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    According to the Oxford Dictionaries, a vampire is “a corpse supposed to leave its grave at night to drink the blood of the living by biting their necks with long pointed canine teeth.” Vampires were seen as a villain, evil, or even a monster. This type of vampire can be seen in the novel Dracula by Bram Stoker. However, the newer vampires “drink blood to survive and maintain their powers” (Truebloodwiki). This description of vampires is similar to the Oxford definition. However, in this description

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    The use of language in literature can affect the way in which the reader interprets something. Language allows authors to manipulate the specific meaning he or she chooses to create. In the novel Lolita, written by Vladimir Nabokov, the narrator, Humbert Humbert, employs language in a specific manner meant to stimulate emotion in the reader. Rather than exposing him as a pedophile, the narrator’s altering speech is intended to accentuate the artistic nature for his inappropriate relationship with

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    Jason as the Foil of Medea In Medea, by Euripides, the two main characters Jason and Media are forced to leave Lolkos and have taken refuge in Corinth. Jason has the possibility of establishing a position of standing in the community by marrying King Creon’s daughter. Medea is enraged by Jason’s betrayal of her and their two children and she vows to stop the marriage and exact revenge. In the play, Medea and Jason are set up as foils. Medea is completely dependent on the

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    Literacy As a child, I never had books read to me. It was not really part of the middle-class lifestyle in Punjab, where I was born and lived for 5 years. In Punjab, I completed two years of early education known as LKG (lower kindergarten) and UKG (upper kindergarten). The school I went to, although a high SES school, did not have a library where we would go to read picture books. Moreover, the books we did have for ‘English’ were a compilation of poems and stories, with very few pictures. Poems

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    CHAPTER FOUR As Dark As His Tar Black Soul I pictured notorious pirates, maybe Blackbeard himself battling gallant king’s men. But the strange beach was so silent and so deserted that even the wind held its breath. Where the heck are we, Wonderland? I thought as panic wrapped its icy figures around my throat. Relax. Just breathe. In and out it’s easy, I told myself listening to the soothing sound of lapping waves gently caressing the cream-colored sand. I repeated it like a mantra twice, and had

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    grew up privileged with wealth and always had a sense of security. The two siblings kept no contact growing up because of a dispute that occurred days before the death of their father. Macon is drawn to Pilate’s way of life even though he cannot admit it to himself. One night Macon decided to take a stroll past Pilates house, to his surprise he was drawn to the music and the liveliness that was protruding her house. If Pilate and Macon would have stayed together and been able to support each other

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    Stephen Mallatratt’s adaption to play of “The Woman in Black” portrays the story of a man named Mister Kipps, who is a solicitor who has been sent to an abandoned home in the East of the country in order to collect the legal papers of a recently deceased woman. However, the audience learns that the woman living in Ell Marsh House was haunted by a spirit known as The Woman in Black. Being based in the turn of the previous century, the play tackles the themes of how the fear of the unknown can transform

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    Mary Walker: Woman, Doctor, Surgeon, Activist The 1800s are a time of fast-paced changes as the world becomes more industrialized. Even with the advent of industry, the mundane and ordinary everyday life is resistant to change. Our society is very patriarchal and women are not seen as equals by most men of the time. There are a few who believe this is unjust and will seek to change society. One such is a young girl by the name of Mary Edwards Walker, the fifth daughter of Alvah and Vesta Walker

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    British Empire during the Victorian era: United Kingdom, Yemen, Anguilla, Australia, Bahamas, Bahrain, Barbados, Basutoland, Bechuanaland, Bermuda, Kenya, Cameroon's, Guyana, Belize, Somaliland, Brunei, Canada, Cayman Islands, Sri Lanka,, NZ assoc, Cyprus, falkland Islands, Fiji, Gibraltar, Ghana, Grenada, China, India, Jamaica, Kenya, Kuwait, West Malaysia , Maldive Islands, Malta, Mauritius, Montserrat, Newfoundland, New Zealand, Nigeria, North Borneo, Nyasaland, Papua New Guinea, Pitcairn Islands

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    A social totality is not a concept born of mere delicate measure but of a grand scheme of aspects - of mixed languages and customs in a society or the social and economic class and the way those two intertwine. One of the best ways of defining a concept is to understand what it is not, or in a story, the characters that do not define it. Stories such as Madame Bovary by Gustave Flaubert and “The Garden Party” by Katherine Mansfield both define the borders of the social totalities of their worlds

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