Elias disney

Intro: Hello my name is Bikram my candidate number is 0013 The film I have chosen is On the waterfront directed by Elia Kazan. I will be giving an in depth analyses of the 5minuted extract I have chosen from 00:02:00 – 00:07:00. This film explores the social issues of corruption and racketeering by crime gangs or crime unions (OR WE CAN CALL THEM ORGANISED CRIME GROUPS) which have control over the dock area in New York IT explores how the protagonist Terry Malloy played by Marlon Brando goes from

In his staging of “A Streetcar Named Desire”, Tennessee Williams is creative in his unorthodox fusing of realistic elements with an expressionistic style. We can see the themes and ideas that Williams is trying to portray through more than just the dialogue and good acting. Dramatic strategies such as form, staging and set design, the costumes and so on, these all help convey to an audience the themes of the play in either quite obvious or subtle ways; most of the time it’s subtle, we have to really

John Ridge, his father Major Ridge, and his cousin Elias Boudinot were part of the treaty process that would relocate the Cherokee Nation called, “The Treaty of New Equota”. It is evident in the book that John Ridge was in favor of signing the treaty because he thought that he would be protecting the rights

and further information on his memorability could be gained by studying how his acting became better over time. Neves addressed the question of Brando’s memorability by examining his acting in the 1954 movie On The Waterfront. Neves uses hearings by Elia Kazan (director of On the Waterfront) by the House Committee of Un-American Activities as a primary source. This source was useful because it allowed Neves to gain information on the film’s background, in the director’s own words.

Justice is doing for others, what we would want done for ourselves. Both the play ‘Twelve Angry Men’ by playwright Reginald Rose and the film ‘On the Waterfront’ by director Elia Kazan explore justice. Rose and Kazan use a variety of characters and their challenges, as well as a range of different literary features to build their knowledge of justice shown throughout both texts. Firstly, both authors Rose and Kazan explore the use of their protagonists using justice to overcome the fears to stand

started in the early 1940s by playwright Tennessee Williams, who prepared and tested numerous titles for the work. Eventually, the completed play opened on December 3, 1947 in New York City staring Marlon Brando as Stanley Kowalski and directed by Elia Kazan. This run of Streetcar lasted 855 performances until 1949 and won Williams a Pulitzer Prize and the New York Drama Critics ' Circle Award. Later, in 1951, the film version was adapted and stared Brando along side Vivien Leigh as Blanche with

Time and space is an intriguing concept. Arthur Miller's (1949) Death of a Salesman and Tennessee Williams' (1945) The Glass Menagerie both implement these concepts in different ways. Death of a Salesman is told through the perspective of a man who is imagining his memories, while at the same time, living his everyday life. The Glass Menagerie, similarly, is told through the memories of the narrator, Tom Wingfield, but not while he is living his present life. The characters in both stories reminisce

Relationship between Arthur Miller and Elia Kazan “I think it’s a mistake to ever look for help outside of oneself” - Arthur Miller. This statement can be used to describe the complicated relationship between Arthur Miller and Elia Kazan during the Red Scare. Both Miller and Kazan were at the height of their career during this timeframe and the major focus on communism was the start of downfall of their friendship. Miller and Kazan had friction over the decades in both their professional lives

Elia Kazan’s film, A Streetcar Named Desire (1951) was adapted from the play originally written by Tennessee Williams. This film won multiple Oscars and countless other awards that prove it to be an extremely impressive work for its time. The setting of this film sets the stage, the themes and symbolism add interest, and the characterization only enhances an already impressive work. These elements and many more are what make up this incredible film. This film is set in the 1940’s in the bustling

In Arthur Miller’s play “Death of a Salesman” he demonstrates how a salesman goes through life struggling with his problem and reality. In the beginning, Willy Loman returned home from driving long hours to sell his product. When Willy was beginning to be too loud talking to himself with flashbacks of memories the boys would come down and they all have a fight. In a flashback, Biff went to meet Willy to tell him about school but caught a woman in the room with Willy. From that day on Biff never appreciated