Magritte was born in Lessines, Belgium in 1898. René Magritte later figured out he wanted to devote his life to art so he went to go study art at Academie des Beaux-Art. He left the school before finishing because he believed it was a waste of his time. After leaving school, he began to make paintings using cubism which was inspired by Pablo Picasso and he also imitated the art style of post impressionism (which was very famous for artists like Cezanne and Van Gogh). He later altered his paintings

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    the true nature of emotion through it. School was hard for Rodin because he had a hard time reading, but he took interest in drawing. He started taking art classes when he turned 13. This is when students and teachers gave him no recognition on his art and Rodin started doubting himself. At 17 years old, he applied

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    In the 19th century Greek art and architecture was in vogue because of Lord Elgin buying/taking marble friezes from the temple of Athena Parthenon in the beginning of the century. Combined with the first democratic nation in a few millennia being founded, the popularity of Greek

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